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  • av Tim Armstrong
    1 086,-

  • av Tim Armstrong
    566 - 1 556,-

    Most human bodies have two arms, two legs, hands, feet, a head. Yet the body, as we perceive it, is ultimately a cultural construct defined by the values and meanings each individual, and each culture, ascribes to it. Beyond its corporeal realities, the implications of the body-how we adorn, alter, heal, and please it-are potentially endless, limited only by the manner in which we frame it. Revealing how the human body has served as as metaphor for social process, the anthology unveils the body as intrinsically configured by politics, gender, racial categories, fears of pollution, and commercial forces which exploit and regulate it. Historical snapshots of American bodies over the past two and a half centuries, the essays in this volume cover such diverse subjects as sailor tattoos, maritime cannibalism in the early 1800's, birth control, rest cures for neurasthenia, and, more recently, anorexia, boxing, cyberpunk, and plastic surgery. Drawing from history, literary and cultural studies, and film studies, American bodies is an eclectic, stimulating collection that will challenge many fundamental beliefs about our physical form.

  • av Tim Armstrong
    126,-

    Touring the US with his band should have been a dream come true, but when guitarist Colman and bass player Seonag become separated from the rest of their band, they are drawn into a world of crime and violence and find themselves wanted by the police.

  • - Selected Poems
    av Tim Armstrong
    606,-

    In "Thomas Hardy: Selected Poems" Tim Armstrong brings together over 180 poems in the first comprehensively annotated selection of Hardy's poetry. Unlike most previous selections, this edition preserves the shape of the poet's career by presenting the poems in the order in which they appeared in the "Collected Poems" of 1930, rather than re-ordering them thematically. Head notes to each poem give the reader information about its composition, publication, sources and metrical scheme; on-the-page notes list significant variants in Hardy's manuscripts, point out literary and other allusions, and give explanatory glosses. An appendix contains a selection of relevant passages from Hardy's notebooks, letters, and autobiography; and a bibliography suggests further reading.Tim Armstrong's critical Introduction discusses Hardy's career, his poetics, his use of memory and allusion and examines his position in the context of Victorian debates on aesthetics and belief. The generous selection of poems includes many lesser-known poems as well as those which have received most critical commentary, and the important elegiac sequence 'Poems of 1912-13' is included in its entirety. Tim Armstrong is Professor of Modern English and American Literature at Royal Holloway, University of London, and author of "Haunted Hardy: Poetry, History, Memory" (2000).

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