A practice and theory guide that sets out the best methods in producing sound for multi-media and the academic theories that underpin the history and analysis of sound expression. It teaches how qualitative sound can be produced for drama, documentary and journalism in radio, theatrical stage production, television and film, online, and animation.
Presenting practical and theoretical resources on media law and ethics for the United Kingdom and United States of America and other legal jurisdictions such as France, Japan, India, China and Saudi Arabia, this book is suitable for professionals in the media who need to work internationally.
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