Timothy Murray discusses relations between artistic practice, sexual and racial politics, theory and cultural studies through an examination of film, photography and art.
In this cross-disciplinary study, Timothy Murray examines the artistic struggle over traumatic fantasies of race, gender, sexuality, and power. This work links the impact of trauma on recent political projects in performance and video with the specters of difference haunting Shakespeare's plays.
A double-edged critical forum, this volume brings early modern culture and psychoanalysis into revisionist dialogue with each other. The authors reflect on how psychoanalysis remains "possessed" by its incorporation of early modern mythologies, visions, credos and phantasms.
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