Böcker av Trezza Azzopardi

Lewis is haunted by the memory of his brother, by a stolen car and a river running full, and most of all by the boy at the wheel. Anna is haunted too, but her ghost is very much alive. Rita, Anna's mother, is the exact opposite of her daughter - loud, carefree, and a daredevil, at seventy-six. When Rita suffers a fall, Anna must leave London and spend the winter looking after her mother in Yarmouth. As they search for solutions to their problems, Anna and Lewis find themselves having to face troubling truths about who they are and what they might become - with electrifying consequences. 'Subtle and forceful . . . [A] finely judged and emotionally intricate novel' Guardian 'Artful . . . Beguiling . . . A novel marked by poetic delicacy . . . Azzopardi has a gift for characterization - a magpie-eye for the human spark - and equally for the humanity of things' Times Literary Supplement 'Limpid prose . . . [A] lyrical sense of place . . .Startling and arresting . . .Unlikely urban sites take on a fierce and mysterious beauty in Azzopardi's hands' Irish Times 'Here's proof, if anyone needs it, that the best writing does not need to be inaccessible . . . [Winterton Blue] has the . . . strange, captivating quality of real life shot through with poetry . . . Beautifully evoked' The Times 'Intricate, quietly brilliant . . . Some haunting snapshots of contemporary Britain . . . A vivid, sensuous rendition of the Norfolk coast' Daily Telegraph 'Funny, bizarre and addictive' Eve Biographies Trezza Azzopardi was born in Cardiff and lives in Norwich. The Hiding Place, her first novel, was shortlisted for the Booker Prize in 2000.

Lillian would say she's no trouble, content to let the days go by, minding her own business and bothering no one. She'd rather not recall the past and, at 72, doesn't see much point in thinking too much about the future. But when her closed existence is suddenly shattered by a random act of violence committed by a young girl, Lillian is catapulted abruptly out of her exile. Robbed of everything she owns, she embarks on a journey to find the thief -- but soon finds that what began as a search for stolen belongings has in fact become about the rediscovery of a stolen life.

When Kenneth Earl realises his memory is failing, he advertises for someone to help him catalogue his vast collection of music, and so create a record of his life. Maggie, the final candidate, is his last hope. But he doesn't guess, when he gives her the job, that the archive will be as much about her past as his -- because this isn't the first time that Maggie has been to Earl House, and it's no coincidence that she applied for the post . . . 'Slowly, and in Azzopardi's melodic, lyrical prose the secrets of Maggie's childhood are revealed, full of loss and longing, unfaithful loves and bad choices' Marie Claire 'Not just a good read, but a fireworks display of true talent. A Fred and Ginger extravaganza - and an unforgettable dance' The Scotsman 'Azzopardi is an accomplished writer, beautifully weaving the past into the present until her words literally sing off the page' Stylist magazine Book of the Week

Shortlisted for the Booker Prize 2000 'Fans of Kate Atkinson and Andrea Ashworth will love this. Read it and weep.' Mirror This brilliant first novel is set in the Maltese community of Tiger Bay in Cardiff where the author grew up. Dolores, the narrator tells the story of her childhood - her father, Frankie, a compulsive gambler who, due to a misunderstanding at the moment of her birth (he is convinced that his wife will finally give birth to a boy after a multitude of daughters) loses everything to his rival Joe Medora, head of the Maltese Mafia. Frankie's gambling leads to the fire which disfigures Dolores. There is a terrifyingly vivid scene as Dolores remembers watching her hand being burnt in the fire that destroys their home and the moment when Joe claims one of Frankie's daughters as his own. The author evokes the world of Dolores and her family with brilliant power and sensitivity. The novel flits between past and present as Dolores reflects on her childhood and the lives that her father created for himself and his children.