'Performing Remains' explores the role of the fake, the false and the faux in contemporary theatre. Divided into seven essays, it examines both contemporary and historical performance with a wide scope, questioning the importance of representation and reassessing the ritual value of failure.
With a comprehensive analysis, this book links theory, evidence and practical application to bridge gaps between planning, design and criminology. It investigates connections between crime prevention and development planning with an international approach, looking at initiatives in the field.
Explores the possibility of a theology of multiplicity that is grounded in fluidity, change and incarnation.
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