Böcker av Vladimir Nabokov

This landmark new collection brings together the best of the poetry of Vladimir Nabokov, one of the twentieth century's greatest writers and author of Lolita and Pale Fire. It includes an extensive number of poems that have never appeared in English before, newly translated from the Russian by his son Dmitri Nabokov.These masterly poems span the decades of Nabokov's career, from 'Music', written in 1914 and probably Nabokov's first recorded poem, to the short, playful 'To Vera', composed in 1974. 'The University Poem', one of Nabokov's major poetic works, is here in English for the first time: an extraordinary autobiographical poem looking back at his time at Cambridge, with its dinners, games, girls and memories, it is suffused with rich description, wit and verbal dexterity. Included too are the surreally comic 'A Literary Dinner', the enchanting, lyrical 'Eve', the wryly humorous 'An Evening of Russian Poetry' and a meditation on the act of creation, 'Tolstoy', as well as verse written on America, lepidoptery, sport, love and Nabokov's Russian homeland.

The Original of Laura is Vladimir Nabokov's final, incredible unfinished novel in fragments. Dr Philip Wild, a man of brilliance, wit, fortune and tremendous bulk, is used to suffering humiliations at the hands of his wife, the younger, slender, and rudely promiscuous Flora. But in a novel, a 'maddening masterpiece' documenting her infidelities, written by one of her lovers and given to the doctor, she appears as My Laura. Dishonoured, Wild still finds pleasure in life, by indulging in self-annihilation, beginning with the removal of his toes.

The darkly comic Transparent Things, one of Nabokov's final books, traces the bleak life of Hugh Person through murder, madness, prison and trips to Switzerland. One of these was the last journey his father ever took; on another, having been sent to ingratiate himself with a distinguished novelist, he met his future wife. Nabokov's brilliant short novel sinks into the transparent things of the world that surround this one Person, to the silent histories they carry.Remarkable even in Nabokov's work for its depth and lyricism, Transparent Things is a small, experimental marvel of memories and dreams, both sentimental and malign.Part of a major new series of the works of Vladimir Nabokov, author of Lolita and Pale Fire, in Penguin Classics.

'He did us all an honour by electing to use, and transform, our language' Anthony Burgess'Look at the harlequins ... Play! Invent the world! Invent reality'. This is the childhood advice given by an aunt to Russian born writer Vadim Vadimovich, who emigrates to England, then Paris, then Germany and then the US, and, now dying, reconstructs his past. He remembers Iris his first wife, Annette his long-necked typist and Bel his daughter, as well as his own bizarre 'numerical nimbus syndrome'.

'Nabokov can move you to laughter in the way that masters can - to laughter that is near to tears' GuardianLev Ganin is a young officer sharing a boarding house in Berlin with a host of Russian migr s. Alone in his room, he dreams of his first love, Mary. Awash with memories of youth and idyllic scenes of pre-Revolution Russia, Ganin becomes convinced that Mary is in fact the wife of a fellow-boarder, due to arrive at this very house soon. He longs for her arrival, when he can whisk her away and leave everything behind ...

Nabokov described this novella, written in Paris in 1939 but only published twenty years later, as 'the first little throb of Lolita'. The plot is similar: a middle-aged man wedding an unattractive widow in order to indulge his paedophilic obsession with her daughter. However, The Enchanter has an utterly different atmosphere, as time, place and even names remain a mystery. Nabokov transforms his protagonist's attempts to lull his twelve-year-old step-daughter into a state of 'enchantment' into a graceful, chilling fairytale.

'In general Glory is my happiest thing.' 'The fun of Glory is . . . to be sought in the echoing and linking of minor events, in back-and-forth switches, which produce an illusion of impetus; in an old daydream directly becoming the blessing of the ball hugged to one's chest, or in the casual vision of Martin's mother grieving beyond the time-frame of the novel in an abstraction of the future that the reader can only guess at, even after he has raced through the last seven chapters where a regular madness of structural twists and a masquerade of all characters culminate in a furious finale, although nothing much happens at the very end - just a bird perching on a wicket in the greyness of a wet day' - Vladimir Nabokov

Spurred on by admiration for his novelist half-brother and irritation at the biography written about him by Mr Goodman ('his slapdash and very misleading book'), the narrator, V, sets out to record Sebastian Knight's life as he understands it. But buried amid the extensive quoting, digressions, seeming explanations and digs, Sebastian's erratic and troubled persona remains as elusive as ever. Nabokov's first novel written in English, The Real Life of Sebastian Knight is a nuanced, enigmatic potrayal of the conflict between the real and the unreal, and the futile quest for human truth.

Written in Berlin in 1934, Invitation to a Beheading contains all the surprise, excitement and magical intensity of a work created in two brief weeks of sustained inspiration. It takes us into the fantastic prison-world of Cincinnatus, a man condemned to death and spending his last days in prison not quite knowing when the end will come. Nabokov described the book as a violin in a void. The worldling will deem it a trick. Old men will hurriedly turn from it to regional romances and the lives of public figures The evil-minded will perceive in little Emmie a sister of little Lolita But I know a few readers who will jump up, ruffling their hair .

The Gift is the phantasmal autobiography of Fyodor Godunov-Cherdynstev, a writer living in the closed world of Russian intellectuals in Berlin shortly after the First World War. This gorgeous tapestry of literature and butterflies tells the story of Fyodor's pursuits as a writer. Its heroine is not Fyodor's elusive and beloved Zina, however, but Russian prose and poetry themselves.

The state has been recently taken over and is being run by the tyrannical and philistine 'Average Man' party. Under the slogans of equality and happiness for all, it has done away with individualism and freedom of thought. Only John Krug, a brilliant philosopher, stands up to the regime. His antagonist, the leader of the new party, is his old school enemy, Paduk - known as the 'Toad'. Grieving over his wife's recent death, Krug is at first dismissive of Paduk's activities and sees no threat in them. But the sinister machine which Paduk has set in motion may prove stronger than the individual, stronger even than the grotesque 'Toad' himself.

Vladimir Nabokov's early novel is the dazzling story of the coarse, strange yet oddly endearing chess-playing genius Luzhin. Discovering his prodigious gift in boyhood and rising to the rank of International Grandmaster, Luzhin develops a lyrical passion for chess that renders the real world a phantom. As he confronts the fiery, swift-swooping Italian Grandmaster Turati, he brings into play his carefully devised defence. Making masterly play of metaphor and imagery, The Luzhin Defense is the book that, of his early works, Nabokov felt 'contains and diffuses the greatest warmth'.

'Vladimir Nabokov was a literary genius' David Lodge'Of all my novels this bright brute is the gayest', Nabokov wrote of King, Queen, Knave. Comic, sensual and cerebral, it dramatizes an Oedipal love triangle, a tragi-comedy of husband, wife and lover, through Dreyer the rich businessman, his ripe-lipped ad mercenary wife Martha, and their bespectacled nephew Franz. 'If a resolute Freudian manages to slip in' - Nabokov darts a glance to the reader - 'he or she should be warned that a number of cruel traps have been set here and there...

A novel constructed around the last great poem of a fictional American poet, John Shade, and an account of his death. The poem appears in full and the narrative develops through the lengthy, and increasingly eccentric, notes by his posthumous editor.