Böcker av Walter de la Mare

Walter de la Mare was one of the most beloved poets of the twentieth century, with a distinctive voice and a gift for evocative imagery. This collection includes some of his most famous works, including 'The Listeners' and 'The Veil.' With its haunting beauty and timeless themes, de la Mare's poetry continues to captivate readers to this day. A must-read for fans of modern poetry.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The second volume of Walter de la Mare's "Collected Poems 1901-1918" is a collection of poetry that explores a range of subjects, such as the paranormal, nature, love, memory, and death. The author's poetry is renowned for its melody and use of symbolic language. Some of the notable poems in this collection, which were written between 1913 and 1918, are "Mistletoe," which depicts the Christmas custom of kissing under the mistletoe, and "Winter," which captures the gloom and desolation of the season. While "Napoleon" explores the life and legacy of the French military leader, "The Moons" describes the various lunar phases. The song "All That's Past" emphasizes how ephemeral life is and how it must change. The notions of concealed knowledge and a desolate garden are explored in other outstanding poems in the book including "The Veil" and "The Sunken Garden." Both the spooky poems "The Witch" and "The Traveller" explore terror and mystery. Overall, this collection of poems demonstrates de la Mare's distinctive literary voice and style, which are renowned for their ability to captivate and haunt readers.

After visiting a graveyard, a man finds his appearance has mysteriously changed. Returning home only to be received with horror and suspicion by his family, he must reckon with the social consequences of his bizarre transformation, while searching for an explanation and solution.Walter de la Mare has a reputation for crafting ghost stories of philosophical depth and haunting ambiguity. The Return, one of only two of his long-form supernatural works, follows this trend, and sees de la Mare exploring ideas of personal identity, spirituality, and the consequences of living in blind adherence to social expectations. Functioning as a fantastical agent of mid-life crisis, Arthur Lawford¿s condition uproots the foundations of his existence and casts into doubt all he had taken for granted about himself and his place in the world.There are no cheap scares or easy answers in The Return. It¿s a work rich with enigmatic detail, describing a struggle to find meaning in a world where nothing is certain; a theme as relevant and recognizable now as when the novel was first published in 1910.

Memoirs of a Midget, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

Walter de la Mare (1873-1956) was one of the best-loved English poets of the twentieth century, his verse admired by contemporaries including Thomas Hardy, Robert Frost, W. H. Auden and T. S. Eliot. This volume presents a new selection of de la Mare's finest poems, including perennial favourites such as 'Napoleon', 'Fare Well' and 'The Listeners', for a twenty-first-century audience. The poems are accompanied by commentaries by William Wootten, which build up a portrait of de la Mare's life, loves and friendships with the likes of Hardy, Rupert Brooke, Edward Thomas and Katherine Mansfield. They also point out the fascinating references to literature, folklore and the natural world that embroider the verse.

De la Mare described two distinct "types" of imagination - although "aspects" might be a better term: the childlike and the boylike. It was at the border between the two that Shakespeare, Dante and the rest of the great poets lay.

Walter John de la Mare, OM CH (1873-1956), was an English poet, short story writer, and novelist, probably best remembered for his works for children and "The Listeners" (1912), and for a highly acclaimed selection of subtle psychological horror stories, amongst them "Seaton''s Aunt" and "All Hallows". In 1921, his novel Memoirs of a Midget won the James Tait Black Memorial Prize for fiction, and his post-war Collected Stories for Children won the 1947 Carnegie Medal for British children''s books. His first book, Songs of Childhood (1902), was published under the name Walter Ramal. He worked in the statistics department of the London office of Standard Oil for eighteen years while struggling to bring up a family, but nevertheless found enough time to write.

Walter John de la Mare, OM CH (1873-1956), was an English poet, short story writer, and novelist, probably best remembered for his works for children and "The Listeners" (1912), and for a highly acclaimed selection of subtle psychological horror stories, amongst them "Seaton''s Aunt" and "All Hallows". In 1921, his novel Memoirs of a Midget won the James Tait Black Memorial Prize for fiction, and his post-war Collected Stories for Children won the 1947 Carnegie Medal for British children''s books. His first book, Songs of Childhood (1902), was published under the name Walter Ramal. He worked in the statistics department of the London office of Standard Oil for eighteen years while struggling to bring up a family, but nevertheless found enough time to write.