Böcker av Wayne Miller

A tender and provocative collection of poems interrogating the troubles and wonders of childhood and parentage against the backdrop of global violence.From the accomplished and tenacious poet Wayne Miller comes a collection examining how an individual’s story both hues to and defies larger socio-political narratives and the sweep of history. A cubist making World War I camouflage, a forlorn panel on the ethics of violence in literature, an obsessive litany of “late capitalism” routines, a military drone pilot driving home—here, the awkward, the sweet, and the disturbing often merge. And underlaying it all is Miller’s own domestic life and two children, who highlight the hopeful and ingenious aspects of childhood, which endures “not // as I had thought / the thicket of light back at the entrance // but the wind still blowing / invisibly toward me / through it.” Wayne Miller’s sixth collection of poems is his most intimate, juxtaposing his fraught youth with his children's cautiously safer one, against insurrection and pandemic, vacation and vocation, art and war. This piercing book spares nothing and no one in searching out a measure of personal truth and benevolence in today’s turbulent, brutalizing world, confronted by a singularly candid and lyrical voice.

Camp Clean Water is a fun adventure story about six grade school students who have entered their school's science fair with exhibits on keeping our water environment clean. These students are from communities near beaches, swamps, rivers, and the Gulf of Mexico. Helping these communities respect these bodies of water and keep them free of pollution and litter are the major goals the students are showing in their science projects. Winning their school science fair earns them a week at the Camp Clean Water where biologists and water experts will enrich their knowledge of the affects of pollution on water.

Copper Nickel is the national literary journal housed at the University of Colorado Denver. It isedited by poet, editor, and translator Wayne Miller (author of five collections, including We the Juryand Post-, coeditor of Literary Publishing in the Twenty-First Century, and co-translator of MoikomZeqo’s Zodiac) and co-editor Joanna Luloff (author of the novel Remind Me Again What Happenedand the story collection The Beach at Galle Road)—along with poetry editors Brian Barker (author ofVanishing Acts, The Black Ocean, and The Animal Gospels) and Nicky Beer (author of Real Phonies andGenuine Fakes, The Octopus Game and The Diminishing House), and fiction editors Teague Bohlen(author of The Pull of the Earth), Alexander Lumans (whose work has appeared in American ShortFiction, Gulf Coast, The Paris Review, Story Quarterly, and elsewhere), and Christopher Merkner(author of The Rise & Fall of the Scandamerican Domestic). Since the journal’s relaunch in 2015, work published in Copper Nickel has been regularly selected forinclusion in Best American Poetry, Best American Short Stories, Best Small Fictions, and the PushcartPrize Anthology, and has often been listed as “notable” in the Best American Essays. Contributors to Copper Nickel have received numerous honors for their work, including the NobelPrize; the National Book Critics Circle Award; the Pulitzer Prize; the Kingsley Tufts PoetryAward; the Kate Tufts Discovery Award; the Laughlin Award; the American, California,Colorado, Minnesota, and Washington State Book Awards; the Georg Büchner Prize; the PrixMax Jacob; the Lenore Marshall Prize; the T. S. Eliot and Forward Prizes; the Anisfield-WolfBook Award; the Alice Fay Di Castagnola Award; the Lambda Literary Award; as well asfellowships from the NEA and the MacArthur, Guggenheim, Ingram Merrill, Witter Bynner,Soros, Rona Jaffee, Bush, and Jerome Foundations. Copper Nickel is published twice a year, on March 15 and October 15, and is distributed nationallyto bookstores and other outlets by Publishers Group West (PGW) and Media Solutions, LLC. Issue 35 Includes: • Poetry Translation Folios with work by four 21st century female poets: emerging Korean poetKim Yurim, translated by Megan Sungyoon; emerging Spanish poet Beatriz Miralles de Imperial,translated by Layla Benitez-James; Khazakhstani Russian-Language poet Aigerim Tazhi, translatedby J. Kates; and emerging Italian poet Giovanna Cristina Vivinetto, translated by Gabriella Fee andDora Malech. • New Poetry by National Book Award finalist Leslie Harrison; Kingsley Tufts Award-winnerAngie Estes; Guggenheim Fellow Eric Pankey; Whiting Award-winner Joel Brouwer; Felix PollackPrize-winner Emily Bludworth de Barrios; as well as emerging poets Ariana Benson, Chee Brossy,Dorsey Craft, Asa Drake, Anthony Immergluck, Luisa Maraadyan, Stephanie Niu, Ben Swimm,and many others. • New Fiction by recent NEA Fellow Sean Bernard and emerging writers Molly Beckwith Gutman,Chemutai Kiplagat, and Sean Madden. • New Essays by James Laughlin Prize-winner Kathryn Nuernberger and emerging essayist DespyBoutris.

Issue 34 Includes • Poetry Translation Folios with work by Guatemalan K’iche Maya poet Humberto Ak’ab’al, translated by Michael Bazzett; Lithuania superstar poet Tomaž Šalamun, translated by Brian Henry; Spanish poet Sandra Santana, translated by Geoffrey Brock; and Venezuelan poet-in-exile Jesüs Amalio, translated by David Brunson, Jr. Plus a Fiction Translation Folio with two stories by nternationally renowned Portuguese writer Sophia de Mello Breyner Andresen, translated by Alexis Levitin. • Poetry by National Book Critics Circle Award winner Ada Limón; Guggenheim Fellows Paul Guest and Mark Halliday; Ruth Lilly Fellow Marcus Wicker; William Carlos Williams Awardwinner Martha Collins; Rilke Prize winner David Keplinger; NEA Fellows Michael Bazzett, Brian Henry, Lance Larsen, Alex Lemon, Jenny Molberg, and Corey Van Landingham; as well as Kelli Russell Agodon, Abdul Ali, Sean Cho A., Michael Dumanis, Chanda Feldman, Melissa Ginsburg, Matty Layne Glasgow, Niki Herd, Alicia Mountain, Lis Sanchez, Indriani Sengupta, and many others. • Fiction by Madeline Haze Curtis, Maria Poulatha, Alyssa Quinn, Kate Weinberg, and Tara Isabel Zambrano. • Nonfiction by Brooke Barry and Robert Long Foreman. • The cover features a recent piece by Minneapolis-based artist Dyani White Hawk, whose work is in the collections of the Museum of Modern Art (MoMA), the Walker Art Center, the Crystal Bridges Museum of American Art, the Denver Art Museum, the Minneapolis Institute of Art, theSmithsonian National Museum of the American Indian, and elsewhere.