Early medieval writers in China understood and manipulated a shared intellectual lexicon to produce meaning. Wendy Swartz explores how these writers developed a distinctive mosaic of ways to participate in their cultural heritage by weaving textual strands from a shared and expanding store of literary resources into new patterns and configurations.
Though dismissed as a poet following his death, Tao Yuanming (365?-427) is now considered one of China's greatest writers. This study of the posthumous reputation of a central figure in Chinese literary history illuminates the transformation of literature and culture in premodern China.
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