Böcker av Wilkie Collins

Part of Alma Classics Evergreens series, this edition of The Woman in White includes pictures and an extensive section on Collins's life and works.

This suspenseful case study in villainy pits the scheming Madame Fontaine against another strong woman, and a former inmate of Bedlam asylum. With its intricate plot and memorable characters, Jezebel's Daughter shares its sensational nature with Collins's major novels. This edition examines the Victorian fascination with criminality.

Blind Love is Wilkie Collins's final novel. Although he did not live to complete the work, he left detailed plans for the last third of this absorbingly plotted novel which were faithfully executed by his colleague, the popular author Walter Besant. The novel is set during the Irish Land War of the early 1880s and tells the story of Iris Henley, an independent young woman who marries the "wild" Lord Harry Norland, a member of an Irish secret society, and becomes unhappily drawn into a conspiracy plot. The Broadview edition of Blind Love includes a critical introduction and primary source materials that address the novel's focus on movements for Irish independence. Appendices include newspaper accounts of Ireland during the Land War and of the fraud case on which Collins based his story, articles reacting to Collins's sudden death, Punch cartoons depicting the English attitudes toward the Irish, and contemporary reviews.

Innehåller de två novellerna Svarta stugan och Den misslyckade detektiven. Titelnovellen handlar om en stenstuga täckt med svart tjära, belägen i västra England. I det fattiga hushållet bor en ung kvinna och hennes far. En dag får de förtroendet att vakta en plånbok åt ett rikt par medan de är i stan. Samtidigt har fadern i huset åkt iväg för att arbeta, så den unga kvinnan är ensam hemma. Och då dyker givetvis inbrottstjuvar upp!William Wilkie Collins (1824–1889) var en brittisk författare, mest känd för sina detektiv- och spänningsromaner. Han skrev romaner, noveller och pjäser.

Part of Alma Classics Evergreen series, The Moonstone is here presented with an extensive section on Collins's life and works.

HarperCollins is proud to present its new range of best-loved, essential classics.'The woman who first gives life, light, and form to our shadowy conceptions of beauty, fills a void in our spiritual nature that has remained unknown to us till she appeared.'One of the earliest works of 'detective' fiction with a narrative woven together from multiple characters, Wilkie Collins partly based his infamous novel on a real-life eighteenth century case of abduction and wrongful imprisonment. In 1859, the story caused a sensation with its readers, hooking their attention with the ghostly first scene where the mysterious 'Woman in White' Anne Catherick comes across Walter Hartright. Chilling, suspenseful and tense in mood, the novel remains as emotive for its readers today as when it was first published.

Rachel opened the box and lifted out the diamond. She held it up in a ray of sunlight that poured through the window, and cried out in amazement.

The Moonstone is a beautiful yellow diamond that was stolen from the statue of a Moon god in India. When Franklin Blake brings it to Rachel Verinder's house in Yorkshire for her birthday, it brings bad luck with it. How many people will the Moonstone hurt? How many must die before the diamond's revenge is complete?

Wilkie Collins's intriguing story about a blind girl, Lucilla Finch, and the identical twins who both fall in love with her, has the exciting complications of his better-known novels, but it also overturns conventional expectations. Using a background of myth and fairy-tale to expand the boundaries of nineteenth-century realist fiction, Collins not only takes a blind person as his central character but also explores the idea of blindness and its implications. His sensitive presentation of the difficulties, disappointments, and occasional delights which follow the recovery of sight by someone blind since infancy is still one of the best accounts in fiction of a problem which continues to intrigue philosophers, psychologists, and the general public, as it has done since it was first discussed by Locke and Berkeley in the eighteenth century.

The only edition in print, Man and Wife combines the fast pace and sensational plot of Collins's most famous novels with a biting attack on the inequitable marriage laws in Victorian Britain.

Armadale tells the devastating story of the independent, murderous, and adulterous Lydia Gwilt. This traditional melodrama also considers the modern theme of the role of women in society.

Magdalen Vanstone and her sister Norah learn the true meaning of social stigma in Victorian England only after the traumatic discovery that their dearly loved parents, whose sudden deaths have left them orphans, were not married at the time of their birth. Disinherited by law and brutally ousted from Combe-Raven, the idyllic country estate which has been their peaceful home since childhood, the two young women are left to fend for themselves. While the submissive Norah follows a path of duty and hardship as a governess, her high-spirited and rebellious younger sister has made other decisions. Determined to regain her rightful inheritance at any cost, Magdalen uses her unconventional beauty and dramatic talent in recklessly pursuing her revenge. Aided by the audacious swindler Captain Wragge, she braves a series of trials leading up to the climactic test: can she trade herself in marriage to the man she loathes? Written in the early 1860s, between The Woman in White and The Moonstone, No Name was rejected as immoral by critics of its time, but is today regarded as a novel of outstanding social insight, showing Collins at the height of his powers. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Wilkie Collins's fifth novel, The Dead Secret explores the relationship between a fallen woman, her illegitimate daughter and the recovery of a hidden secret. Set in rugged Cornwall, the novel blends romance with Gothic drama, and in characterization and setting, clearly anticipates the qualities of Collins's next novel, The Woman in White.

In Basil's secret and unconsummated marriage to Margaret Sherwin, and the consequent horrors of betrayal, insanity, and death, Collins reveals the bustling, commercial London of the first half of the nineteenth century. Collins' treatment of adultery shocked contemporary reviewers, and even today the passionate and lurid atmosphere he created has the power to disturb the modern reader.

'A masterpiece' The TimesAfter the tragic deaths of their parents, Magdalen and Norah discover the devastating news that they are both illegitimate and not entitled to any inheritance.

'The first, the longest, and the best of modern English detective novels' T S EliotWhen Rachel Verinder receives a gift of an astonishing yellow diamond from her bitter old uncle for her eighteenth birthday, she has no idea that the stone brings great danger with it.

Intrigue, investigations, thievery, drugs and murder all make an appearance in Collins's classic who-done-it, The Moonstone. Published in serial form in 1868, it was inspired in part by a spectacular murder case widely reported in the early 1860s.

Word count 31,770

At the centre of Hide and Seek (1854) a secret waits to be revealed. Why should the apparently respectable painter Valentine Blyth refuse to account for the presence in his household of the beautiful girl known as Madonna? It is not until his young friend Zack Thorpe, who is in rebellion against his repressive father, gets into bad company and meets a mysterious stranger that the secret of Madonna can be unravelled.Wilkie Collins's third novel, dedicated to his life-long friend Dickens, is a story in which excitement is combined with charm and humour. In its mixture of the everyday and the extraordinary, Hide and Seek forms a bridge between the domestic novel and the sensational fiction for which Collins later became famous.

Wilkie Collins is the only leading Victorian novelist whose letters have not been published. This authorised edition reproduces his selection of around 700 key letters of the 2,000 known to be in existence, some recently discovered.

Editedand with an Introduction by David Stuart Davies.'Have you ever heard of the fascination of terror?'This is a unique collection of strange stories from the cunning pen of Wilkie Collins, author of The Woman in White and The Moonstone. The star attraction is the novella The Haunted Hotel, a clever combination of detective and ghost story set in Venice, a city of grim waterways, dark shadows and death. The action takes place in an ancient palazzo coverted into a modern hotel that houses a grisly secret. The supernatural horror, relentless pace, tight narrative, and a doomed countess characterise and distinguish this powerful tale.The other stories present equally disturbing scenarios, which include ghosts, corpses that move, family curses and perhaps the most unusual of all, the Devil's spectacles, which bring a clarity of vision that can lead to madness.

When the elderly Allan Armadale makes a terrible confession on his death-bed, he has little idea of the repercussions to come, for the secret he reveals involves the mysterious Lydia Gwilt: flame-haired temptress, bigamist, laudanum addict and husband-poisoner. Her malicious intrigues fuel the plot of this gripping melodrama: a tale of confused identities, inherited curses, romantic rivalries, espionage, money - and murder. The character of Lydia Gwilt horrified contemporary critics, with one reviewer describing her as 'One of the most hardened female villains whose devices and desires have ever blackened fiction'. She remains among the most enigmatic and fascinating women in nineteenth-century literature and the dark heart of this most sensational of Victorian 'sensation novels'.

Despite the grave misgivings of both their families, Valeria Brinton and Eustace Woodville are married. But before long the new bride begins to suspect a dark secret in her husband's past and when she discovers that he has been living under a false name, she determines to find out why he is concealing his true identity from her. Soon she must endure an even greater shock: the revelation that her husband has been on trial for poisoning his first wife. Convinced of his innocence, Valeria is prepared to do anything to clear her husband's name, and in so doing upturns the conventions of polite nineteenth century society.

The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.

The Moonstone, a priceless yellow diamond, is looted from an Indian temple and maliciously bequeathed to Rachel Verinder. On her eighteenth birthday, her friend and suitor Franklin Blake brings the gift to her. That very night, it is stolen again. No one is above suspicion, as the idiosyncratic Sergeant Cuff and the Franklin piece together a puzzling series of events as mystifying as an opium dream and as deceptive as the nearby Shivering Sand. T. S. Eliot famously described THE MOONSTONE as 'the first, the longest and the best of modern English detective novels', but, as Sandra Kemp discusses in her introduction, it offers many other facets, which reveal Collins's sensibilities as untypical of his era.

Magdalen and her sister Norah, beloved daughters of Mr and Mrs Vanstone, find themselves the victims of a catastrophic oversight. Their father has neglected to change his will, and when the girls are suddenly orphaned, their inheritance goes to their uncle. Now penniless, the conventional Norah takes up a position as a governess, but the defiant and tempestuous Magdalen cannot accept the loss of what is rightfully hers and decides to do whatever she can to win it back. With the help of cunning Captain Wragge, she concocts a scheme that involves disguise, deceit and astonishing self-transformation. In this compelling, labyrinthine story Wilkie Collins brilliantly demonstrates the gap between justice and the law, and in the subversive Magdalen he portrays one of the most exhilarating heroines of Victorian fiction.

The Moonstone, a priceless Indian diamond which had been brought to England as spoils of war, is given to Rachel Verrinder on her eighteenth birthday. That very night, the stone is stolen. Suspicion then falls on a hunchbacked housemaid, on Rachel's cousin Franklin Blake, on a troupe of mysterious Indian jugglers, and on Rachel herself.