Böcker av William Faulkner

A landmark in American fiction, Light in August explores Faulkner's central theme: the nature of evil. Joe Christmas - a man doomed, deracinated and alone - wanders the Deep South in search of an identity, and a place in society. Yet after the sacrifice, there is new life, a determined ray of light in Faulkner's complex and tragic world.

A complex, intense American novel of family from the winner of the Nobel Prize for LiteratureWith an introduction by Richard HughesEver since the first furore was created on its publication in 1929, The Sound and the Fury has been considered one of the key novels of this century.

The death and burial of Addie Bundren is told by members of her family, as they cart the coffin to Jefferson, Mississippi, to bury her among her people.

This postbellum Greek tragedy is the perfect introduction to Faulkner's elaborate descriptive syntax. Quentin Compson and Shreve, his Harvard roommate, are obsessed with the tragic rise and fall of Thomas Sutpen. As a poor white boy, Sutpen was turned away from a plantation owner's mansion by a black butler.

""Main Street,"" the classic novel by Sinclair Lewis, isn't just a SINCLAIR LEWISbook - it's a one-way ticket to Gopher Prairie, a town soquintessentially Midwestern that even the cornstalks have anopinion on proper decorum. Follow the adventures (ormisadventures) of Carol Kennicott, a city girl with dreams biggerthan her new husband's medical practice, as she takes on small-town life with the enthusiasm of a squirrel at a nut festival. Butbeware, Gopher Prairie isn't just any sleepy town; it's a placewhere the local gossip travels faster than light and conformity isthe favorite dish served at every potluck. Lewis's razor-sharp witcuts through the American heartland like a hot knife throughbutter, serving up a delightful satire that's as refreshing as a coldglass of lemonade on a hot July day. Buckle up, because ""MainStreet"" is about to take you on a rollicking ride through the highsand lows of trying to repaint a town that's perfectly content withits shades of beige.

""Explore the intricate tapestry of early 20th-century Europethrough the eyes of Ford Madox Ford in 'Some Do Not...', thefirst volume of his acclaimed 'Parade's End' series. Thismasterfully written novel delves into the complexities of love,duty, and the inevitable change brought by the First World War.Set against a backdrop of tumultuous societal shifts, the storyfollows Christopher Tietjens, a man of principles caught in thecrossfire of personal and political turmoil. Witness Tietjens'journey as he navigates the challenges of a changing world, tornbetween his traditional values and the new realities of themodern era. Ford's exquisite prose and deep understanding ofhuman nature make 'Some Do Not...' a timeless classic, offeringa poignant reflection on the clash between old and new. A must-read for lovers of historical fiction and those intrigued by thesubtleties of human relationships amidst great historicalupheavals.""

Between 1930 and 1935, William Faulkner came into full possession of the genius and creativity that made him one of America's finest writers of the twentieth century. The four novels in this Library of America collection display an astonishing range of characters and treatments in his Depression-era fiction.As I Lay Dying (1930) is a combination of comedy, horror, and compassion, a narrative woven from the inarticulate desires of a peasant family in conflict. It presents the conscious, unconscious, and sometimes hallucinatory impressions of the husband, daughter, and four sons of Addie Bundren, the long-suffering matriarch of her rural Mississippi clan, as the family marches her body through fire and flood to its grave in town.Sanctuary (1931) is a novel of sex and social class, of collapsed gentility and amoral justice, that moves from the back roads of Mississippi and the fleshpots of Memphis to the courthouse of Jefferson and the appalling spectacle of popular vengeance. With its fascinating portraits of Popeye, a sadistic gangster and rapist, and Temple Drake, a debutante with an affinity for evil, it offers a horrific and sometimes comically macabre vision of modern life.Light in August (1932) incorporates Faulkner's religious vision of the hopeful stubbornness of ordinary life. The guileless Lena Grove, in search of the father of her unborn child; the disgraced minister Gail Hightower, who dreams of Confederate cavalry charges; Byron Bunch, who thought working Saturdays would keep a man out of trouble, and the desperate, enigmatic Joe Christmas, consumed by his mixed ancestry-all find their lives entangled in the inexorable succession of love, birth, and death.Pylon (1935), a tale of barnstorming aviators in the carnival atmosphere of an air show in a southern city, examines the bonds of desire and loyalty among three men and a woman, all characters without a past. Dramatizing what, in accepting his Nobel Prize, Faulkner called "the human heart in conflict with itself," it illustrates how he became one of the great humanists of twentieth-century literature.The Library of America edition of Faulkner's work publishes, for the first time, new, corrected texts of these four works. Manuscripts, typescripts, galleys, and published editions have been collated to produce versions that are free of the changes introduced by the original editors and that are faithful to Faulkner's intentions.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Mosquitoes tells the story of group of socialites who take a yacht trip on Lake Pontchartrain while delving into the nature of people and sexuality.

Library of America caps its six-volume edition of William Faulkner's works with a volume gathering of all the stories he collected in his lifetime, in corrected texts Faulkner called the short story "the most demanding form after poetry" and wrote to an editor that "even to a collection of short stories, form, integration, is as important as to a novel--an entity of its own, single, set for one pitch, contrapuntal in integration, toward one end, one finale." Faulkner was a major practitioner of the short story form and keenly sensitive to its aesthetic demands. The Library of America edition of the collected writings of William Faulkner culminates with this volume presenting all the stories the author gathered for his book collections, in newly edited and authoritative texts. This is Faulkner as he was meant to be read. Faulkner's monumental Collected Stories (1950) presented the author's first two collections, These Thirteen (1931) and Doctor Martino (1934), along with seventeen new stories, all carefully selected and arranged by the author; Knight's Gambit (1949) collected six stories about attorney Gavin Stevens' detective work; and in Big Woods (1955) Faulkner gathered four hunting stories connected with interstitial material. This volume presents these three collections as carefully arranged by Faulkner, with new authoritative and corrected texts that best represent Faulkner's intentions for the stories. Here are such well-known stories as "A Rose for Emily," "Barn Burning," and "A Bear Hunt," as well as some of his most poetic--"Carcassone"--and less known, such as "The Tall Men," "Elly," and "Uncle Willy." Also included are Faulkner's stories "The Hound" (collected in Doctor Martino but omitted by the author from Collected Stories), "Spotted Horses," Faulkner's fictionalized autobiographical essay "Mississippi," as well as his Nobel Prize acceptance speech and helpful explanatory notes by Faulkner scholar Theresa M. Towner.

Mosquitoes centers around a colorful assortment of passengers, out on a boating excursion from New Orleans. The rich and the aspiring, social butterflies and dissolute dilettantes are all easy game for Faulkner's barbed wit in this engaging high-spirited novel which offers a fascinating glimpse of Faulkner as a young artist.

Before William Faulkner won the Nobel Prize in Literature, he was the author of "Soldiers' Pay", his first novel, published in 1926.

The years 1942 to 1954 saw William Faulkner's rise to literary celebrity-sought after by Hollywood, lionized by the critics, awarded a Nobel Prize in 1950 and the Pulitzer and National Book Award for 1954. But, despite his success, he was plagued by depression and alcohol and haunted by a sense that he had more to achieve-and a finite amount of time and energy to achieve it.This Library of America volume collects the novels written during this crucial period; defying the odds, Faulkner continued to break new ground in American fiction. He delved deeper into themes of race and religion and furthered his experiments with fictional structure and narrative voice. These newly restored texts, based on Faulkner's manuscripts, typescripts, and proof sheets, are free of the changes introduced by the original editors and are faithful to the author's intentions.Go Down, Moses (1942) is a haunting novel made up of seven related stories that explore the intertwined lives of black, white, and Indian inhabitants of Yoknapatawpha County. It includes "The Bear," one of the most famous works in all American fiction, with its evocation of "the wilderness, the big woods, bigger and older than any recorded document."Characters from Go Down, Moses reappear in Intruder in the Dust (1948). Part detective novel, part morality tale, it is a compassionate story of a black man on trial and the growing moral awareness of a southern white boy.Requiem for a Nun (1951) is a sequel to Sanctuary. With an unusual structure combining novel and play, it tells the fate of the passionate, haunted Temple Drake and the murder case through which she achieves a tortured redemption. Prose interludes condense millennia of local history into a swirling counterpoint.In A Fable (1954), a recasting of the Christ story set during World War I, Faulkner wanted to "try to tell what I had found in my lifetime of truth in some important way before I had to put the pen down and die." The novel, which earned a Pulitzer Prize, is both an anguished spiritual parable and a drama of mutiny, betrayal, and violence in the barracks and on the battlefields.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

This Norton Critical Edition includes:The authoritative text of Absalom, Absalom!, established by Noel Polk in 1986 and accompanied by Susan Scott Parrish's introduction and explanatory footnotes.Two maps and five other images.A rich selection of background and contextual materials carefully arranged to draw readers into the American South of William Faulkner's imagination. Topics include "Contemporary Reception," "The Writer and His Work," and "Historical Contexts."Seventeen critical essays on the novel's major themes, from classic literary critiques to recent scholarship on, among other topics, race, gender, and the environment.A chronology and a selected bibliography.

The Library of America edition of the complete novels of William Faulkner culminates with this volume presenting his first four full-length works of fiction, each newly edited, and, in many cases, restored with passages that were altered or (in the case of Mosquitoes) expurgated by the original publishers. This is Faulkner as he was meant to be read.In these four novels we can track Faulkner's extraordinary evolution as, over the course of a few years, he discovers and masters the mode and matter of his greatest works. Soldiers' Pay (1926) expresses the disillusionment provoked by World War I through its account of the postwar experiences of homecoming soldiers, including a severely wounded R.A.F. pilot, in a style of restless experimentation. In Mosquitoes (1927), a raucous satire of artistic poseurs, many of them modeled after acquaintances of Faulkner in New Orleans, he continues to try out a range of stylistic approaches as he chronicles an ill-fated cruise on Lake Pontchartrain.With the sprawling Flags in the Dust (published in truncated form in 1929 as Sartoris), Faulkner began his exploration of the mythical region of Mississippi that was to provide the setting for most of his subsequent fiction. Drawing on family history from the Civil War and after, and establishing many characters who recur in his later books, Flags in the Dust marks the crucial turning point in Faulkner's evolution as a novelist.The volume concludes with Faulkner's masterpiece, The Sound and the Fury (1929). This multilayered telling of the decline of the Compson clan over three generations, with its complex mix of narrative voices and its poignant sense of isolation and suffering within a family, is one of the most stunningly original American novels.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

William Faulkner is one of the most significant American writers of the twentieth century, but success was elusive with his first novel, Soldiers' Pay, in 1926. The promising young author had not yet achieved the reputation that would lead to the 1949 Nobel Prize in Literature and two Pulitzer Prizes. Soldiers' Pay reflects Faulkner's gift for keen observations, embracing his Southern experience, as well as his experimental narrative techniques blended with literary modernism. He captures the post-World War I atmosphere of the Lost Generation on American soil and explores the war's emotional impact on three weary veterans and their hometown in Georgia.

Considered one of the most influential novels in American fiction in structure, style, and drama, As I Lay Dying is a true 20th-century classic. The story revolves around a grim yet darkly humorous pilgrimage, as Addie Bundren's family sets out to fulfill her last wishto be buried in her native Jefferson, Mississippi, far from the miserable backwater surroundings of her married life. Narrated in turn by each of the family membersincluding Addie herselfas well as others the novel ranges in mood, from dark comedy to the deepest pathos.

"The Bear, " "The Old People, " "A Bear Hunt, " "Race at Morning"--some of Nobel Prize-winning author William Faulkner's most famous stories are collected in this volume--in which he observed, celebrated, and mourned the fragile otherness that is nature, as well as the cruelty and humanity of men. "Contains some of Faulkner's best work."

Faulkner's debut novel, Soldiers' Pay (1926), is among the most memorable works to emerge from the First World War. Through the story of a wounded veteran's homecoming, it examines the impact of soldiers' return from war on the people-particularly the women-who were left behind.

"A man is the sum of his misfortunes." -William Faulkner, The Sound and the Fury

The Mansion completes Faulkner's great trilogy of the Snopes family in the mythical county of Yoknapatawpha, Mississippi, which also includes The Hamlet and The Town. Beginning with the murder of Jack Houston, and ending with the murder of Flem Snopes, it traces the downfall of this indomitable post-bellum family, who managed to seize control of the town of Jefferson within a generation.