Puritan American writers faced a dilemma: they had an obligation to use language as a celebration of divine artistry, but they could not allow their writing to become an iconic graven image of authorial self-idolatry.
In this study, William J. Scheick seeks to recover the place of romance in fin-de-siecle England and America; to distinguish among its subgenres of eventuary, aesthetic, and ethical romance; and to reinstate ethical romance as a major mode of artistic exp
These works, along with the writings of other colonial women, provide especially noteworthy instances of bifurcations emanating from American colonial women's conflicted confiscation of male authority.
The half-blood -- half Indian, half white -- is a frequent figure in the popular fiction of nineteenth-century America, for he (or sometimes she) served to symbolize many of the conflicting cultural values with which American society was then wrestling.
He is best remembered today as the author of classic works of science fiction, such as The Invisible Man, The War of the Worlds, and The First Men in the Moon.
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