Examines how artists questioned the ways in which "the people" were ideologically figured by the commercial mass media. Operating at the intersection between art history and media studies, this title connects early video art and the rise of the media screen in gallery-based art to discussions about participation and more.
Correspondence detailing the collaboration-cum-collision between Frank Lloyd Wright and the Museum of Modern Art, New York, about the staging of a retrospective work, and the publication of a book to accompany it, is published here for the first time, including a controversial piece by Walter Curt Behrendt.
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