Böcker av Xiaolu Guo

Life as a film extra in Beijing might seem hard, but Fenfang won't be defeated. She has travelled 1800 miles to seek her fortune in the city, and has no desire to return to the never-ending sweet potato fields back home. Determined to live a modern life, Fenfang works as a cleaner in the Young Pioneer's movie theatre, falls in love with unsuitable men and keeps her kitchen cupboard stocked with UFO instant noodles. As Fenfang might say, Heavenly Bastard in the Sky, isn't it about time I got my lucky break?Longlisted for the Man Asian Literary Prize.

I must work on a ship as a man... Yes, I must seek a new life, more adventurous than that of my fellows on this desolate salt marsh. I must find freedom on the seas. 1843. Ishmaelle is born in a small village on the stormy Kent coast where she grows up swimming with dolphins. After her parents and infant sister die, her brother, Joseph, leaves to find work as a sailor. Abandoned and desperate for a life at sea, Ishmaelle disguises herself as a cabin boy and travels to New York. Call Me Ishmaelle reimagines the epic battle between man and nature in Herman Melville's Moby Dick from a female perspective. As the American Civil War breaks out in 1861, Ishmaelle boards the Nimrod, a whaling ship led by the obsessive Captain Seneca, a Black free man of heroic stature who is haunted by a tragic past. Here, she finds protectors in Polynesian harpooner, Kauri, and Taoist monk, Muzi, whose readings of the I-Ching guide their quest. Through the bloody male violence of whaling, and the unveiling of her feminine identity, Ishmaelle realises there is a mysterious bond between herself and the mythical white whale, Moby Dick. Xiaolu Guo has crafted a dramatically different, feminist narrative that stands alongside the original while offering a powerful exploration of nature, gender and human purpose.

The new memoir from prize-winning writer and filmmaker Xiaolu Guo - playful, provocative and original, it's her deeply personal take on striving for a life of her own'When it comes to spinning light and shadow on the complexities of living, loving and language, Xiaolu Guo is one of the most valuable writers in the world' DEBORAH LEVYThe world can seem strange and lonely when you step away from your family and everything you have tried to call your own. Yet beauty may also appear. In the autumn of 2019 Xiaolu travelled to New York to take up her position as a visiting professor for a year, leaving her child and partner behind in London. The encounter with American culture and people threatens her sense of identity and throws her into a crisis - of meaning, desire, obligation and selfhood.This is a memoir about separation - by continents, by language, and from people. It's about being an outsider and the desperate longing to connect. Xiaolu uses her exploration of language (one of the meanings of the word 'radical' is the graphic component, or root, of Chinese characters), and her own life, to create this unique text. At once a memoir, a dictionary, and an ardent love letter, it is an expression of her fascination with Western culture and her nostalgia for Eastern landscapes, and an attempt to describe the space in between. An archive of an artist's search for creative freedom, it is above all else an intimate account of her efforts to carve out a life of her own.'Radical in angle of attack, smart and brave' IAIN SINCLAIR, author of The Gold Machine

Defiant, humorous and insightful, 'Not Quite Right For Us' pierces through the hierarchical mechanics of class, race, gender. A celebration of outsiderness and an ode to otherness, 'Not Quite Right For Us' is a singular collection of stories, essays and poems by a dynamic mix of established and surging voices alike, edited by Sharmilla Beezmohun.

'It is hard not to be impressed by Guo's vivacious talent' Sunday TimesA story of desire, love and language - and the meaning of home - told through conversations between two loversA Chinese woman comes to London to start a new life, away from her old world.

Xiaolu Guo meets her parents for the first time when she is almost seven. This book takes Xiaolu from a run-down shack to film school in a rapidly changing Beijing. In 2002 she leaves Beijing on a scholarship to study in Britain. This memoir is a handbook of life lessons.

Have you ever tried to learn another language? When Zhuang first arrives in London from China she feels like she is among an alien species. But with increasing fluency in English surviving turns to living. And they say that the best way to learn a language is to fall in love with a native speaker...

Longlisted for the Baileys Women's Fiction PrizeIn a flat above a noisy north London market, translator Iona Kirkpatrick starts work on a Chinese letter.

Her world is turned upside down when she sights a UFThing - a spinning plate in the sky - and helps the Westerner in distress whom she discovers in the shadow of the alien craft. And when the Westerner that Kwok Yun saved repays her kindness with a large dollar cheque she becomes a local celebrity, albeit under constant surveillance...

The lovers in the age of indifference are tough romantics from every corner of the planet: a marriage splinters during a game of mah jong;

Life as a film extra in Beijing might seem hard, but Fenfang won't be defeated. Determined to live a modern life, Fenfang works as a cleaner in the Young Pioneer's movie theatre, falls in love with unsuitable men and keeps her kitchen cupboard stocked with UFO instant noodles.

Shortlisted for the Orange Prize for Fiction Twenty-three-year-old Zhuang (or Z as she calls herself - Westerners cannot pronounce her name) arrives in London to spend a year learning English. Struggling to find her way in the city, and through the puzzles of tense, verb and adverb; she falls for an older Englishman and begins to realise that the landscape of love is an even trickier terrain...Xiaolu Guo was named as one of Granta's Best of Young British Novelists

Village of Stone brilliantly evokes the harshness of life on the typhoon-battered coast of China, where fishermen are often lost to violent seas and children regularly swept away.