Beheaded for plotting against the Qing empire, poet Qiu Jin would later be celebrated as a Republican martyr and China's first feminist. Hu Ying studies Qiu's enduring bond with Wu Zhiying and Xu Zihua, who braved political persecution to keep her legacy alive. In doing so, their friendship fulfilled its ultimate socially transformative potential.
The figure of the New Woman, soon to become a major signpost of Chinese modernity, was in the process of being formed at the turn of the 20th century. This book shows how the construction of the New Woman was influenced by the fictional and translational representation of a range of Western female icons, including the French Revolutionary figure Madame Roland and Dumas's "Dame aux camelias."
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