Böcker av Ying Zhu

In this issue Letter from the Editor Ying Zhu Hong Kong and Social MovementsHong Kong Unraveled: Social Media and the 2019 Protest Movement AnonymousUnleashing the Sounds of Silence: Hong Kong's Story in Troubled Times Andrea RiemenschnitterTragedy of Errors at Warp Speed Sam HoImagining a City-Based Democracy: Review of The Appearing Demos: Hong Kong During and After the Umbrella Movement by Laikwan Pang, University of Michigan Press, 2020 Enoch TamBuilding and Documenting National and Transnational CinemaChina and the Film Festival Richard PeñaNationalism from Below: State Failures, Nollywood, and Nigerian Pidgin Jonathan Haynes Collective Memory and the Rhetorical Power of the Historical Fiction Film Carl PlantingaFrom Nations to Worlds: Chris Marker's Si j'avais quatre dromadaires Michael WalshSino-US RelationsAmerican Factory and the Difficulties of Documenting Neoliberalism Peter HitchcockR.I.P. Soft Power: China's Story Meets the Reset Button: Review of Soft Power with Chinese Characteristics: China's Campaign for Hearts and Minds edited by Kingsley Edney, Stanley Rosen, and Ying Zhu, Routledge, 2019 Robert A. KappThe Narrative of VirusReview: On Epidemics, Epidemiology, and Global Storytelling Carlos Rojas

In this issue Letter from the Editor - YING ZHU Research Articles Consuming the Pastoral Desire: Li Ziqi, Food Vlogging, and the Structure of Feeling in the Era of Microcelebrity - LIANG LIMIN This Is Not Reality (Ceci n'est pas la réalité): Capturing the Imagination of the People Creativity, the Chinese Subaltern, and Documentary Storytelling - PAOLA VOCI The Networked Storyteller and Her Digital Tale: Film Festivals and Ann Hui's My Way - GINA MARCHETTI "Retweet for More" The Serialization of Porn on the Twitter Alter Community - RUEPERT CAO Book Reviews Dazzling Revelations - Review of Negative Exposures: Knowing What Not to Know in Contemporary China by Margaret Hillenbrand, Duke University Press, 2020 - HARRIET EVANS Speaking Nations, Edge Ways - Reviews of Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound and Stability by Gerald Sim, Amsterdam University Press, 2020; and Southeast Asia on Screen: From Independence to Financial Crisis (1945-1998) edited by Gaik Cheng Khoo, Thomas Barker, Mary Ainslie, Amsterdam University Press, 2020 - MIN HUI YEO Film Reviews Nomadland: An American or Chinese Story? Review of Nomadland, directed by Chloe Zhao, 2020 - YING ZHU New from Netflix: Mank, Fincher, and A Hollywood Creation Tale - Review of Mank, directed by David Fincher, 2020 - THOMAS SCHATZ Superheroes: The Endgame - Review of Superhero Movies - PETER BISKIND Short Essay Love and Duty: Translating Films and Teaching Online through a Pandemic - CHRISTOPHER REA Report Narrating New Normal: Graduate Student Symposium Report - RUEPERT JIEL DIONISIO CAO, MINOS-ATHANASIOS KARYOTAKIS, MISTURA ADEBUSOLA SALAUDEEN, DONGLI CHEN, & YANJING WINNIE WU

The inside story of the U.S.-Chinese superpower conflict playing out behind the scenes of todays movie industry, from the leading media scholarIn the last decade, China has become the worlds largest movie market. Formerly objects of exotic fascination in the golden age of Hollywood, today the Chinese are a make-or-break audience for Hollywoods biggest blockbusters. And movies are now an essential part of Chinas global soft power strategy: a Chinese real estate tycoon (who until recently was the major shareholder of the AMC theater chain) is building the worlds largest film production facility. Behind the curtains, as this brilliant new book reveals, movies have become one of the biggest areas of competition between the worlds two remaining superpowers.Will Hollywood be eclipsed by a Chinese Huallywood? No author is better positioned to untangle this question than Ying Zhu, a leading expert on Chinese film and media. Hollywood in China unravels the fascinating, century-long relationship between Hollywood and China for the first time. Blending cultural history, business, and international relations, Hollywood in China offers an inside look at the intense business and political maneuvering that is shaping the movies and the U.S.-China relationships itselfrevealing a headlines-grabbing conflict that is playing out not only on the high seas, but on the silver screen.

This book takes a holistic approach to explore how business is being conducted in China and India, and to analyze the factors that influence business decisions in present times.

Managing Chinese Outward Foreign Direct Investment focuses on the management of Chinese outward foreign direct investment, particularly foreign subsidiaries established through merger and acquisition, at the organisational level.

The political economy and culture of Chinese cinema during the era of China's prolonged economic reform has not until now been examined in detail. Ying Zhu's new and comprehensive study examines the institutional as well as the stylistic transitions of Chinese cinema from pedagogy to art to commerce, focusing on the key film reform measures as well as the metamorphosis of Chinese Fifth Generation films from art film narration-as in Chen Kaige's 1984 Yellow Earth-to post-New-Wave classical film narration-as in the same director's 1993 Farewell, My Concubine. Zhu's work reconciles the stylistic, cultural, and economic dimensions of the nation's cinematic output, also providing the first systematic institutional analysis of an industry in a state of constant flux.

Examining the impact of economic reform on everyday life in China, this book explores how changes in the employment relationship have affected the enterprise performance, the quality of working life and the livelihood strategies for individual households and families in China.