Examines various forms of the middle (such as the medium, moderation, and mediocrity) that re-negotiated in the writings of British and German romanticism, along with a consideration of how our own relationship to romanticism is influenced by its medial thinking.
The Rhetoric of Error considers the important role of error in eighteenth-century accounts of language, subjectivity, and epistemology in authors such as Locke, Smith, Coleridge, Kant, Goethe, and Kleist.
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