Böcker utgivna av Aarhus Universitetsforlag

Denmark’s Catalyst. The Life and Letters of N.F.S. Grundtvig is the final book in the 6-volume series ‘N.F.S. Grundtvig. Works in English’, Published by Aarhus University Press. Translator Edward Broadbridge joins forces with Grundtvig scholar Hans Raun Iversen in this biography of the most influential Dane in modern Denmark’s history. Grundtvig (1783-1872) was a pastor, pedagogue, poet, politician, and philosopher all rolled into one. Best known internationally for his concepts of a people’s (folk) high school, of ‘learning for life’ and of ‘lifelong learning’, in Denmark he is equally famous as the nation-builder and champion of ‘the common good’.This comprehensive, illustrated biography is supplemented by 70 letters tracing Grundtvig’s first-hand experiences in surprisingly honest terms, including his love life, his depressions, and his four trips to England.Edward Broadbridge was born in London but has lived most of his life in Denmark, where he has been awarded the Grundtvig Prize for his translations of Grundtvig’s hymns. Copenhagen University theologian Hans Raun Iversen has an honorary doctorate from Uppsala University and has written extensively on Grundtvig.

This book interprets rhetorical style within a theoretical frame, and it aims to give a more unifying account than has been given in most publications on style.

Explores how the Nordic countries have managed to achieve such favourable economic performance.

Discusses how other countries can emulate Scandinavia's successes.

The history of modern design and architecture has seen many attempts to embrace and merge different art forms, and to bring art into the framing of everyday life and the organisation of modern society, in a process understood as total design or total architecture. These attempts were historically based on the romanticist idea of merging all art forms into a uniting and transgressing work of art, mostly associated with – but certainly not limited to – Richard Wagner’s theoretical writings and musical dramas.This utopian dream of the Gesamtkunstwerk, or Total Work of Art, was intended both to bring unity to the people and to bring art into the everyday life of their homes, as well as into factories, cities and even modern media. As a result, the experiments ranged from music, poetry and drama to architecture, design, visual communication and city-planning. These ideas of merging art forms into more immersive and transgressive installations or design interventions to change everyday life are widespread today, but their complex and often problematic roots are mostly ignored. Design and architecture have delivered some of the broadest and most influential experiments with the Gesamtkunstwerk, from garden cities for workers and corporate identity design to the German AEG corporation.

There is the fleeting kind - like when our team wins, for once. The kind we find with that special someone or feel when reality surpasses our expectations - until we raise the bar, again. There is even the kind of happiness money can buy, provided we spend it on or with other people.

In this pioneering musicological study the Danish emeritus professor Finn Egeland Hansen proposes that the classical-romantic main current of the 19th century in fact represents two sub-currents, the one focusing on the romantic aspects, the other focusing on the classical aspects of its musical style. His thesis is discussed with excerpts from the standard musicological literature plus writings by Saint-Saëns, and Finn Egeland Hansen exemplifies his argument in readings of the music by three stylistically different composers – the French Camille Saint-Saëns and Charles Gounod and the Danish Niels W. Gade. Finn Egeland Hansen labels these harbingers’ style as retro-classicism.

Danish director Lars von Trier has produced more than 20 films since his first appearance with The Elements of Crime in 1984. One of the most acknowledged – and most controversial – film directors of our time, Trier’s films often escape the representational production of meaning. In Lars von Trier’s Renewal of Film 1984-2014. Signal, Pixel, Diagram scholar Bodil Marie Stavning Thomsen offers a comprehensive discussion of Lars von Trier’s collected works. Examining Trier’s experiments with narrative forms, genre, camera usage, light, and colour tones, she shows how Trier’s unique ethically involving style activates the viewer’s entire perception apparatus. In understanding this affective involvement, the author frames the discussion around concepts from Gilles Deleuze, Alois Riegl, Brian Massumi and others on the haptic image, the diagram, affect and the signaletic material.

Buildings, bridges and tunnels are continuously exposed to forces of nature such as wind, waves, earthquakes and even traffic. Because these forces are hard to predict and model, it is also hard to predict how these structures respond. Stochastic Dynamics introduces a way of modeling forces and responses using stochastic systems, providing a method of statistical analysis where precise predictions are impossible. Including topics such as stochastic processes, stochastic vibration theory of linear structures, reliability theory of dynamicstructures and Monte Carlo techniques, this book explains stochastic structural dynamics and how to apply it to modern structures.