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  • av Ebelenna Esomnofu
    336,-

    When Nkem, an economics students at Heineken University, moves back to Nigeria from the UnitedStates after many months of ASUU strike in his country, a melodramatic war with Dr Okoye his beer-obsessed lecturer begins. The alcoholic has slept with Chioma, the boy's girlfriend, in exchange for goodgrades, Cabin biscuits and bread. And infuriatingly, the bread is not buttered, according to the paintercalled Ifenna who's Nkem's effeminate roommate and friend. The unexpected affair compels Nkem tothrow the girl and the artist out of his heart. The war gets worse when Mrs Chiamaka, Okoye's colleagueand soldier's wife who's desperate for a male child, joins the heartbroken Nkem to fight the enemy.Ifenna is also on Nkem's side, though he's busy running away from several faceless boys who want tomurder him for being different.When it seems impossible for the two boys to graduate with decent results, or for Nkem to bringChioma back into his life, Nkem must try to take a life or lives before leaving the university with his pride bruised.

  • av Henry Akubuiro
    266,-

    Yamtarawala, the Warrior King is a historical drama that revisits the socio-political convulsions in 16th century Kanem-Bornu Empire, where leadership tussle by two princes led to the breaking away of the elder son, Yamtarawala, with72 loyalists, in search of a new empire in Nigeria to dominate. With historical echoes in ancient Yemen and north African civilisations, the tragic play, which captures the intrigues of traditional warfare and the zeitgeist of the era, interrogates the quest for power by fair means or foul.

  • av Onyeka Nwelue
    156,-

    Nollywood actor, Uche Mbadiegwu leaves his Surulere neighborhood in Lagos, to Bandra in Mumbai to join Bollywood, so he could make it big, hoping to play exceptional roles. Like a flash, Periwinkle appears in his life and changes everything. Tired of living in a pigsty, Efemena want to live a life of independence, but there is more to being a Nigerian in Mumbai - a constant escape from the Indian police and narcotics agents.This novel is a tale of violence, drugs, human trafficking, murder and sex.

  • av David Hundeyin
    280,-

    Over most of the course of an award-laden 10-years in Journalism, David Hundeyin has dedicated himself to telling Nigeria's most forbidden stories in a uniquely ferocious voice that has earned him a huge following and a long list of powerful enemies. This 1-man mission to peel back decades of necrosis in Nigerian journalism has made him contemporary Nigeria's most recognisable journalist as well as one of its most controversial personalities.

  • av Ikenna Okeh
    156,-

    When a struggling Nigerian writer accepts an offer to help a prospective benefactor locate an estranged son, he does not realize that the seemingly easy task would lure him deep into a web of conspiracies played by a ruthless cult leader, a vengeful retired hit man, and a sly fellow, all brought together by a kidnap-for-ransom deal gone sour.

  • av Flora Nwapa
    156,-

    The Lake Goddess came to be Flora Nwapa's last novel, yet possibly her most important one, as it restores African culture and spirituality. "Nwapa's message is clear: she-Ona/Ogbuide/woman-may have many children, but she also independently succeeds in her own life, and she is a source of healing and inspiration to all human beings suffering from the ills and madness of modern society worldwide. The goddess whom Nwapa invoked finally reemerges in her original glory in The Lake Goddess to brighten women's path. Her powers and mysteries shine, once again, despite the onslaught of foreign powers and their religions, when Nwapa accounts for the destructive forces of globalization and for attempts to push Uhammiri's children into the abyss of derangement, to rob the deity of her benevolence, and to deny her people both children and wealth. Yet, when the lake goddess finally appears with her image fully restored in Nwapa's last novel, the messenger, who invoked her, has left the land, crossed the river, and joined her ancestors to live on.

  • av Onyeka Nwelue
    200,-

  • av Onyeka Nwelue
    200,-

    My dearest Sibling in Diaspora,I'm writing you these letters from Africa, a place described as a jungle by Pinkpeople.It was from there that your great-grandfathers and mothers were shipped away tolands culturally different from theirs. They were forced into outfits that werestrange to them. They were made to live in a different climate, against their willThey were mullioned, decorated and a new life festered on them. A very differentlife. More chaotic than they ever lived; translucently debilitating and quitehorrendous; more often than you would find in the hardship that young people whoare trafficked through Libya to Europe via the Mediterranean experience today.I am writing to you with a sorrowful and angry soul, because what the Pink peopledid to our fathers and mothers must never be forgotten or forgiven. We shall keepdemanding that they apologize, and ceaselessly remind them of their crimesagainst humanity.These are tasks we must discharge daily. If we failed to do those, the Pink peoplewould continue to manipulate and wound us. The Pink persons are evil; theyconstitute an affliction upon the world. Their heartlessness is unrivaled. Therefore,we must zealously repulse their advance.I am only writing to you, to apologize for many misdeeds. I apologize to you, mydearest Sibling in Diaspora, whom we allowed Pink people to take away from us.They have said that we "sold' you into slavery. I agree. We did, because if wehadn't, no complicity would have been involved in stacking you on the ships. Wehelped them take you away. This is why I am writing this letter to you.To say, I am sorry and that you must forgive us for allowing them to take youaway.Forgive us.

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