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This new volume from the author of Scenarios of Power explores the effect of the symbolic representations of the Russian imperial government on law, administrative practice, and concepts of national and imperial identities throughout centuries of monarchical rule. Richard Wortman characterizes the monarchy as an active agent in Russia's political experience, one whose dominant role was resisting change until the inevitable collapse facing all absolute monarchies.

Arriving in ancient Rome over 2,000 years ago, the Jewish communities of Italy have retained their identity throughout the millennia. This book traces their recreation of community, focusing on their economic, intellectual, and social lives, as they moved from south to north.

Outlines some aspects of Jewish intellectual life in the nineteenth and twentieth century, presenting a narrative of the relationship between Jewish scholars and their cultural environment. It investigates the language of conformity and dissent and interprets it as an imaginative grammar, comprising an arsenal of images, concepts, and interpretations.

From the very moment Alfred Dreyfus was placed under arrest for treason and espionage, his entire world was turned upside down, and for the next five years he lived in what he called a phantasmagoria. To keep himself sane, Dreyfus wrote letters to and received letters from his wife Lucie and exercised his intellect through reading the few books and magazines his censors allowed him, writing essays on these and other texts he had read in the past, and working out problems in mathematics, physics, and chemistry. He practiced his English and created strange drawings his prison wardens called architectural or kabbalistic signs. In this volume, Norman Simms explores how Dreyfus kept himself from exploding into madness by reading his essays carefully, placing them in the context of his century, and extrapolating from them the hidden recesses of the Jewish Alsatian background he shared with the Dreyfus family and Lucie Hadamard.

Examines southern Jewish womanhood during the Antebellum and Civil War Eras. This study finds that in Protestant South southern Jewish women created and maintained unique American Jewish identities through their efforts in education, writing, religious observance, paid and unpaid labour, and relationships with whites and African-American slaves.

This collective volume aims to highlight the philosophical and literary idea of apocalypse within key examples in the Slavic world during the nineteenth and twentieth centuries. From Russian realism to avant-garde painting, from the classic fiction of the nineteenth century to twentieth-century philosophy, not omitting theatre, cinema or music, the concepts of "end of history" and "end of present time" are specifically examined as conditions for a redemptive image of the world. To understand this idea is to understand an essential part of Slavic culture, which, however divergent and variegated it may be, converges on this specific myth in a surprising manner.

Explores the evolution of Lomonosov's imposing stature in Russian thought from the middle of the eighteenth century to the closing years of the Soviet period. It reveals much about the intersection in Russian culture of attitudes towards the meaning and significance of science, as well as about the rise of a Russian national identity, of which Lomonosov became an outstanding symbol.

All the Same the Words Don't Go Away brings together twenty-five years of essays and reviews, linked loosely by three themes. The first explores the legacy of Mikhail Bakhtin: his ideas of dialogue and carnival, and the debates ignited by each. The second delves into three "e;master workers"e; of the Russian tradition: Pushkin, Tolstoy, and Dostoevsky. In this section, emphasis is comparative: the riddle of Pushkin's life, why "e;Tolstoy versus Dostoevsky,"e; how Chekhov reads Tolstoy, why Kundera dislikes Doestoevsky and Tolstoy dislikes Shakespeare. The final section addresses the transposition of classic literary texts into other media through musical works by Musorgsky, Tchaikovsky, Shostakovich, and Prokofiev. Throughout, the fundamental heroes are Pushkin's Tatiana Larina and Boris Godunov. This volume will be of interest to comparativists and students in interdisciplinary humanities.

Encounters of Consequence provides an introduction to and deeper analysis of the situation of Jewish philosophy beginning in the last century. It charts Jewish philosophy's engagement with modernity and post-modernity along two overlapping axes-issues and persons-which often intersect. Key issues in modern Jewish philosophy are raised, including: the nature of Judaism and Jewish identity, the quests for meaning and continuity, the value of remaining a Jew, and the relevance of Jewish law, as well as the challenges of secularism, modern history (including the Holocaust), feminism and religious pluralism. Featured are many philosophers of encounter: Franz Rosenzweig, Martin Buber, and Emmanuel Levinas, as well as Joseph Soloveitchik, Gershom Scholem, Arthur Cohen, Eliezer Schweid, Emil Fackenheim, and Irving Greenberg.

Understanding and nurturing Jewish Peoplehood is an enterprise that seeks to generate involvement and communication between Jews the world-over. Offering a distinctive looking glass into Jewish Peoplehood, this title includes chapters that provide the reader with a deeper understanding of nature of the contemporary collective Jewish experience.

Shows that in its generative theology, Rabbinic Judaism in its formative age invoked the perpetual presence of God overseeing all that Israelites said and did. This title states that it conceived of Israel to transcend the movement of history and to live in a perpetual present tense, and that Israel located itself in a Land like no other.

Focusing primarily on the close study of literary works presented in the broad cultural and historical context, Jacob's Ladder discusses the reflection of kabbalistic allegory in Russian literature and provides a detailed analysis of the evolution of the perception of Kabbalah in Russian consciousness. Aptekman investigates the questions of when, how and why Kabbalah has been used in Russian literary texts from Pre-Romanticism to Modernism and what particular role it played in the larger context of the Russian literary tradition. The correct understanding of this liaison helps the reader to clarify many enigmatic images in Russian literary works of the last two centuries and to understand the roots of a particular cultural falsification that played an important role in the anti-Semitic mythology of the twentieth century.

The Penitentes are a lay Catholic brotherhood that practised bloody rites of self-flagellation and crucifixion. Marranos claim to be anousim. This book redefines the terms and creates contexts in which these groups are viewed with respect and sympathy without idealising or slandering them.

Intended to accompany undergraduate courses in the history of Russian cinema or Russian culture through film, this reader consists of excerpts from English language criticism and translations of excerpts of Russian-language criticism, as well as commissioned essays on thirty subtitled films widely taught in American and British courses on Russian film and culture.

Academic Studies Press is proud to present this translation of Professor Andrei Zorin's seminal Kormya Dvuglavogo Orla. This collection of essays includes several that have never before appeared in English, including "The People's War: The Time of Troubles in Russian Literature, 1806-1807" and "Holy Alliances: V. A. Zhukovskii's Epistle `To Emperor Alexander' and Christian Universalism".

The Vekhi (Landmarks) symposium (1909) is one of the most famous publications in Russian intellectual and political history. Its fame rests on the critique it offers of the phenomenon of the Russian intelligentsia in the period of crisis that led to the 1917 Russian Revolution. It was published as a polemical response to the revolution of 1905, the failed outcome of which was deemed by all the Vekhi contributors to exemplify and illuminate fatal philosophical, political, and psychological flaws in the revolutionary intelligentsia that had sought it. Landmarks Revisited offers a new and comprehensive assessment of the symposium and its legacy from a variety of disciplinary perspectives by leading scholars in their fields. It will be of compelling interest to all students of Russian history, politics, and culture, and the impact of these on the wider world.

Written at the height of Stalin's first "e;five-year plan"e; for the industrialization of Soviet Russia and the parallel campaign to collectivize Soviet agriculture, Andrei Platonov's The Foundation Pit registers a dissonant mixture of utopian longings and despair. Furthermore, it provides essential background to Platonov's parody of the mainstream Soviet "e;production"e; novel, which is widely recognized as one of the masterpieces of twentieth-century Russian prose. In addition to an overview of the work's key themes, it discusses their place within Platonov's oeuvre as a whole, his troubled relations with literary officialdom, the work's ideological and political background, and key critical responses since the work's first publication in the West in 1973.

Divided into three sections, this work explains how the concepts and practices of traditional European Judaism were adapted to North American culture beginning in the late nineteenth century. Part I focuses on the ideas and activities of Cyrus Adler (1863-1940), one of the most prominent leaders of the traditionalist United States Jewish community in his era. The issues in these essays include the origins of American Jewish history as a field of study, the Kehilla experiments of the early twentieth century, and the relationship between the Jewish Theological Seminary and Orthodox Judaism. Part II deals with the beginnings of Hasidic Judaism in North America prior to the Second World War. It also includes several studies investigating the shaping of the worldview of Orthodox Judaism in contemporary North America. Part III examines the issue of contemporary American Jewish attitudes toward evolution and intelligent design.

Isaak Babel' (1894-1940) is arguably one of the greatest modern short story writers of the early twentieth century. Yet his life and work are shrouded in the mystery of who Babel' was-an Odessa Jew who wrote in Russian, who came from one of the most vibrant centers of east European Jewish culture, and who all his life loved Yiddish and the stories of Sholom Aleichem This is the first book in English to study the intertextuality of Babel''s work. It looks at Babel''s cultural identity as a case study in the contradictions and tensions of literary influence, personal loyalties, and ideological constraint. The complex and often ambivalent relations between the two cultures inevitably raise controversial issues that touch on the reception of Babel' and other Jewish intellectuals in Russian literature, as well as the "e;Jewishness"e; of their work.

"Using Vladimir Nabokov as its 'case study,' the book approaches translation as a crucial avenue into literary history and theory, philosophy and interpretation. The book attempts to bring together issues in translation and the shift in Nabokov studies from an earlier emphasis on the 'metaliterary' to the more recent 'metaphysical' approach

Based on a series of lectures the author gave in Mexico City in February 2010.

Lives Lived and Lost stands at the intersection of biography, autobiography, memory and history. It narrates a mother's and daughter's separate perspectives of their experiences before, during, and after World War II. The book is also an ethnography of lives of women and children during a transformative period in Eastern Europe and opens a window to the crucial events of that epoch. The challenge of the narratives provides the urgency of the story and the richness of the historical record. It is also an unforgettable story of love, loss, and longing for family engulfed by war. The book will resonate with those interested in the lives of individual women and children; scholars, and students of history, gender, and religion, especially Hasidism, and with mainstream readers in this and future generations unfamiliar with life during the first half of the twentieth century in Europe.

This book offers psychodynamic studies of Holocaust survivors and their families in Israel and the Diaspora. It is a most moving account of the desperate struggles of these survivors to overcome their horrendous experiences in the ghettos and concentration camps and their subsequent attempts to revive their lives after the Second World War. Hillel Klein, the author, was himself one of these Holocaust survivors. Later, as a psychoanalyst, Klein interviewed survivors in Israel and the United States of America and evaluated the consequences of the Holocaust and its aftermath from a psychoanalytic point of view which, together with his own memories contained in this book, gives it a special depth and contributes to making it a most moving account.

Michah Gottlieb explores Jewish approaches to the faith-reason debate through detailed analyses of Jewish thinkers from the twelfth to the twentieth centuries including Judah Halevi, Maimonides, Spinoza, Moses Mendelssohn, Samson Raphael Hirsch, and Leo Strauss.