Böcker utgivna av AK Press

On the obsolescence of the State.

The ';Tragic Week"e; in Spain, which took place in July 1909, began as anti-conscription riots, but soon evolved into a widespread uprising attacking the pillars of Spanish society: Church and State. It is known today mostly for its most famous martyr, Francisco Ferrer, the radical educator and founder of the Modern School who was executed by the Spanish army. But Ferrer was only one of hundreds of people who died that week in a brutal crackdown on anarchists and other radicals. Thousands were indicted by military courts, including at least fifty who received life sentences. In The July Revolution, the full story of these events is told for the first time in English, by an astute newspaper editor and eye-witness to the events. In a lively translation by Slava Faybysh and with a detailed historical Introduction by James Michael Yeoman, the notorious week is given its historical due and situated in its proper context of Spain's imperial ambitions and the revolutionary stirrings that were precursors to the Spanish Civil War.

<p>On July 12, 1917, in the mining town of Bisbee Arizona, twelve hundred striking miners and their supporters were rounded up by forces organized by the town sheriff and the mining companies, marched through the town, parked in the town&rsquo;s baseball field, and then put in boxcars and shipped into the New Mexican desert. The deportees were largely members or supporters of the radical IWW labor union and mostly foreign-born. The roundup and deportation was part of a xenophobic and anti-radical campaign being carried out by bosses and the government throughout the country in the early days of US participation in World War I. The mine owners then took control of the town and patrols prevented any union miners from even entering it. This little-known story is a shocking and fascinating one on its own, but the sentiments exploited and exposed in Bisbee in 1917 speak to America today.</p>

The Abolition of Prison provides a reflection from a longtime prison abolitionist, psychoanalyst, and former prisoner on the history, theory, and practice of anti-prison activism in France and globally over the last fifty years. This book powerfully makes the case for the end of prisons, punishment, and guilt and, instead, suggests we work towards social change, care, collectivity. The book weaves together Lesage de la Haye''s own experiences - in prison, as a psychiatrist, and as a social theorist - with the simple argument that, if we take the reasons for prison and punishment at their word, we must evaluate the system as a complete failure. So then why continue to support it and funnel money into it?

People who have been damaged, thrown away, marginalized, or traumatized are more capable of apprehending social patterns, precisely because they've needed to be aware and vigilant about how the world works. For too long, those who rely on long-held rights and entitlement have claimed that others are biased about the very topics on which they have expertise. Damaged Like Me is a series of essays and stories that reveal a complex social landscape. It shows how possible and vital it is to build roads to a more equitable and loving collective culture that includes body sovereignty, racial justice, gender equity/liberation, and much more. It does so by relying on the insights and approaches to knowledge production of those on the receiving end of inequity and violence, those whose ';objectivity' on issues of oppression has been consistently maligned despite their having the most to teach us.

This innovative study, explores the relevance of class as a theoretical category in our world today, arguing that leading traditions of class analysis have missed major elements of what class is and how it operates. It combines instersectional theory and materialism to show that culture, economics, ideology, and consciousness are all factors that go into making ';class' meaningful. Using a historical lens, it studies the experiences of working class peoples, from migrant farm workers in California's central valley, to the ';factory girls' of New England, and black workers in the South to explore the variety of working-class experiences. It investigates how the concepts of racial capitalism and black feminist thought, when applied to class studies and popular movements, allow us to walk and chew gum at the same timeto recognize that our movements can be diverse and particularistic as well as have elements of the universal experience shared by all workers. Ultimately, it argues that class is made up of all of us, it is of ourselves, in all our contradiction and complexity.

A collection of essays from a revered member of the British Labour Party. What distinguished Cole was his distance from traditional marxist and bureaucratic labour approaches. Neither a Communist nor a Social Democrat (nowadays referred to as a Democratic Socialist a la Bernie Sanders) Cole desired a socialism that centered freedom for workersan end to capitalist exploitation, workers' management of production, and an expanding democracy in all realms of social life.

The only collection of Maurice Brinton's work, now with additional material and a new Introduction.

Oscar Wilde is remembered as a wit and a dandy, as a gay martyr, and as a brilliant writer, but his philosophical depth and political radicalism are often forgotten. Resist Everything Except Temptation locates Wilde in the tradition of left-wing anarchism, and argues that only when we take his politics seriously can we begin to understand the man, his life, and his work. Drawing from literary, historical, and biographical evidence, including archival research, the book outlines the philosophical influences and political implications of Wilde's ideas on art, sex, morality, violence, and above all, individualism. Williams raises questions about the relationships between culture and politics, between utopian aspirations and practical programs, and between individualism, group identity, and class struggle. The resulting volume represents, not merely a historical curiosity, but a contribution to current debates within political theory and a salvo in the broader culture wars.

In this brilliant and hilarious political novella, Leslie Kaplan imagines a series of unconnected crimes occurring throughout France. In each, a subordinate kills someone in a superior position over themtypically with an object used in their work, be it wiring in an auto shop, a huge sack of coffee, or a blackboard eraser. While these acts (no explanation is ever given by the criminals) clearly have a class-related character, the media and public figures are loathe to admit that class struggle still exists. Their denial of reality creates another thread in this joyful, dark satire: the fumbling of ';experts' who mobilize theory after theory in order to analyze what is happening without admitting that the events could have any political content.

After the (American) DREAM Act failed, many young undocumented activists understood that pinning their hopes on a piece of legislation had been a bad idea. They also saw that the DREAM Act would have fragmented communities, families, and social movements, because it designated only a subset of immigrants as worthy of assimilation (and its rewards), while others, who often lived under the same roof, would be further criminalised. Eclipse of Dreams creatively tells the stories of a new generation of young people, awakened ''Dreamers'' who see the injustice built into the American dream.

In a time of social and ecological crises, people everywhere are looking for solutions. States and capitalism, rather than providing them, only make matters worse. There''s a growing sense that we''ll have to fix this mess on our own. But how? Deciding for Ourselves, in the spirit of the Zapatistas, demonstrates that ''the impossible is possible.'' A better world through self-determination and self-governance is not only achievable, it is already happening in urban and rural communities around the world - from Mexico to Rojava, Denmark to Greece - as an implicit or explicit replacement for nations, police, and other forms of hierarchical social control. This anthology explores this ''sense of freedom in the air,'' as one piece puts it, by looking at contemporary examples of autonomous, directly democratic spaces and the real-world dilemmas they experience, all the while underscoring the egalitarian ways of life that are collectively generated in them.

The radical comics collective World War 3 Illustrated is back and this time Shameless Feminists are wielding the pens.

Storyteller Dark takes on beauty privilege, size bias, and more with a perfect blend of humor and social analysis.

Kadour Nami came from Algeria to study in France in 1966, four years after his country's liberation from colonial rule and two years before a different liberation movement exploded in France. Capturing the youthful enthusiasm and revolutionary earnestness of the young rebels he joined, Nami's account of May '68 is a memoir like no other. Spirited and inspiring, it manages transmit important historical lessons amid stories of sex, studies, and street-fighting. This is his first book published in English.

Born in Vercelli in 1861, Luigi Galleani is considered, with Errico Malatesta, the most influential militant of Italian-speaking anarchism. A tireless thinker, agitator, and public speaker, he attracted large numbers of workers to the revolutionary cause in Italy and the United States. This book, the result of a fruitful collaboration between Antonio Senta, a scholar of anarchist history, and Sean Sayers, a philosopher and Galleani's grandson, is the biography of one of the most charismatic exponents of workers' struggles in Europe and the United States between the nineteenth and twentieth centuries.

How history-spoken, written, visual, broadcast, and shared-has supported five centuries of indigenous Bolivian resistance.

In recent years, feminism has been at the forefront of social criticism in the United States, but the mainstream face of feminism is still typically white and often focused on gender issues to the exclusion of race, class, and almost everything else. Meanwhile, there are long and rich traditions of women-of-color-centered feminisms that acknowledge all systems of power as connected, and recognize how ending one form of violence entails the transformation of society on multiple fronts.From 2007 to 2017, a small, Los Angeles-based independent magazine called make/shift published some of the most inspiring feminist voices of the decade, articulating ideas from the grassroots and amplifying feminist voices on immigration, state violence, climate change, and other issues.Feminisms in Motion offers highlights from 10 years of make/shift magazine, providing a wide-ranging look at contemporary intersectional feminist thought and action.We are living in a moment of mounting racist violence, xenophobia, income inequality, climate displacement, and war. Intersectional feminism has been creating and pointing toward solutions to these problems for generations. Feminisms in Motion offers ideas, critique, and inspiration from diverse feminists from Los Angles, to India, to Palestine, who are pointing toward a world where all people can thrive.

In recent years, social movements have been redefining ideas of justice by exposing the social roots of crime and demanding the abolition of prisons and policing. This book provides a historical complement to such efforts, and informs the field of Critical Criminology. Anarchists like William Godwin, Peter Kropotkin, Lucy Parsons, and Emma Goldman were among the earliest modern thinkers to critique criminal justice and professional criminology. They identified the sources of social problems within structures of inequality and recognised how mainstream criminologists'' would-be solutions to social problems were themselves the causes or enablers of crime.

The first collection of essays by India's anticolonial anarchist revolutionary, M.P.T. Acharya (1887-1954), including critical reflections on Gandhian nonviolence.

Filmmaker Simmons (NO!: A Rape Documentary), herself a survivor of child sexual abuse and adult rape, invites diasporic Black people to join her in transformative storytelling that envisions a world that ends child sexual abuse without relying on the criminal justice system.

The left and its anti-authoritarian variants were fighting far-right populism and neo-Nazis long before the mainstream media became aware of such groups. Journalist Patrick Strickland provides on-the-ground profiles of the unique characters involved in anti-fascist struggles in countries across Europe, offering historical context, explaining the roots and growth of the far-right, as well as the history of European anti-fascism and how it informs struggles around the world today.