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  • av Kelsey Woods
    250,-

    Ashlyn My contract didn't say anything about an extra roommate. Especially a scorching hot carpenter who can't stick to the chore chart. It seems like we're both here for good, and I'm determined to keep things professional. He had his chance...and he never called. Isaac There's a nurse in my grandma's kitchen. Only, she's the same gorgeous yet infuriating woman I ghosted last month. I didn't call her, but I really should have. Isaac Lauri and Ashlyn Carter have met once before, but now they're unlikely roommates in a hundred-year-old house with an adorable octogenarian. Is sheer willpower and a thin bedroom wall enough to keep their emotions at bay?Lovingly Restored is a steamy, forced-proximity romance set in the fictional small town of West Isle, Canada.

  •  
    86,-

    Erkki-Sven Tüür's Canticum Canticorum Caritatis (Song of Songs) is a setting in Latin for choir SATB (with divisi) of the famous passage from St. Paul's letter to the Corinthians, chapter 13, dealing with the nature of love (Now faith, hope, love these three: but the greatest of these is love"). Tüür reflects that the ancient Greeks broadly divided love into four categories: agape, eros, philia, and storge. When love is exhausted, we often think about eros. But at this moment there is a need to celebrate agape, unconditional love, and this piece was born from this consideration. The World Premiere of Canticum Canticorum Caritatis was given on August 8, 2020 at the Kärdla Church, Kärdla, Hiiumaa (Estonia), by the vocal ensemble Collegium Musicale, conducted by Endrik Üksvärav. The work is dedicated to Endrik Üksvärav & Collegium Musicale. This product is a high quality Edition Peters vocal score, for a cappella choir SATB (with divisi). This product is Printed on Demand and may take several weeks to fulfill."

  •  
    90,-

    Coronation Sanctus by Roxanna Panufnik was commissioned by His Majesty King Charles III for The Coronation at Westminster Abbey on May 6, 2023. It is a 2-minute piece for double choir and organ described by Roxanna Panufnik as festive and glittering." The music quickly builds and finishes ecstatically, with organ fanfares and flamboyantly colorful harmonies."

  •  
    136,-

    A firm favourite with singers of all ages, this simple but moving duet is now attractively presented in this new edition.Hansel and Gretel is one of the most-performed operas ever written - within a year of its premiere in Weimar in 1893 it had been performed 50 times in Germany alone.The storyIn Act I Hansel and Gretel have annoyed their Mother by dancing when they should have been making brooms and knitting. In her anger the Mother knocks over the jug of milk, the only food in the house. She sends the children out into the nearby forest to pick strawberries, but when the Father returns he is horrified, because this is where the Witch lives in her gingerbread cottage.He and the Mother go out to find their Children. In Act II, after the children have picked and then eaten the strawberries, a mist arises and, when it clears, there is the Sandman, a smallgrey figure with a sack on his back. He throws sand in their eyes and, after they saytheir evening prayer, they fall asleep in each other's arms. After the prayer, the mistdescends again and turns into a magic staircase, down which comes the fourteen angels of whom they sang, to surround them and keep them safe through the night.

  •  
    86,-

    Can you hear me? is written for eight-part a cappella choir and sets a new text by Peter Thomson that asks simple but fundamental questions about the need for human contact. First performed by the National Youth Choir of Great Britain at the Royal Albert Hall, London in December 2021, it captures one of the problems the world faced with the Covid-19 lockdown, and looks forward to new beginnings. Duration is 4.5 minutes.

  •  
    86,-

    The Sleeping Soul is an atmospheric five-minute piece for SATB choir with organ, at times evoking the mystery of the text and at other moments expressing joy contained in it. It was composed for the Bath Abbey Music Society in celebration of the 20th anniversary of the Abbey Girls Choir in 2017. The work sets a text by the Christian medieval mystic St Mechthild of Magdeburg (c.1207-c.1297).

  •  
    90,-

    Yiddish Choral Series Series Editors: Samuel Seifert and Ludwig BöhmeYiddish folk songs explore the complete range of human emotions, powerfully expressing all that the Jewish people have loved, embraced and endured. Since their origins in the 14th century, the songs have traditionally been passed on to each generation as words and melodies alone. The Yiddish Choral Series now makes this music available for the first time in stunning new arrangements for choirs.Series Editors Samuel Seifert (a member of Ensemble Rozhinkes) and Ludwig Böhme (director of the Leipzig Synagogal Choir) have commissioned a range of renowned international arrangers to illustrate the huge variety of creative responses to Yiddish songs: from simple choral settings to expansive, through-composed concert arrangements, and from typical Yiddish harmonies to aleatoric composition.The Yiddish Choral Series, which allows choirs everywhere to discover the fascinating world of Yiddish song, features: A range of choral styles and levels of difficulty, to suit all programming requirementsInformative introductions to each pieceTransliterated Yiddish lyrics, with poetic translations into English and German alongside the original Hebrew textThe Yiddish folk song Vos dergeystu mir di yorn is a humorous dispute between a pair of lovers who complain bitterly about the interference of various relatives in their relationship. In this arrangement, which lasts five minutes, Fredo Jung has set the dialogue with much harmonic finesse for two solo voices, SATB and piano. The movement continuously surprises with new twists, timbres, overtones and melodies and is a wonderfully artistic realization of all the bickering"."

  •  
    80,-

    Yiddish Choral Series Series Editors: Samuel Seifert and Ludwig BöhmeYiddish folk songs explore the complete range of human emotions, powerfully expressing all that the Jewish people have loved, embraced and endured. Since their origins in the 14th century, the songs have traditionally been passed on to each generation as words and melodies alone. The Yiddish Choral Series now makes this music available for the first time in stunning new arrangements for choirs.Series Editors Samuel Seifert (a member of Ensemble Rozhinkes) and Ludwig Böhme (director of the Leipzig Synagogal Choir) have commissioned a range of renowned international arrangers to illustrate the huge variety of creative responses to Yiddish songs: from simple choral settings to expansive, through-composed concert arrangements, and from typical Yiddish harmonies to aleatoric composition.The Yiddish Choral Series, which allows choirs everywhere to discover the fascinating world of Yiddish song, features: A range of choral styles and levels of difficulty, to suit all programming requirementsInformative introductions to each pieceTransliterated Yiddish lyrics, with poetic translations into English and German alongside the original Hebrew textVer Hot Aza Yingele? (Who has such a son?) is a 3-minute, lively, joyful folk song of Eastern Jewish origin. Full of pride, the mother sings a hymn of gratitude for her own child, who is, of course, the best child of all! Polina Shepherd's arrangement for solo voice, SATB and piano adds authentic Yiddish ornamentation to the characteristic simple song melody. This creates a kind of onomatopoeia in the solo and choral parts; a sort of notated improvisation that should be felt with metrical freedom. Even for choral singers unfamiliar with Klezmer, this arrangement gives the opportunity to become wonderfully engaged with the style and---like the mother with her 'Yingele'---will be richly rewarded.

  •  
    86,-

    Yiddish Choral Series Series Editors: Samuel Seifert and Ludwig BöhmeYiddish folk songs explore the complete range of human emotions, powerfully expressing all that the Jewish people have loved, embraced and endured. Since their origins in the 14th century, the songs have traditionally been passed on to each generation as words and melodies alone. The Yiddish Choral Series now makes this music available for the first time in stunning new arrangements for choirs.Series Editors Samuel Seifert (a member of Ensemble Rozhinkes) and Ludwig Böhme (director of the Leipzig Synagogal Choir) have commissioned a range of renowned international arrangers to illustrate the huge variety of creative responses to Yiddish songs: from simple choral settings to expansive, through-composed concert arrangements, and from typical Yiddish harmonies to aleatoric composition.The Yiddish Choral Series, which allows choirs everywhere to discover the fascinating world of Yiddish song, features: A range of choral styles and levels of difficulty, to suit all programming requirementsInformative introductions to each pieceTransliterated Yiddish lyrics, with poetic translations into English and German alongside the original Hebrew textVeyn nisht for SATB a cappella is a 6-minute setting based on the melancholic lullaby Kleyner yosem (Little Orphan) by the legendary Polish-Jewish songwriter Mordechaj Gebirtig (1877--1942). In his interpretation of the Yiddish song, Bernd Franke uses a broad tonal language including aleatoric and scenic elements. The piece begins with a haunting whisper, which gradually grows into a touching four- to eight-part choral sound. Only at the end does the original melody return, integrated into a four-part polyphonic choral movement.

  •  
    86,-

    Yiddish Choral Series Series Editors: Samuel Seifert and Ludwig BöhmeYiddish folk songs explore the complete range of human emotions, powerfully expressing all that the Jewish people have loved, embraced and endured. Since their origins in the 14th century, the songs have traditionally been passed on to each generation as words and melodies alone. The Yiddish Choral Series now makes this music available for the first time in stunning new arrangements for choirs.Series Editors Samuel Seifert (a member of Ensemble Rozhinkes) and Ludwig Böhme (director of the Leipzig Synagogal Choir) have commissioned a range of renowned international arrangers to illustrate the huge variety of creative responses to Yiddish songs: from simple choral settings to expansive, through-composed concert arrangements, and from typical Yiddish harmonies to aleatoric composition.The Yiddish Choral Series, which allows choirs everywhere to discover the fascinating world of Yiddish song, features: A range of choral styles and levels of difficulty, to suit all programming requirementsInformative introductions to each pieceTransliterated Yiddish lyrics, with poetic translations into English and German alongside the original Hebrew textRozhinkes mit mandlen by Abraham Goldfaden is one of the most famous Yiddish lullabies. It is about a mother's longing for a better future for her child. 'Rozhinkes' (raisins) and 'Mandlen' (almonds) are symbolic of well-being and prosperity. In this choral version by Ludwig Böhme for solo voice, SATB and piano, and which lasts 3.5 minutes, the 'feast' is presented in a through-composed arrangement with a richly-textured piano accompaniment. Constantly flowing waves of quavers, inspired by the swaying 'Aylyulyu', and the added affectionate motif 'Yidele shlof' make the romanticism of the song sound almost symphonic.

  •  
    76,-

    Yiddish Choral Series Series Editors: Samuel Seifert and Ludwig BöhmeYiddish folk songs explore the complete range of human emotions, powerfully expressing all that the Jewish people have loved, embraced and endured. Since their origins in the 14th century, the songs have traditionally been passed on to each generation as words and melodies alone. The Yiddish Choral Series now makes this music available for the first time in stunning new arrangements for choirs.Series Editors Samuel Seifert (a member of Ensemble Rozhinkes) and Ludwig Böhme (director of the Leipzig Synagogal Choir) have commissioned a range of renowned international arrangers to illustrate the huge variety of creative responses to Yiddish songs: from simple choral settings to expansive, through-composed concert arrangements, and from typical Yiddish harmonies to aleatoric composition.The Yiddish Choral Series, which allows choirs everywhere to discover the fascinating world of Yiddish song, features: A range of choral styles and levels of difficulty, to suit all programming requirementsInformative introductions to each pieceTransliterated Yiddish lyrics, with poetic translations into English and German alongside the original Hebrew textThe Yiddish folk song Dzhankoye reflects the pride of Jewish peasants who sing of a Jewish kolkhoz (collective farm) on the Crimean peninsula. Juan M.V. Garcia's arrangement (duration: 2 minutes) leaves the performers plenty of scope for their own creativity: the melody and the choral 'background' can be performed in a variety of ways and enriched by clapping and other effects.

  • av Kurt Soldan
    490,-

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