Böcker utgivna av Algonquin Books

When Lila returns to India from the United States after inheriting an ancestral home, she must confront a culture that has always been a part of her, her mother from whom she has been estranged for a decade, and her family (grandmother, aunts, uncles, and cousins) who all still live in the house. These family members resent her sudden inheritance of this humongous home, a stunning display of the status and culture of the zamindars, India's ruling class that was so firmly shaped by British colonial rule. Beyond that, her first love, the now-married Adil, seeks her out when she arrives back in Calcutta, and Seth, her star author and sometimes lover, decides to surprise her by showing up in India as well. As Lila navigates both affairs and her family's deep mistrust, a legacy of violence in the family can no longer be ignored. In the aftermath of her cousin Biddy's wedding, an uncle is dead, and her grandmother unwillingly reveals her own secrets. With a lawsuit against Lila gathering steam and a police investigation triggered, Lila must finally reckon with her inherited custom of sweeping everything under the rug to preserve appearances. With an unforgettable house at its heart, a violent past erupting into the present, a problematic romance, and a compelling and conflicted heroine, this novel is an utterly addictive read.

Critically acclaimed, for readers of Paul Beatty's The Sellout and Jennifer Egan's The Candy House, a moving and darkly funny novel about an attempt to found an underground Utopia. An abandoned restaurant on a hill off the highway in Western Massachusetts doesn't look like much. But to Rio, a young Black woman bereft after the loss of her newborn child, this hill becomes more than a safe haven—it becomes a place to start over. She convinces her husband to help her construct a society underground, somewhere everyone can feel safe, loved, and accepted.   Soon their utopia begins to take shape and attracts the unhoused, the disillusioned, and the spiritually lost. But no matter how much these people all yearn for a sanctuary from the existential dread of life above the surface, what happens if this new society can't actually work?  From an exciting new literary voice, The New Naturals is fresh and deeply perceptive, capturing the absurdity of life in the 21st century. In this remarkable feat of imagination, Bump shows us that, ultimately, it is our love for and connection to each other that will save us.  **A 2023 NEW YORK TIMES and WASHINGTON POST Notable Book and a BOSTON GLOBE Best Book of the Year**

In this searing and uplifting memoir, a young Black queer woman fresh out of college adopts her baby brother after their incarcerated mother dies, determined to create the kind of family she never had. Nikkya Hargrove spent a good portion of her childhood in prison visiting rooms. When her mother—addicted to cocaine and just out of prison—had a son and then died only a few months later, Nikkya was faced with an impossible choice. Although she had just graduated from college, she decided to fight for custody of her half brother, Jonathan. And fight she did.   Nikkya vividly recounts how she is subjected to preconceived notions that she, a Black queer young woman, cannot be given such responsibility. Her honest portrayal of the shame she feels accepting food stamps, her family’s reaction to her coming out, and the joy she experiences when she meets the woman who will become her wife reveal her sheer determination. And whether she’s clashing with Jonathan’s biological father or battling for Jonathan’s education rights after he’s diagnosed with ADHD and autism, this is a woman who won’t give up.    Nikkya’s moving story picks up where Bryan Stevenson’s Just Mercy left off, exploring generational trauma and pulling back the curtain on family court and poverty in America. Mama is an ode to motherhood and identity, and to finding strength in family and community, for readers of memoirs by Ashley C. Ford, Natasha Tretheway, and Dawn Turner.

"America is the world's biggest haunted house and American Scary is the only travel guide you need. I loved this book." —Grady Hendrix, New York Times bestselling author of How to Sell a Haunted House and The Final Girl Support GroupFrom the acclaimed author of American Comics comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, and, ultimately, culture—from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan Peele   America is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in our pockets. Like the victims in any slasher movie worth its salt, we can’t escape the thrall of scary stories.   In American Scary, noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of horror in the United States. Dauber draws a captivating through line that ties historical influences ranging from the Salem witch trials and enslaved-person narratives directly to the body of work we more closely associate with horror today: the weird tales of H. P. Lovecraft, the lingering fiction of Shirley Jackson, the disquieting films of Alfred Hitchcock, the up-all-night stories of Stephen King, and the gripping critiques of Jordan Peele.   With the dexterous weave of insight and style that have made him one of America’s leading historians of popular culture, Dauber makes the haunting case that horror reveals the true depths of the American mind.

"An ebullient, funny novel about the friendship between a brilliant young girl and a perceptive squirrel monkey, the power of youth, and the way forward for a planet in crisis"--

"Beautifully told and illustrated by an established fine painter whose work has been collected around the world, Julie Heffernan's Babe in the Woods is an extraordinary journey of memory, remorse, and rebirth, and a powerful lesson in trust in one's self, offering a new way of seeing for anyone who feels lost in the world"--

"Oscar Wilde, his wife, Constance, and their two sons deal with the aftermath of the famous playwright's imprisonment for homosexuality, told against the backdrop of Victorian England and World War I"--

From award-winning Métis author Michelle Porter, a powerfully funny and moving story told not just by five generations of Métis women, but also by the land, the bison that surround them, and two utterly captivating dogs. Carter is a young mother on a quest to find the true meaning of her heritage, which she only learned of in her teens. Allie is trying to make up for the lost years with her first born and to protect Carter from the hurt she herself suffered from her own mother. Lucie wants the granddaughter she's never met to help her get to her ancestors in the afterlife. And Geneviève is determined to conquer her demons—before the fire inside burns her up—with the help of the sister she lost but has never been without. Meanwhile, Mamé, in the afterlife, knows that all their stories began with her; she must find a way to cut herself from the last threads that keep her tethered to the living, just as they must find their own paths forward. And a young bison wants to understand why he keeps being moved and whether he should make a break for it and run for his life. This extraordinary novel, told by a chorus of vividly realized, wise, confused, struggling characters attempting to make sense of this life and the next, heralds the arrival of a stunning new voice in literary fiction.

By the New York Times bestselling author of Descent and The Current, an absorbing new work of literary suspense about two young working men who forge a friendship despite secrets in their past, and whose actions ignite the passions and violence of a small Wisconsin town still haunted by the unsolved disappearance of three boys in the 1970s. For readers of Peter Heller, Liz Moore, and Cormac McCarthy.What if? What if Sean Courtland’s old Chevy truck had broken down somewhere else? What if he’d never met Denise Givens, a waitress at a local tavern in the Wisconsin town where he lands? Or Dan Young, another young man like Sean drifting through, having fled Minnesota for reasons unknown? Instead, together Sean and Dan pick up carpentry and plumbing work for an old man named Marion Devereaux, and Sean gets drawn into the lives of Denise and her father—and of the townspeople, all haunted by the disappearance of three young boys decades ago, in the 1970s.   As the paths of these characters converge, observing them all is Detective Corinne Viegas, a woman whose drive to seek justice comes from her father's own failure to find those boys and the violence once done to her sister. And over the course of just a few weeks, an irreversible chain of events is set in motion that culminates in shattering violence, and the revelation of long-buried truths.   Evocative, gritty, with indelible characters and setting, Distant Sons is another immersive, gripping suspense novel by Johnston about how the most random intersection of lives can have consequences both devastating and beautiful.

An inspiring and delightful illustrated collection of quotations from a diverse range of our most beloved children's books that will help teach all of us how to live in the world today, perfect for gift season and for readers of books like The Boy, The Mole, The Fox, and The Horse and How to Love the World. Everything we need to know as adults can be found in the brilliant, imaginative, diverse world of children's books. That is the simple yet powerful promise that Believe In the World offers. This illustrated, gifty collection, with witty and inspirational quotations organized in chapters such as "How to Believe in the World" and "How to Have Fun in the World," reminds us not to lose sight of the values we learned as kids—to be courageous, to do good deeds, to respect our imaginations, and maybe even to break a few rules every once in a while. Some quotations will bring readers back to old favorites like The Little Prince or Ramona Forever while others will lead to new discoveries inspired by the exciting new variety of children’s books being published today. And all provide a roadmap to doing and being good in the world. As one reviewer wrote about Believe In the World's predecessor, What the Dormouse Said, published by Algonquin in 1999, “Whether you’re looking for wisdom about goodness or sadness or even more practical matters, you will surely find it in this delightful collection.”Believe In the World lands in the sweet spot of nostalgic and entertaining; fresh and enlightening. And at the same time, it reminds us of the exhilaration of being a reader, young at heart, venturing forth into the world of storybooks and unforgettable characters and confirming that we are never too old to recapture the lessons, pleasures, and exuberance of childhood.

"Chino Flores, a queer Latino in his late thirties, was a beloved middle school biology teacher with an adoring wife and a child on the way until a devastating loss dramatically changed his life and he relies on his coterie of new and old friends and lovers in this anthem to queer and platonic love"--

"A captivating true-crime caper about Arthur Barry, a jewel thief who charmed celebrities and millionaires, stole from Rockefellers and royalty, and pulled off the most audacious and lucrative heists of the Jazz Age"--

"As a teenager, for a moment Ella Fitchburg found love--yearning, breathless love--that consumed both her and her boyfriend Jude as they wandered the streets of New York City together. But her life was unexpectedly upended when she was accused of trying to murder Jude's father, an imperious superior court judge, and sentenced to twenty-five years in prison. When she learns she's pregnant shortly after sentencing, she reluctantly decides to give up the child"--

Award-winning author Stacey D’Erasmo tells a haunting and emotionally affecting story about a woman trying to rebuild her life after her husband’s arrest, and what she knew—or pretended not to know— about where their family’s money came from.  After her husband Alan’s decades of financial fraud are exposed, Suzanne’s wealthy, comfortable life shatters. Alan goes to prison. Suzanne files for divorce, decamps to a barely middle-class Massachusetts beach town, and begins to create a new life and identity. Ignoring a steady stream of calls from Norfolk State Prison, she tries to cleanse herself of all connections to her ex-husband. She tells herself that he, not she, committed the crimes. Then Alan is released early, and the many people whose lives he ruined demand restitution. But when Suzanne finds herself awestruck at a major whale stranding, she makes an apparently high-minded decision that ripples with devastating effect not only through Alan’s life as he tries to rebuild but also through the lives of Suzanne and Alan’s son, Alan’s new wife, his estranged mother, and, ultimately, Suzanne herself. When damage is done, who pays? Who loses? Who is responsible? With biting wisdom, The Complicities examines the ways in which the stories we tell ourselves—that we didn’t know, that we weren’t there, that it wasn’t our fault—are also finally stories of our own deep complicity.

A provocative and enchanting debut about a Black woman doing whatever it takes to protect all she loves at the beginning of the Civil Rights movement in Alabama.It's 1957, and after leaving the only home she has ever known, Alice Young steps off the bus into the all-Black town of New Jessup, Alabama, where residents have largely rejected integration as the means for Black social advancement. Instead, they seek to maintain, and fortify, the community they cherish on their "side of the woods."In this place, Alice falls in love with Raymond Campbell, whose clandestine organizing activities challenge New Jessup's longstanding status quo and could lead to the young couple's expulsion--or worse--from the home they both hold dear. But Raymond continues to push alternatives for enhancing New Jessup's political power. So Alice must find a way to balance her undying support for his underground work with her desire to protect New Jessup from the rising pressure of upheaval from inside, and outside, their side of town.This novel is both a celebration of Black joy and a timely examination of the opposing viewpoints that attended desegregation in America. Readers of Brit Bennett's The Vanishing Half and Robert Jones, Jr.'s The Prophets will love Moonrise Over New Jessup.

This volume makes Korczak's philosophy available in the United States for thefirst time. As relevant and true as if it had been written today, its simple, basic premise is that understanding children is the key to being able to takecare of them, respect them, and love them.

In 1869 Japan, a young woman escapes the confines of her arranged marriage by painting memories of her lover on mulberry paper. She secretly wraps the painting around a ceramic pot that's bound for Europe. In France, a disenchanted young man works as a clerk at an import shop. When he opens the box from Japan, he discovers the brilliant watercolor of two lovers locked in an embrace under a plum tree. He steals the painting and hides it in his room. With each viewing, he sees something different, and gradually the painting transforms him.Set outside the new capital of Tokyo during the Meiji Restoration and in Paris during the Franco-Prussian War, The Painting is a richly imagined story of four characters whose lives are delicately and powerfully entwined: Ayoshi, the painter, pines for her lover as she dutifully attends to her husband; Ayoshi's husband, Hayashi, a government official who's been disfigured in a deadly fire, has his own well of secret yearnings; Jorgen, wounded by the war and by life, buries himself in work at the Paris shop; and the shop owner's sister, Natalia, who shows Jorgen the true message of the painting.Exquisitely written and utterly spellbinding, The Painting reveals the enduring effect of art in ordinary life and marks the debut of a skilled stylist and first-rate storyteller.

NOW WITH A FOREWORD BY RON RASH AND AN APPRECIATION BY DWIGHT GARNER“One of the finest books I know about blue-collar work in America, its rewards and frustrations . . . If you are among the tens of millions who have never read Brown, this is a perfect introduction.” —Dwight Garner, The New York Times On January 6, 1990, after seventeen years on the job, Larry Brown quit the Oxford, Mississippi, fire department to try writing full-time. In On Fire, he looks back on his life as a firefighter. His unflinching accounts of daily trauma—from the blistering heat of burning trailer homes to the crunch of broken glass at crash scenes—catapult readers into the hard reality that drove this award-winning novelist. As a firefighter and fireman-turned-author, as husband and hunter, and as father and son, Brown offers insights into the choices men face pursuing their life’s work. And, in the forthright style we expect from Larry Brown, his narrative builds to the explanation of how one man who regularly confronted death began to burn with the desire to write about life.

Amateur Detective Myrtle Hardcastle must solve the mystery of a long-lost heiress and track down a possible murderer lurking in the halls of the Royal Swinburne Hospital before her father, a patient there, becomes the killer’s next victim in Book 4 of the Edgar Award–winning mystery series.

Michael Parker's vast and involving novel about pirates and slaves, treason and treasures, madness and devotion, takes place on a tiny island battered by storms and cut off from the world. Inspired by two little-known moments in history, it begins in 1813, when Theodosia Burr, en route to New York by ship to meet her father, Aaron Burr, disappears off the coast of North Carolina. It ends a hundred and fifty years later, when the last three inhabitants of a remote island?two elderly white women and the black man who takes care of them?are forced to leave their beloved spot of land. Parker tells an enduring story about what we'll sacrifice for love, and what we won't.