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A gorgeous full-color graphic historical novel, sure to become an instant classic, that explores the friendship and feud between Ida B. Wells and Frederick Douglass, offering new insights into slavery and incarceration in the United States.Told from the perspectives of statesman and orator Frederick Douglass, and journalist and activist Ida B. Wells, Before 13th is a story that illuminates the contradictions of freedom. Friends and rivals, Douglass and Wells clashed over how to grapple with the racism and exoticism that defined portrayals of African Americans at the 1893 Chicago World's Fair, where Douglass was invited to speak after they had initially agreed to boycott the event. It uses the story of this real-life conflict as a lens through which we see the history of slavery and incarceration as never before.Historical anthropologist Michael Ralph joins forces with artist Jason Piperberg and acclaimed illustrator Laura Molnar to reimagine these two influential Black Americans and the controversies surrounding the Thirteenth Amendment--which some contend did not abolish slavery, claiming instead it was used to keep African Americans in a condition approximating bondage in the years immediately following Emancipation. Before 13th boldly takes on this issue, offering a provocative re-thinking that goes back years earlier than the adoption of the Thirteenth Amendment, to a practice known as convict leasing, an experiment in capitalist innovation and progressive legal reform, whose profound effects continue to be felt today.Before 13th features100 four color illustrations.

Illustrated with more than 100 color and black-and-white photos, a rich celebration linking the vibrancy of Black identity and expression with mainstream popular culture from the past to the present.The top memes, movements, and milestone moments dominating today's social media have focused on Beyoncé, Black Panther, Black Lives Matter, Lil Nas, Kanye, Serena and Meghan Markle. Driven by Black millennials, these trending topics demonstrate the influence and power of Black artistry and celebrity in American popular culture and around the globe. As Shirley Neal argues, this is more than just a fleeting style. It is a profound display of how pop culture is being used as a conduit for the revival of Black identity, culture, and history.The impact of Blackness in pop culture has never been as significant as it is today. African-themed searches have grown exponentially, and the surge of interest in Black pop culture crosses generations. Beautifully designed, Afrocentric Style explores the connection between Black identity and mainstream culture, interweaving more than 100 full-color and archival black-and-white photographs with thought-provoking commentary that offers parallels between the top Afrocentric stories that have trended on social media and their historical roots.Timely and timeless, this stunning anthology educates celebrates, and elevates readers' knowledge about the powerful influence of Afrocentric Style on mainstream pop culture and America's increasingly diverse society.

A visceral and candid portrait of today's Ghanaian youth, told in interconnected short stories by acclaimed spoken-word artist and author of the poetry collection Woman, Eat Me Whole Ama Asantewa Diaka.In this startling collection of short fiction, Ama Asantewa Diaka creates a vibrant portrait of young Ghanaians' today, captured in the experiences of characters whose lives bump against one other in friendship, passion, hope, and heartache. Men like Opoku Sr., not yet forty and struggling to keep his family's cocoa business afloat after his father's unexpected passing. Opoku strains under the burden of caring for his eight younger siblings and the child whose mother ran off. When his new girlfriend tells him she's pregnant, he knows he has nothing left to give.Years later, that girlfriend's son, Opoku Jr., now faces his own troubles, including his girlfriend Boatemaa, who (correctly) suspects he is sneaking around, and Amoafoa, the woman he's seeing on the side. And there is John, who confides to his crush Baaba about a surprising encounter with a male friend over a game of FIFA; Baaba, who falls into a whirlwind romance with her professor that ends in violence; and their friend Ayeley, who is learning to accept pleasure after being raised to believe it is sinful.Diaka charts this constellation of interconnected lives in thirteen stories, exploring themes which run through the collection like a current: corruption and economic hardship, trauma and infidelity, shame, neglect, and the tribulations of the female body. In telling their stories, Diaka illuminates hope, freedom, and triumph that can be found in the everyday?the bonds between women, the joys of love and sex and art and dancing, the possibility of repair and redemption.Renowned for her spoken word artistry, Ama Asantewa Diaka demonstrates her lyrical brilliance in this emotionally rich work that unveils profound truths about her country, its inhabitants, and the universality of human experience.

"Originally published forty years ago, Alice Walker's first collection of nonfiction is a dazzling compendium that remains both timely and relevant. In these thirty-six essays, Walker contemplates her own work and that of other writers, considers the civil rights movement of the 1960s and the anti-nuclear movement of the 1980s, and writes vividly and courageously about a scarring childhood injury. Throughout, Walker explores the theories and practices of feminism, incorporating what she calls the 'womanist' tradition of Black women -- insights that are vital to understanding our lives and society today."--

In this ?brilliant? (Essence) sequel to The Color Purple, Alice Walker weaves an intricate, rich tapestry of interrelated lives. Celie and Shug from The Color Purple subtly shadow the lives of the dozens of astonishing characters in The Temple of My Familiar, all of whom are dealing in some way with the legacy of the African experience in America. From recent African immigrants to a woman who grew up in the mixed-race rainforest communities of South America to Celie's own granddaughter living in modern-day San Francisco, they must come to terms with the brutal stories of their ancestors in order to confront their own troubled lives.Described by the author as ?a romance of the last 500,000 years,? The Temple of My Familiar creates a new mythology from old fables and history, and along with it a profoundly spiritual explanation for centuries of shared African American experience. ?The richness of [this] novel is amazing, overwhelming. A hundred themes and subjects spin through it, dozens of characters, a whirl of time and places. None is touched superficially: all the people are passionate actors and sufferers, and everything they talk about is urgent, a matter truly of life and death. They're like Dostoyevsky's characters, relentlessly raising the great moral questions and pushing one another towards self-knowledge, honesty, engagement.? ?Ursula K. LeGuin

"Meridian Hill, a dedicated and courageous young activist in the 1960s, works to create peace and understanding through her civil rights work, touching the lives of all those she meets even when her health begins to deteriorate. With the old rules of Southern society collapsing around her, her coworkers quitting and moving to comfortable homes and lives, and others turning to more violent means of achieving change, Meridian fights a lonely battle to reaffirm her own humanity-and that of all her people"--