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Collective Memory and the Dutch East Indies: Unremembering Decolonization examines the afterlife of decolonization in the collective memory of the Netherlands. It offers a new perspective on the cultural history of representing the decolonization of the Dutch East Indies, and maps out how a contested collective memory was shaped. Taking a transdisciplinary approach and applying several theoretical frames from literary studies, sociology, cultural anthropology and film theory, the author reveals how mediated memories contributed to a process of what he calls "unremembering." He analyses in detail a broad variety of sources, including novels, films, documentaries, radio interviews, memoirs and historical studies, to reveal how five decades of representing and remembering decolonization fed into an unremembering by which some key notions were silenced or ignored. The author concludes that historians, or the historical guild, bear much responsibility for the unremembering of decolonization in Dutch collective memory.

This book on water and climate change goes beyond the usual and predictable analyses, by bringing religion and values into a discussion that is often dominated by technocratic solutions. The three case studies of Jakarta, Cape Town, and Amsterdam demonstrate the challenges of water management in urban areas and the role religion can play in addressing them. With representatives from science, politics, economics, and religion, as well as young voices, the book stimulates a values-driven dialogue on issues of water in times of climate change.

Advertising has played a central role in shaping the history of modern media. While often identified with American consumerism and the rise of the 'Information Society', motion picture advertising has been part of European visual culture since the late nineteenth century. With the global spread of ad agencies, moving image advertisements became a privileged cultural form to make people experience the qualities and uses of branded commodities, to articulate visions of a 'good life', and to incite social relationships. Abandoning a conventional delineation of fields by medium, country, or period, this book suggests a lateral view. It charts the audiovisual history of advertising by focussing on objects (products and services), screens (exhibition, programming, physical media), practices (production, marketing), and intermediaries (ad agencies). In this way, the book develops new historical, methodological, and theoretical perspectives.

Between the sixth and twentieth centuries, the Benedictine Abbey of Monte Cassino (est. 529) experienced a cycle of atrocities which forever transformed its identity. This book examines how such a tumultuous history has been constructed, remembered, and represented from the Middle Ages to the present day. It uses this singular and pivotal case to analyse the historical process of remembering and its impact on modern representations of the past. Exactly how Monte Cassino is remembered is distinctive and diagnostic. The abbey is recognizable today as a beacon of western civilization, culture, and learning precisely because of its 'destruction tradition' over fourteen centuries. The Destruction and Recovery of Monte Cassino, 529.1964 asks how the abbey‿s fragmented past has been ideologically, politically, and culturally constituted and preserved; how its experience with destruction and suffering . and recovery and rebirth . has become incorporated into a modern narrative of progress and triumph.

Nomadic Pastoralism among the Mongol Herders: Multispecies and Spatial Ethnography in Mongolia and Transbaikalia is based on anthropological research carried out by the author between 2008 and 2016 and addresses the spatial features of nomadic pastoralism among the Mongol herders of Mongolia and Southern Siberia from a cross-comparative perspective. In addition to classical methods of survey, Charlotte Marchina innovatively used GPS recordings to analyze the ways in which pastoralists envision and concretely occupy the landscape, which they share with their animals and invisible entities. The data, represented in abundant and original cartography, provides a better understanding of the mutual adaptations of both herders and animals in the common use of unfenced pastures, not only between different herders but between different species. The author also highlights the herders' adaptive strategies at a time of rapid sociopolitical and environmental changes in this area of the world.

This book examines ephemeral exhibitions from 1750 to 1918. In an era of acceleration and elusiveness, these transient spaces functioned as microcosms in which reality was shown, simulated, staged, imagined, experienced and known. They therefore had a dimension of spectacle to them, as the volume demonstrates. Against this backdrop, the different chapters deal with a plethora of spaces and spatial installations: the Wunderkammer, the spectacle garden, cosmoramas and panoramas, the literary space, the temporary museum, and the alternative exhibition space.