Böcker utgivna av Anchorage Press

Starving, stranded, and unwilling to return home, 16-year-old runaway Rosebud is rescued from the mean streets by Seth and his followers. As "God's Appointed One", he will provide safety and protection if she confesses her sins and pledges allegiance to his Gethsemane church. Blinded by his message and charisma, she realizes too late that Seth is not leading her back to the Christian values of her childhood. She is trapped in a cult steeped in secrets as deadly as they are inescapable.Can a lost girl break free of the sinister power behind the Gethsemane sect? Will she lose her way? Or will she, too, soon be ... Washed in the Blood?

In September of 2013, thousands of migratory songbirds perished after being lured like moths to a flame to a hundred-foot-high flare at the Canaport Liquefied Natural Gas plant in Saint John, New Brunswick. Photographer Thaddeus Holownia and poet Harry Thurston sought to memorialize this fateful event, but with Canaport LNG on trial, the fallen birds were collected and held as evidence at the New Brunswick Museum. After two long years, Holownia and Thurston finally gained access.Icarus, Falling of Birds pairs Holownia's photography with the poetry of Thurston. In these pages, the burned and damaged bodies of the birds are perpetually falling, while Thurston recounts their great migration: how "they wing like embroidery / through the drapery of fog that clings / to this coast" and of "a false star / burning bright," that claims them.

"In each image of Headlighting, a single vehicle's side view is centred in the foreground, its long horizontal shape reinforced by the geometry of the 8x20-inch frame. ... The principal allusion is that relationships develop between humans and technology. Each image's long exposure, shallow depth of field, and tonal range confer a kind of atmosphere poetics to the mis-en-scène." -- Robert TombsIn 1974, the distinguished graphic designer Allan Fleming encouraged Holownia to use a large-format view camera -- a conversation that proved instrumental in shaping Holownia's aesthetic. Shortly after, Holownia set out from Toronto on a trip that took him into the U.S. Midwest and then east into Atlantic Canada. Each day, Holownia captured images of cars and their owners in their everyday settings, developing the exposures in makeshift darkrooms at night. An encapsulation of the everyday life and fashions of the mid-70s and a tribute to classic vehicles of all shapes and sizes, Headlighting 1974-1978 is a compelling document of a time and a place when car culture was at its peak.

It is time we resist.And how I have strained and stretchedtaut against it, this time, tossing it off in some neglected corner of the kitchen, where it does not belong, can be ignored, until the odd moment of late-night coffee, nightmares recalled.-- from "hold fast" Taking its title from a child's drawing of a burning house where "there is always the crucial act of rescue, saving somebody, nobody hurt and they can build another house as long as nobody dies," burninghouse peels away the veneer of the speaker's existence to reveal the hypocritical inconsistencies that lie beneath, including weaning children, decorum in elevators, and homelessness. Deeply rooted in the passing of time, Deborah Stiles offers a clear-eyed perspective on the realities of motherhood and womanhood in an age when old patriarchal orders are in flux and our relationship with the natural world is under threat. "Now I turn my back on the gestures and the words usually in place there, at the door, and go, and that I do disturbs me."

A CBC New Brunswick Book List SelectionThaddeus Holownia's Lintels of Paris provides a taste of the urban qualities of Paris, its quartiers, and its exquisite architectural details. Working with his trusted large-format banquet camera, Holownia has completed a series of horizontal portraits of carved stone lintels sitting atop the large doorways that line the streets and sidewalks of France's capital. This large-format volume, featuring over 40 stochastic duotones, offers an unexpected tour of one of the defining features of the "City of Light." Lintels of Paris accompanies an exhibition of the same name running throughout 2020 at the Beaverbrook Art Gallery.

Linteaux de Paris dévoile les qualités urbanistiques et l'élégance architecturale de la ville et de ses quartiers sous un angle inusité. Pour ces portraits horizontaux en deux tons, Thaddeus Holownia a braqué sa fidèle chambre photographique grand format sur des linteaux de pierre sculptés qui coiffent des portes majestueuses dans la capitale française. L'ouvrage de grandes dimensions réunit plus de quarante clichés qui offrent une vision insolite d'un aspect distinctif de la Ville Lumière. Le livre accompagne l'exposition du même nom présentée jusqu'à la fin de l'année à la Galerie d'art Beaverbrook.

An impressionistic long poem in twenty-two parts by Stefan Rose about residence life through a reimagining of the 60-history of the Trueman House residence at Mount Allison University. Typeset in Lanston Garamond and printed offset on Rolland Zephyr Antique Laid paper.

In Tantramar Revisited, Revisited, Thaddeus Holownia returns repeatedly to record the landscapes and architecture of the Tantramar Marshes and Cumberland Basin. In the accompanying essay, Tom Smart examines how Holownia's acute vision chronicles the relationships he observes, how the land reveals its history, and how time and human events affect change. This Smythe-sewn paperbound edition features 29 duotone reproductions.

This large-format chapbook includes 13 full-colour reproductions of Holownia's photographs, accompanied by 13 poems by Nova Scotia naturalist and poet Harry Thurston. A stunning integration of image, text, and typography, the book is typeset in Walbaum and printed offset on HannoArt paper.

In Ironworks, hand-forged iron and photography meld together to create a body of images honouring the simplicity and function of nineteenth-century blacksmith-made objects, many discovered at the locations where they had been cast aside. Together Holownia's photographs and Sanger's poems reveal the tangibility of light and dark in the obsolescent and rejected. Printed in offset lithography with seven tri-tone reproductions.

Thaddeus Holownia travelled to the many salmon rivers of eastern Canada, in all seasons, to capture their essential qualities. Harry Thurston's accompanying essay explores the elemental nature of these rivers that both nurture Atlantic salmon and inspire the salmon fisher. This 1,000-copy edition includes 50 full-size stochastic duotone reproductions of Holownia's 17 × 7-inch contact prints, casebound in quarter cloth with a printed card slipcase.

The Nature of Nature celebrates 40 years of production from one of Canada's leading photographers. Firmly located within the North American documentary genre, Holownia's unique practice, using predominantly analogue technologies, merges high craft with prolonged inquiry. This book includes a critical analysis of his work by Sarah Filmore, David Diviney, and Peter Sanger as well as 161 stochastic reproductions in colour and black & white of Holownia's contact prints.

The first in-depth study of a community's architecture along the eastern coast of Maine. Thaddeus Holownia took more than a thousand large-format photographs for this project, including interiors and exteriors of buildings, wider streetscape and landscape views, and a whole series of portraits of trees. The result is a magnificent book of photographs, accompanied by essays by architectural historian John Leroux and an introduction by Hugh French. This casebound, Smyth-sewn, large-format volume features 175 duotone stochastic reproductions.