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The Petersburg Noverre is an account of Marius Petipa's career in Russia that focuses on the description and reception of his ballets.

The essays in this volume present new voices and challenges within hinge epistemology. They explore new applications and directions of hinge epistemology, particularly as it relates to the philosophy of mind, society, ethics, and the history of ideas.

Julia Wedgwood (1833-1913) was a leading Victorian female non-fiction writer who ventured fearlessly into the reserved territory of the Victorian "e;man of letters"e;, writing about the Classical world, Darwinism, German Biblical criticism, moral philosophy, theology and science as well as literature and history. Her successful debut as a novelist was halted by her father's objections. Non-fiction proved a more congenial metier and she was a regular contributor to the Spectator, Contemporary Review and other upmarket periodicals. Her books include The Moral Ideal and The Message of Israel and biographies of John Wesley and her great grandfather, Josiah Wedgwood. Based on her extensive correspondence this biography also considers the tensions in her family life, the challenges she faced in establishing an unconventional, independent household and the impact of her deafness. Her wide, eclectic circle of friends included Harriet Martineau, Mrs Gaskell, her uncle Charles Darwin and his family, Browning who might have married her, F.D. Maurice, George Eliot, Frances Power Cobbe, Arthur Munby, Mary Everest Boole, Richard Hutton and the young E.M. Forster. She also played a significant role in Victorian feminism.Amongst the many themes explored are the pioneering days of women's higher education and first wave feminism, feminist theology and the significance of female friendships, Christian Socialism, Darwinism, idealism and Victorian agnosticism, spiritualism, antivivisectionism, periodical writing, perceptions of the Classical world, the impact of German Biblical criticism and the Wedgwood family's sense of itself and its history.

Using a local land reclamation project of the later eighth century, this book explores the interaction between a local culture of the southeast coast and the Sinitic culture of the north.

This project centers on one of the material drivers of local democratic processes. Too often in public, scholarly, and policy debates, conversations about participatory democracy devolve into voting rights, formal governance procedures, and other relatively abstract processes. While important, this point of view can often obscure the very immediate and material concerns of citizens, urban residents, and others that are simultaneously "e;citizens"e; of communities of varying geographic scales when it comes to - for example - the roads they travel, the electricity they consume, the schools they attend, and the water they use. The intention of this book is to examine the daily urban infrastructure needs of citizens, especially under rapid growth contexts, as a window into the broader concern with participation in governance, development, and visioning the future. The central premise of the book, as well as the key lesson for readers, is that public works and infrastructure are the backbone of democratic processes, and that democratic processes begin at the very local level. Without it, the process of collective governance fades beyond the immediacy of daily life. The process of imagining, financing, building, using and demolishing large, material projects such as bridges, sanitation systems and water systems in particular places are, on the one hand, an important technological and design problem. On the other hand, they are the physical manifestations of social, political, and economic relationships reflected in society, as the famous urbanist Lewis Mumford once noted (1937). The extent to which communities build physical infrastructure and which types of it says a lot about how those communities organize themselves. At the same time, the formal and informal loyalties and relationships among a community influence the types of built environment and infrastructure they get.Using this premise, the book describes several case studies from Southeast Asia that illustrate the embeddedness of governance structures in the built infrastructure as a way to encourage readers to consider the material, built environment stakes involved with participatory democracy as well as the importance of democratic participation in the visioning, building, and management of large-scale urban projects.

Transpacific Connections: Literary and Cultural Production by and about Latin American Nikkeijin is a cross-cultural work combining Latin American and Japanese studies. It contains original research on social and cultural relations between Japan and Latin America, ranging from Japanese inspirations in one of the most renowned Mexican poets, Brazilian dekasegi (temporary workers in Japan) described in a variety of testimonials, Japanese community in Brazil and its literary production, and a Mexican telenovela, inspired by the Japanese culture to European inspirations in a Nikkei Peruvian writer, Augusto Higa Oshiro.

To date, masculinity has tended to be presented in cinema studies as a monolithic category that serves the interests of a hegemonic, normative patriarchy. This book demonstrates how the art-house film, in the form of personal cinema and its exploitation of the melodramatic mode, tells a different story, presenting a vision of masculinity that is sexually fluid, fragmented, unstable, and often incapacitated to the point of paralysis, being undermined not only from within, but also by external circumstance. Hollywood, in the form of "e;male weepies,"e; offered preliminary insights into this failing masculinity, but it is with the flowering of Post-World War II art film and its subsequent movement into the "e;indie"e; waves of the late 20th century and the early 21st century that cinema more profoundly realizes its potential to serve as a vehicle for the exploration of men's interior lives, developing what might be termed the "e;male melodrama,"e; the correlative of the woman's film. The present volume offers a series of essays that reassess the role of melodrama in a number of touchstone films in the art-cinema tradition that explore the subjective experience of a male protagonist, announcing the emergence of a genre that has progressively proliferated in contemporary cinema. While these films, made by such notable auteurs as Vittorio De Sica, Satyajit Ray, Vincente Minnelli, Pier Paolo Pasolini, Ingmar Bergman, Franois Truffaut, Jacques Demy, Rainer Werner Fassbinder, and Luca Guadagnino have been frequently discussed as outstanding examples of art films, to date, with a few exceptions, they have not been examined in terms of their representation of gender and subjectivity, which has left a lacuna in accounts of screened masculinities.

This book explores the philosophy of economic forecasting under uncertainty. In economics the extreme events are difficult and often impossible to predict, especially when leaning upon the past only. Events can be approximately evaluated, as they may be sudden and erratic. The presentation of programs for years ahead is of little value because the uncertainty intervals expand when economic volatility increases, forming uncertainty bands. This book presents the effect of an expanding uncertainty band.This book reasons that the economic system has sensitivity thresholds - critical states of economic processes at which they significantly alter their characteristics. In those critical states, economic phase transitions may occur. A slowdown in economic growth, especially a tangible recession, can result in negative qualitative changes in the economy, which can have a long-term impact. As in medicine, in economics, the diagnosis must not be rigid and permanent. Vital indicators could and will change throughout therapy. A rigid forecast resulting in an attempt to ensure the rigid stability of indicators is dangerous and fraught with irreparable economic losses.To solve the issue of inflexible programs, this book presents the minimal uncertainty interval. This method is to open a logical path from the predicament of explaining its quantitatively precise indefinability of the indicators. The aim is to contribute to the flexible and realistic concept about possible dynamics of economic processes with interval forecasts and probabilistic evaluations of those events' outcomes. It is indicated that exiting the allowable intervals of regulatory indicators contributes to the emergence of economic diseases. This book tries to explore and systematize economic diseases, presents the factors that affect forecast efficiency, and makes the forecast satisfactory. Based on the systematization of the conducted research, this book formulates the ten principles of forecasting, which are necessary for forecasting the economic processes and decision-making under uncertainty.

The first chapter is an overview of the current "e;crisis"e; of literary study, brought about by downsizings following the crash of 2008 (from which literary studies never really recovered), compounded by the Covid pandemic, and rocked by the bedrock questions put to the academic study of literature by the Black Lives Matter protests. This chapter also looks at why theory matters in the present - as an introduction to modes of questioning and ways of life, which the author opposes to the English department's understanding of literature as a series of disciplinary objects to be understood or appreciated.The second chapter is a specific exploration of the novel, the current reigning form of literature and literary study in both popular and academic contexts, and the novel's relation to the present (of new materialism) and the past (the European history of the novel as the official form for warehousing bourgeois subjective experience). If new materialism (including anti-racist critiques) questions the world-view of bourgeois Eurocentric humanism, it also brings into question the centrality of that world view's primary artistic form, the novel.

This book is primarily a research-informed textbook aimed at any reader with an interest in using film and literature in sociological and social science research.

How could American social solidarity have so collapsed that we cannot even cooperate in fighting a pandemic? One problem lies in how our values mutate and intersect in an era of runaway high-end inequality and evaporating upward mobility. Under such conditions, the American Dream's seeming to suggest, falsely, that those who succeed economically are "e;winners,"e; while the rest of us are "e;losers,"e; puts it in dire conflict with our traditions of democracy and egalitarianism. In Bonfires of the American Dream, through close cultural studies of classic novels and films - Atlas Shrugged, The Great Gatsby, It's a Wonderful Life, and The Wolf of Wall Street - Daniel Shaviro helps to provide a better understanding of what went wrong culturally in America.

Polar Shift is about how to sustain the Arctic's richness, beauty, and local and global value. It describes programs specifically created to protect this region: the great inventory of law, policy, and civil society activity targeting sustainability of the region. It presents the Arctic and its present environmental health and competing ideas of how it can be improved with specific recommendations. This is a book about the Arctic's past and how it was envisioned, about its environment, its people, and their cultures. Polar Shift describes how the changing of the Arctic matters and to whom. It discusses what is being done to address threats to the Arctic's environment, and describes an inventory of tools available to sustain the Arctic and its people.

Within the framework of the human rights treaty system of the European Social Charter, the collective complaints procedure was created in 1995 as an optional quasi-jurisdictional monitoring mechanism specific for the protection of social rights. In recent years, the importance and use of this procedure has increased considerably, in the context of a number of serious economic and social crises which are impacting negatively on the effective enjoyment of social rights in Europe.The present monograph explores and clarifies the specific features of the collective complaints procedure, intended as a sui generis instrument for the protection of social rights in the light of its evolutive application by the European Committee of Social Rights (the monitoring body of the European Social Charter) and its real impact on the state and conditions of social rights in the European countries concerned.The analysis particularly dwells on the collective nature of the mechanism, and its implications from the standpoint of the admissibility of complaints, on the adversarial character of the procedure and on the particularities of the follow-up to findings of violation adopted by the European Committee of Social Rights (ECSR). The crucial issues concerning the legal value and effects of the ECSR's decisions on the merits of collective complaints, on the one hand, and the effectiveness of the collective complaints procedure as a means for the protection of social rights, on the other hand, are also addressed. Lastly, the book proposes some reflections on the supposed limitations on the effectiveness of a procedure which is conceived to deal not with individual situations of human rights violations but with violations characterized by elements of "e;collective importance"e; for many subjects.

The book begins with a background reference to the importance and impact that both teaching and research activities have traditionally had on a university's status in terms of its reputation and standing. It focuses on the political changes in the United Kingdom and highlights how the shifts in political thinking in recent years has changed the demographics of students entering higher education. Higher education is funded and the shift from being state funded to the student-funded model has meant that focus has shifted for higher education institutes to one in which the student is now being viewed as a fee-paying customer seeking value for money. As a consequence, universities are expected to be held more accountable to the service they are providing. With the introduction of the Teaching Excellence Framework (TEF) in the United Kingdom, the importance and status of teaching is being raised by attempting to rebalance the dominance of research and the Research Excellence Framework (REF) which for so long has been the main focus of higher education Institutions. The book explores the potential controversy that has arisen around the assessment of teaching quality used as a metric from the TEF outcomes to allow higher education institutes to increase tuition fees for students. The book explores a range of student-centered approaches to teaching and learning that are proving to be very effective in enhancing the overall student teaching experience and also examines the argument that a one-size-fits-all model does not necessarily work well in higher education. With the ever more advances in digital technology, the book considers ways in which this technology can assist academics in helping to enhance the teaching and learning in the classroom as well as in cases of emergency scenarios such as the shutdown of education institutions in March 2020 due to COVID-19.

Gevork Hartoonian presents a retrospective reading of the first edition of Kenneth Frampton's Modern Architecture: A Critical History, published in 1980. He provides novel insights into the significance of Frampton's historiography of modern architecture and beyond. In exploring selected themes from Frampton's ongoing criticism of contemporary architecture, this book leads us to a critical understanding of the past, the modernity of architecture's contemporaneity. It unpacks classificatory modes governing the three-part organization of Frampton's book, the constellation of which allowed him to hold on to an anteroom view of history amidst the flood of temporalities spanning the period 1980-2020. Contemplating Frampton's book as an artifact stripped of temporality, this original work reads Frampton's historiography in the intersection of selected epigraphs and three images illuminating the book's classificatory mode. Hartoonian presents a valuable companion to Frampton's A Critical History for readers interested in the successes and failures of contemporary architecture's philosophical and theoretical aspirations.

The World of Wu Zhao is a carefully curated set of more than 120 translated stories--all annotated and contextualized--on a range of topics from Zhang Zhuo's ¿¿ eighth century collection of miscellany, Collected Records of Court and Country (Chaoye qianzai ¿¿¿¿). The book provides English readers with a sense and feel for the empire during the reign of Wu Zhao ¿¿ (624-705, also known as Empress Wu and Wu Zetian), China's first and only female emperor. The World of Wu Zhao moves outward from the female sovereign's personal and intimate domain of the inner palace. The text includes chapters on a number of different themes and topics: the female emperor's male favorites, the culture of the court, cruel officials, as well as sections on flora and fauna, the common folk, artisans and craftsmen, Buddhist and Daoist monks, the military, spirits and the supernatural, the borderlands, and local officials. Chapters are introduced through "speaking artifacts" such as saddles, swords, bronze tallies, porcelain figurines of camels and grooms, official tallies, Buddhist cave paintings and funerary monuments--contemporary to the reign of the female emperor. This lively and fresh perspective on medieval China will amuse and shock readers, prompting them to recalibrate everything they think they know about medieval China.

Captain Philip Beaver's journal, originally published in 1805, recounts his attempt to establish a colony in West Africa with British settlers to demonstrate that cooperation between Africans and Europeans could supply the tropical produce provided by West Indian plantations, so proving the unhumanitarian transatlantic slave trade to be unnecessary.

Transforming the Politics of Mobility and Migration in Aotearoa New Zealand is a future-focused book that formulates alternative paradigms timely and necessary for a just and ethical politics of mobility and migration in Aotearoa New Zealand. Examining a variety of topics, the book addresses the challenges of structural discrimination, integration and migrant rights framed within larger regional and global concerns.

This is a collection of essays on Wittgenstein originally published between 1996 and 2019, with a new introduction. The essays defend and develop a central Wittgensteinian idea: 'grammatical rules' for the use of expressions hold the key to understanding linguistic meaning, as well as its connections to necessary propositions, conceptual thought, and the nature of philosophy.

Philosophical liberalism is the dominant view in the world today. Even those who reject liberalism philosophically, subscribe to its view of freedom, which is a negative view, common to liberalism, libertarianism, and anarchism. The alternative is recognition of nature, thoroughly, applied fully to human beings. The Buddha set it out as a philosophy, and he lived it. It was a practice. It brings death back into life. The common view is that death is the opposite of life. Yet death is part of life, from the beginning. We see this in many great writers, Dostoevsky, for example. His characters find human communion in suffering, despite their differences. Contradictions are inherent in life, but we find our way, not a single way. It brings realism back, which is truth.It has been present in human societies throughout history. It has been banished because of a false view of truth, connected to a false view of freedom. It could be recognized as philosophy. The Buddha taught people simply. There was no dogma. He did not teach them to follow him but to be masters of their own salvation. Unless this view is recognized as Philosophy, as it should be, including truth, it will again become religion, rather than a way of life, an art of living.

This monograph is concerned with what it sees as two complementary phenomena: that of contemporary writers of fiction who seem to have turned their backs on the traditional novel in favour of what might be termed a radical realism, alongside a more general movement towards and interest in auto/biography and memoir in the post-truth era. By reviewing the work of four authors whose trajectory to date represents engagement with novelistic as well as auto/biographical forms, it reconsiders differences between 'fiction' and 'non-fiction', as they pertain to both production and reception, including issues of generic categorization, the prevalence or exclusion of specific textual markers, and readerly expectations in navigating diverse and shifting literary cultures. The Norwegian author Karl Ove Knausgaard's Min Kamp (My Struggle) series is considered in English translation in relation to its cross-cultural reception; it is also placed within the context of Knausgaard's oeuvre as a whole. Some parallels between the work of Knausgaard and that of Rachel Cusk are drawn, though in the case of the latter the focus is not so much on the memoirs but on the Outline trilogy that followed the trilogy of memoirs and the extent to which it represents both a departure from and a continuation of some of the concerns expressed in previous non-fictional works with a specific focus on Aftermath. Comparison of Jeanette Winterson's semi-autobiographical debut novel, Oranges Are Not the Only Fruit, with her memoir entitled Why Be Happy When You Could Be Normal? allows for close textual reading of scenes initially treated in novelistic form and revisited in the memoir permitting discussion of points of similarity and difference in their treatment in relation to the constraints and affordances of genre, where these apply. Discussion of Xiaolu Guo's memoir, Once Upon A Time in the East, focusses both on its cross-cultural reception and on the place of the memoir within the Guo corpus.In some ways all four writers are less concerned with traditional aspects of story and more concerned to deploy a range of forms, including narrative, to serve their interest in broader questions of truth, agency and self-understanding.

The book discusses the representation of Amazonian indigenous cultures in temporary exhibitions taking place between the 1980s and 2010 through the analysis of selected case studies of these exhibitions held in major institutions in Europe, South America and the United States, including the British Museum, Musee du Quai Branly, Centre George Pompidou, Museum of Modern Art of New York, Sao Paulo Biennial and Sao Paulo Art Museum. Drawing on extensive archival research, the book is richly illustrated and presents a range of exhibition documentation never published before. The book takes as a starting point the theoretical discussions that emerged in the 1980s stimulating the development of notions of 'decolonising' or 'indigenising' the museum as well as of practices of collaboration between museums and indigenous communities. Forty years on from the outset of these debates, the book proposes a critical inquiry on how these discussions inflected on exhibition practices in the following decades, focusing in particular on how 'major' institutions (ethnographic museums, art museums and art biennials) have responded to these debates.The results of the research suggest that practice has fallen behind theory and that most 'major' institutions or museums within Europe and the United States are still only marginally engaging with Amazonian indigenous peoples in the organisation of exhibitions. The book advances the concept of 'minor curating' as a strategy to potentiate access of indigenous peoples to historical collections held by major institutions and to facilitate the development of cultural projects with these collections and in ways that are culturally, historically and politically effective. The book has an interdisciplinary reach contributing to the fields of visual anthropology, curatorial studies, museum studies and exhibition history and covering a geographical area that has been overlooked within these fields.

Inspired by the work of Margot Norris, this volume takes up her theme of how James Joyce¿s works open up a host of new possibilities: for interpretation, for stylistic ¿iridescence,¿ for narrative, for other possible worlds, and for gender equality.

The purpose of the volume - as with the other volumes published in the Anthem Press 'Companion to Sociology' series - is to provide a comprehensive overview of Erving Goffman's continued importance within the field of sociology and related social science disciplines. The book will engage with some of the major themes and continuing concerns of Goffman's sociology. Chapters have been selected based on their scope and their thematic content covering significant aspects of Goffman's life and work, and authors have been selected based on their longstanding interest in and extensive knowledge of Goffman's work.

Hawthorne's Literary History picks up Hawthorne where The Province of Piety left him, extending the historical and theological reading there developed of the early Puritan and revolutionary tales Hawthorne wrote in birthplace Salem on to the contemporary tales, sketches, essays, and finally four published romances based on his stays in Brook Farm, Boston, Concord, Lenox, Salem, Liverpool, and Rome.A collection of essays rather than a single, continuously argued monograph, Hawthorne's Literary History collects together the essays Professor Colacurcio has written on Hawthorne since the publication of his ground-breaking Province of Piety, elaborating and refining his analyses of how Hawthorne's most memorable early tales "e;do history,"e; but proceeding then to explore the later productions of that author's distinguished career. The result, in Colacurcio's patient analysis, is something like Hawthorne's history of his own times.

In a time when mass joblessness and precarious employment are becoming issues of national concern, it is useful to reconsider the experiences of the unemployed in an earlier period of economic hardship, the Great Depression. How did they survive, and how did they fight against inhumane government policies? Americans are often thought to be very conservative and individualistic people, but the collective struggles of the supposedly "e;meek"e; and "e;atomized"e; unemployed in the 1930s belie that stereotype. Focusing on the bellwether city of Chicago, this book reevaluates those struggles, revealing the kernel of political radicalism and class resistance in practices that are usually thought of as apolitical and un-ideological. From communal sharing to "e;eviction riots,"e; from Unemployed Councils to the nationwide movement behind the remarkable Workers' Unemployment Insurance Bill, millions of people fought to end the reign of capitalist values and usher in a new, more socialistic society. While they failed in their maximal goal of abolishing economic insecurity and the disproportionate power of the rich, they did wrest an incipient welfare state from the ruling class. Today, their legacy is their resilience, their resourcefulness, and their proof that the unemployed can organize themselves to renew the struggle for a more just world.

The idea of occupational devotion, or devotee work, was conceptualized and incorporated in the serious leisure perspective as one of the two serious pursuits. The other pursuit is serious leisure itself, with both forms being anchored in activities that are immensely appealing and fulfilling. Despite such desirable qualities the serious pursuits constitute a minority of all work and leisure, these two domains being dominated by disagreeable work and hedonic casual leisure activities. The devotee occupations serve as full-time or part-time livelihoods for people fortunate enough to have found them. Such work has so far been observed to exist in four sectors of the economy: the liberal professions, consulting occupations, craft-like trades, and creativity-based small businesses. In ways to be set out in the coming chapters, devotee work roots in serious leisure, and many participants in the latter have no desire to pursue the former. Moreover, some of those who do "e;quite their day job"e; to try to make a living at their leisure passion fail to achieve this dream and are forced to return to pure amateur, hobbyist, or career volunteer status. That is, these aspirants fail to make enough money to live as they need to, whether at a level of poverty or near-poverty (eg, the starving artist), passable living, or comfortable living.Neither type of serious pursuit offers an unalloyed life of positiveness. Nevertheless, both are hugely attractive, even while the enthusiasts invariably face some costs and unpleasant requirements that weigh against the powerful rewards. So it is that, unlike casual leisure, perseverance and effort number among the defining qualities of the serious pursuits.