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The People of the Abyss is a book by Jack London (Call of the Wild, White Fang) about life in the East End of London in 1902. He wrote this first-hand account after living in the East End (including the Whitechapel District) for several weeks, sometimes staying in workhouses or sleeping on the streets. In his attempt to understand the working-class of this deprived area of London the author stayed as a lodger with a poor family. The conditions he experienced and wrote about were the same as those endured by an estimated 500,000 of the contemporary London poor.

The Revolution, according to Jules Michelet (1798–1874), is the “tardy advent of Eternal Justice” against the tyranny of the monarchy. It is personified by the People, whose joy and misery Michelet evokes in every page of this “romantic history” of unprecedented social upheaval.Charles Cocks’ translation of 1864 includes the first four Books of Michelet’s Histoire de la Revolution Française, covering events from the earliest indications of the Revolution to the King’s flight in 1791. 

The Natural Philosophy of Love is an exploration of the prodigious sexual mores of Nature’s creations. Translated with a postscript by Ezra Pound, Remy de Gourmont’s “essay on sexual instinct” surveys the entire animal kingdom, describing the hermaphroditism of oysters, the cannibalistic amours of spiders, and many more curious natural phenomena. Blending zoology, poetry, and philosophy, the author’s subversive erudition casts a dubious glance at anthropocentric morality, finding “there is no lewdness which has not its normal type in nature.”

Decadence and Other Essays on the Culture of Ideas is a collection of essays by the novelist, poet, and literary critic Remy de Gourmont. An uncompromising free-thinker, his analytical intelligence is brought to bear on an wide range of topics: the cornerstone of his literary criticism, “The Disassociation of Ideas” is included here along with “Glory and the Idea of Immortality”, “Success and the Idea of Beauty”, “The Value of Education”, “Stéphane Mallarmé and the Idea of Decadence”, and more.

From the author of Fantômas, this World War I espionage thriller, first published in 1919, follows a group of French patriots as they struggle to prevent the the Kaiser and his dastardly “Boches” from recovering a certain yellow document containing the plans for a secret weapon that could decide the outcome of the war.

After leaving the captured Fantômas in the custody of Jerome Fandor, Inspector Juve is shocked to learn that the journalist has let him escape. With Fandor under suspicion of being an accomplice of the Genius of Evil, the two friends follow separate paths to track down their nemesis, with the final chapters of this, the thirty-sixth of the Fantômas novels, comprising what is surely the most dizzying, breakneck action sequence of the series.

The Baroness de Vibray has been poisoned. The painter Jacques Dollon is arrested, but he is discovered dead in his prison cell, an apparent suicide, before he can be questioned. The journalist Fandor attempts to unravel the mystery, suspecting none other than the Genius of Evil, Fantômas. Through passageways and sewers, over rooftops, he follows clues and runs into trouble with gangsters. Believing Fantômas is planning to rob the Barbey-Nanteuil Bank a trap is set for the master criminal-but will he escape again?"From the imaginative standpoint Fantômas is one of the richest works that exist."-Guillaume Apollinaire"Absurd and magnificent lyricism."-Jean Cocteau

When the home of Dr. Chaleck is robbed and the corpse of a woman found crushed to death, Inspector Juve pursues the gang leader Loupart in connection with the gruesome crime. He and the journalist Jerome Fandor relentlessly pursue suspects, narrow escaping high-speed train wrecks, blazing infernos, and the diabolical snares of the Genius of Crime, Fantomas."From the imaginative standpoint Fantômas is one of the richest works that exist."-Guillaume Apollinaire"Absurd and magnificent lyricism."-Jean Cocteau