Böcker utgivna av Arnoldsche

The ongoing photography series Eyes as Big as Plates by Karoline Hjorth and Riitta Ikonen studies personifications of nature and folkloric explanations of natural phenomena.

Represents a monograph on modern Norwegian photography since the 1970s. This book traces various developments that took place in the four movements in photography: Subjectivism, Abstraction, Post-Modernism and Photorealism. It also shows the influences Norwegian artists and photographers from other countries exerted on each other.

A ground-breaking monograph of Otto Kunzli, 'one of the most intelligent makers in the jewelry world and also one of the most sceptical.' (Ralph Turner, The New Jewelry, 1985/1994)

The first comprehensive presentation of the Danish furniture designer Jakob Berg (1958-2008). Today, his furniture designs are as current and relevant as ever.

After Glow documents the New Nordic Porcelain Forum, a project which focuses on the Nordic tradition of porcelain production. The focal point is the establishment of a collaboration between thirteen ceramic artists from the Scandinavian regions, who gathered for a residency in Denmark in 2019 and in 2021 for a two-week stay in various workshops associated with porcelain production in Norway, Sweden, and Finland.This publication not only serves as an exhibition catalogue; it also gives insights into the important industrial and design histories of northern Europe, as well as into today's use of porcelain as an artistic medium. In doing so, it is hoped that the production of Nordic contemporary ceramics will advance in a new collaborative praxis in order to transform and therefore preserve this important cultural heritage.

Renowned American textile artist and sculptor Gyöngy Laky (b. 1944) was once described as a "wood whisperer." Her highly individual, puzzle-like assemblages of timber and textiles helped to significantly propel the growth of the contemporaryfiber-arts movement. Laky's art traverses an extraordinary personal story: Born amid the bombings of World War II, she escaped from post-war, Soviet-dominated Hungary; a sponsorship from a family in Ohio, grade school in Oklahoma, and a course of study at the University of California, Berkeley, followed, before founding Fiberworks Center for Textile Arts in the 1970s and fostering innovations as a professor at the University of California, Davis.The publication "Screwing with Order" provides insight into her studio practice, activism, and teaching philosophy, whichchampions sustainable art and design, original thinking, and the value of the unexpected.

Der virtuose Silberschmied Earl Krentzin (1929-2021) nutzte sein enormes Talent für figürliche Skulpturen. Er setzte als einfühlsamer Dramatiker und vollendeter Requisiteur seine Arbeiten in Szene: Mit trockenem Humor zeigen die Figuren wie auf einer Bühne die Absurdität des Lebens. Krentzin vertrat dabei eine einmalige Position in der Welt der modernen Crafts-Bewegung und hatte mehr mit dem Goldschmied Benvenuto Cellini aus dem 16. Jahrhundert gemeinsam als mit seinen Zeitgenossen.Taming the Beast zeigt die ganze Bandbreite von Krentzins Kreationen: edle Taten, gefährliche Unternehmungen und einfaches Vergnügen, beruhend auf seiner Liebe zu Spielzeug, Bewegung und Mechanik. Mit Humor und Pathos in seinen theatralischen Aufbauten überzeugt dieser moderne Meister bis ins kleinste Detail. Amüsement und Tagtraum beflügeln die Phantasie.

Her material is silver, not gold, with a vernacular created from the classical canon of fundamental forms. The Archaic aspect of her work conveys peace and power-not to be mistaken for coolness and distance. The fast pace of living today grinds to a halt when observing her works, when sensing the cautious, tentative way of communicating that allows us to discover an emotional depth, the joyful, the radiant, but also the vulnerable side of the artist ... and ultimately of ourselves. These are the jewelry objects by Therese Hilbert, the Swiss-born former student of Max Fröhlich in Zurich and Hermann Jünger in Munich.One needs to take the time to sense all the tenderness, as well as the irrepressible force, held within her jewelry. The volcano theme has therefore also played a decisive role in her work since the 1990s.

With a focus on the designers of early avant-garde jewellery, this publication presents an exciting insight into Austrian jewellery production from the 1970s to the present day. Text in English and German.

An exhibition catalogue for a show that brings together 30 years of work by the artist Margit Jaschke, whose jewellery blurs the boundary between wearable ornament and artistic object. Text in English and German.

Thorvald Hellesen (1888-1937) was a Norwegian avant-garde artist who lived and worked in Paris in the 1910s and 1920s.

The leaping deer from the range of wooden toys from the Seiffen region is an international symbol in the gleaming eyes of children and collectors alike. Text in German.

In his unique works Franz Josef Altenburg realised in clay the process of reduction and simplification that he had been pursuing systematically throughout his career. Text in English and German.

Hanns Hoffmann-Lederer's (1899-1970) design doctrine, with its claim to a comprehensive aesthetic education, represents an important counterbalance to today's euphoria for digitalisation. Text in German.

The Hanau City Map is an installation spanning centuries that brings the history, present, and future into a flourishing dialogue for the visitors of Hanau. Text in English and German.

Unearthed discusses with greater detail thirty Portuguese potters' work and is illustrated with over 200 ceramics. Text in Portuguese.

All Walks of Life offers a unique opportunity to get to know the eighteenth-century people through the Meissen porcelain sculpture of The Alan Shimmerman Collection.

Ernst Gamperl's most extensive work in wood to date was created from a 230-year-old oak tree uprooted by a hurricane - The Lebensbaum project. Text in English and German.

Heidi Kippenberg's oeuvre shows more than half a century of fine studio ceramics. Text in German.

Erwin Wurm's sculptures - with their protruding fingers, hands, lips, mouths, breasts, bellies, noses, and ears - force their way out of a clay mass. Text in English and German.