Böcker utgivna av Atlantic Books

Janice Hallett meets Ben Aaronovitch in this debut crime series that will have you laughing loudly enough to raise the dead.

No other city has had so many faces and so many disasters and has reinvented itself so many times. No other city is like Berlin.The Berlin of the past 800 years has been both haven and hell. It is a city tortured by its history, where the traumatised gather and where traumas are unleashed. Each plague, each fire, each war, each act of destruction and self-destruction requires it to start again.Berlin should never have become a world metropolis. Its geography and topography spell trouble: where are the great rivers and bridges? The mountains on the horizon? Instead, it started out as a swamp and all around are sweeping plains, exposed to the Siberian winds. Over the centuries, few of the great figures who have visited have had much good to say about it. Yet now it is the destination to which the world is flocking. It has been a trading post, military barracks, industrial powerhouse, centre of science and learning, consumer paradise, hotbed of self-indulgence and promiscuity - and the laboratory for the worst experiment in horror known to man. It has now achieved global status/it is the geographical and spiritual midpoint between the rival superpowers/it is the city of refuge/it is home to 180 nationalities, and more than a quarter of the population have a migrant background. After all the episodes of disaster, redemption and reinvention, is Berlin finally at ease with itself? This is the tale of a turbulent city that in spite of itself has become a magnet for the world.

"When Helen Ledwick discovered she had a prolapse after the birth of her second child, she wasdevastated, not just by the constant discomfort but also by the pervasive shame she felt and thelack of available information and support. When she learned that one in three women have pelvicfloor disorders, she was horrified and determined to do something about it. In this warm, factual and anecdote-rich look at a taboo subject, Helen shares her story along withthose of many other women. From postpartum care to incontinence, with expert advice on returning tosport, the impact on sex and intimacy, and having another baby after pelvic floor injury, Why Mums Don't Jump is a groundbreaking book that will have readers laughing, cryingand cringing as finally women come together to break the stigma around pelvic floor issues"--Publisher's description.

A brand new heart-warming and atmospheric saga fiction series from Jean Fullerton, charting the loves, hopes and heartaches of three women who move into a rectory in Stepney, East London during WW2.*East London, 1940. Prue Carmichael never dreamed that she'd end up working at a railway yard. But when her reverend father is called up to Stepney, she and her family are uprooted from their country home for a new life in the turbulent city.Determined to help with the war effort, Prue signs up for work and soon becomes intrigued by handsome train engineer Jack Quinn. But as the spark between them grows apparent, so does his troubled past - a past that Prue's mother would certainly not approve of.In between cleaning train carriages and helping to shelter Jewish refugees, Prue manages to stay busy. But she has more than one admirer, and when Jack is recruited into Churchill's secret army, a very different suitor begins to pursue her.As air raid sirens sound overhead, Prue Carmichael is facing her own battle - the fight between her heart and her head . . .Amidst the ruins of war, will Prue and Jack's love find a way?*PRAISE FOR JEAN FULLERTON 'Food for the soul, it's simply deliciously readable and enjoyable' Liz Robinson, LoveReading'Charming and full of detail... You will ride emotional highs and lows... Beautifully written' The Lady'A delightful, well researched story' bestselling author Lesley Pearse

All disciplinea deception to hide the wildness, all symmetry an excuse for keeping count. Tomorrow Someone Will Arrest You cements Meena Kandasamy as one of the most exciting, radical thinkers at work today. These poems chronicle wanting, art-making, and the practising of resistance and solidarity in the face of a hostile state. Here, the personal is political, and Kandasamy moves between sex, desire, family and wider societal issues of caste, the refugee crisis, and freedom of expression with grace and defiance. This is a bold, unforgettable collection by a poet who compels us to sit up and listen.

As a child, Anna Wintour was a tomboy with no apparent interest in clothing but, seduced by the miniskirts and bob haircuts of swinging 1960s London, she grew into a fashion-obsessed teenager. Her father, the influential editor of the Evening Standard, loomed large in her life, and once he decided she should become editor in chief of Vogue, she never looked back.Impatient to start her career, she left high school and got a job at a fashionable boutique in London - an experience that would be the first of many defeats. Undeterred, she found work in the competitive world of magazines, eventually moving to New York. Before long, Anna's journey to Vogue became a battle to ascend, no matter who or what stood in her way. Once she was crowned editor in chief - in one of the stormiest transitions in fashion magazine history - she continued the fight to retain her enviable position, ultimately rising to dominate all of Conde Nast.Based on extensive interviews with Anna Wintour's closest friends and collaborators, including some of the biggest names in fashion, journalist Amy Odell has crafted the most revealing portrait of Wintour ever published. Weaving Anna's personal story into a larger narrative about the hierarchical dynamics of the fashion industry and the complex world of Conde Nast, Anna charts the relentless ambition of the woman who would become an icon.

'Every page of her story feels charged, like an open circuit waiting for its switch; a lurking wallop. It's magnificent, peerless writing' Guardian'When my family emigrated it felt as if we'd been stood on our heads.'Michelle de Kretser's electrifying take on scary monsters turns the novel upside down - just as migration has upended her characters' lives.Lyle works for a sinister government department in near-future Australia. An Asian migrant, he fears repatriation and embraces 'Australian values'. He's also preoccupied by his ambitious wife, his wayward children and his strong-minded elderly mother. Islam has been banned in the country, the air is smoky from a Permanent Fire Zone, and one pandemic has already run its course.Lili's family migrated to Australia from Asia when she was a teenager. Now, in the 1980s, she's teaching in the south of France. She makes friends, observes the treatment handed out to North African immigrants and is creeped out by her downstairs neighbour. All the while, Lili is striving to be A Bold, Intelligent Woman like Simone de Beauvoir.Three scary monsters - racism, misogyny and ageism - roam through this mesmerising novel. Its reversible format enacts the disorientation that migrants experience when changing countries changes the story of their lives. With this suspenseful, funny and profound book, Michelle de Kretser has made something thrilling and new.'Which comes first, the future or the past?'

For hundreds of years, the islands and their constituent tribes that make up the British Isles have lived next door to each other in a manner that, over time, suggested some movement towards political union. It was an uneven, stop-start business and it worked better in some places than in others. Still, England, Wales and Scotland have hung together through thick and thin, despite internal divisions of language, religion, law, culture and disposition that might have broken up a less resilient polity. And, for a long time, it seemed that something similar might have been said about the smaller island to the west: Ireland.Ireland was always a more awkward fit in the London-centric mini-imperium but no one imagined that it might detach itself altogether, until the moment came for rupture, quite suddenly and dramatically, in the fall-out from World War I. So, what was it - is it - about Ireland that is so different? Different enough to sever historical ties of centuries with such sudden violence and unapologetic efficiency. Wherein lies the Irish difference, a difference sufficient to have caused a rupture of that nature?In a wide-ranging and witty narrative, historian Fergal Tobin looks into Ireland's past, taking in everything from religion and politics to sports and literature, and traces the roots of her journey towards independence.

THE BOOK OF FEELING BLUE offers hope to those experiencing depression, explaining the nature of the condition and the many different forms it can take at different life stages, and offering straightforward advice about how to manage it. Written in a chatty, reassuring tone with supplementary illustrations included throughout to demonstrate key points, chapters cover all aspects of the condition, including how to support a family member or friend who may be suffering from it, providing a therapist's evidence-based, practical toolkit for dealing with this widespread and debilitating mental-health problem.

'...aside from the murders , Charles Cullen might have been a pretty good nurse...'The true story of the most prolific serial killer in US history, The Good Nurse is 'a stunning book... that should and does bring to mind In Cold Blood' New York Times

'An enthralling literary puzzle... We have no idea where it is heading, right up to the shocking final sentence' New York Times A struggling author is stuck at the airport, his flight endlessly delayed. As he kills time at the gate, he bumps into a former classmate of his, Jeff, who is waiting for the same flight. The charismatic Jeff invites the author to drinks in the First Class lounge, and there, swearing him to secrecy, begins telling him the fascinating and disturbing story of his gilded life, starting with a pivotal incident from his youth... Alone on the beach one morning, Jeff notices a swimmer drowning in the rough surf - and so he rescues and resuscitates the unconscious man, before leaving him to the emergency services. But Jeff can't let go of the events of that traumatic day, and he begins to feel compelled to learn more about the man whose life he has saved, convinced that their destinies are now somehow entwined. Upon discovering that the man is the renowned art dealer Francis Arsenault, Jeff begins to surreptitiously visit his Beverly Hills gallery, eventually applying there for a job. Although Francis doesn't seem to recognize him, he nevertheless casts his legendary eye over Jeff and sees something of worth - and so he initiates him into his world of unimaginable power and wealth, where knowledge, taste and access are currency, and the value of things is constantly shifting, constantly calling into question what is real, and what matters. As Jeff finds himself seduced by the lifestyle, he pursues a deeper connection with Francis, until morals become expendable and their relationship becomes ever darker, leaving him to wonder... should he have just let Francis drown?