Böcker utgivna av Auckland University Press

"Whakaorangia ana i te pukapuka nei e tona kaiwhakamaori e Te Haumihiata Mason te ao o Romeo raua ko Hurieta ki te reo whakaatu i te wairua Maori. Mauroa ana te kaingakautia o nga whakaari a Wiremu Hakipia i te ao Maori - mai i nga whakamaoritanga a Takuta Pei Te Hurinui o Te Tangata Whai Rawa o Weneti, o Othello me Julius Caesar ki nga whakamaoritanga a Takuta Merimeri Penfold i nga oriori aroha a Hakipia. Whaia ana e Te Haumihiata tenei tikanga i tana whakamaoritanga o Toroihi raua ko Kahira i whakaaritia ki te Whare Whakaari o te Globe i Ranana i te 2012, tahuri ana ki te whakaari a Hakipia mo te aroha whaiaipo hinapouri e tino kaingakautia ana. Te aroha, te tuku matatahi, te towhare, te pakuha - katoa atu kei a Romeo raua ko Hurieta. Ka kawea ake te whakaari nei e tona whakamaoritanga ki te manawa o Aotearoa"--Publisher information.

Having left the university to write full-time at the end of volume two, Stead throws himself into his work. In novels like Sister Hollywood and My Name Was Judas, criticism in the London Review of Books and the Financial Times, poetry and memoir, Stead establishes his international reputation as novelist, poet and critic. It is also a period when Stead's fearless lucidity on matters literary and political embroil him in argument – from The Bone People to the meaning of the Treaty to the controversy over a London writer's flat.What was it like to be Allen Curnow's designated ‘Critic across the Crescent'; or alternatively to be labelled ‘the Tonya Harding of NZ Lit'? How did poems emerge from time and place, sometimes as naturally as ‘leaves to a tree', sometimes effortfully? And how did novels about individual men and women retell stories of war (World War II, Yugoslavia, Iraq) and peace?Covering Stead's travels from Los Angeles to Liguria, Croatia and Crete to Caracas and Colombia, as New Zealand poet laureate and Kohi swimmer, What You Made of It takes us deep inside the mind and experience of one of our major writers – and all in Stead's famously lucid ‘story-telling' prose.

Among the biggest and oldest trees in the New Zealand forest, the heart of Maori carving and culture, trailing no. 8 wire as fence posts on settler farms, clambered up in the Pureora protests of the 1980s: the story of New Zealand can be told through totara. Simpson tells that story like nobody else could.

At school, Selina is teased for her big, frizzy hair. Kids call her 'mophead'. She ties her hair up this way and that way and tries to fit in. Until one day - Sam Hunt plays a role - Selina gives up the game. She decides to let her hair out, to embrace her difference, to be WILD!Selina takes us through special moments in her extraordinary life. She becomes one of the first Pasifika women to hold a PhD. She reads for the Queen of England and Samoan royalty. She meets Barack Obama. And then she is named the New Zealand Poet Laureate. She picks up her special tokotoko, and notices something. It has wild hair coming out the end. It looks like a mop. A kid on the Waiheke ferry teases her about it. So she tells him a story . . .This is an inspirational graphic memoir, full of wry humour, that will appeal to young readers and adults alike. Illustrated with wit and verve by the author - NZ's bestselling Poet Laureate - Mophead tells the true story of a New Zealand woman realising how her difference can make a difference.

No te huringa o te kopaki, i tana ringa e wiri ana, ka kite iho a Hare i tetahi hiri-wakihi waiporoporo e whakaatu ana i tetahi tohu kawai; he raiona, he ikara, he patiha me tetahi nakahi e karapoti ana i tetahi pu 'H' e rahi ana. Kaore ano a Hare Pota i paku rongo korero e pa ana ki Howata i te taenga haeretanga o nga reta ki a Mita H. Pota, i Te Kapata i raro i te Arapiki, i te 4 o te Ara o Piriweti. He mea tuhi ki te wai kanapanapa i runga i te kirihipi ahua kowhai nei, i tere ra te kohakina e nga matua keke wetiweti o Hare, e nga Tuhiri. Heoi, i te huringa tau tekau ma tahi o Hare, ka papa mai tetahi tangata hitawe ake nei, a Rupehu Hakiri, me etahi korero whakamiharo: he kirimatarau a Hare Pota, a, kua whai turanga ia ki Te Kura Matarau o Howata. I te pukapuka tuatahi o nga tino korero ma nga tamariki a mohoa nei, ka whakamohio a Rana ratou ko Heremaiani, ko Tamaratoa, ko Ahorangi Makonara i a Hare me te kaipanui ki te Kuitiki me Tera-e-Mohiotia-ra, ki te whainga o te matarau me te oha mai i mua. I te whakaawenga o te whakawhitia ki te reo Maori e Leon Heketu Blake, ka timata te korero i konei. Turning the envelope over, his hand trembling, Harry saw a purple wax seal bearing a coat of arms; a lion, an eagle, a badger, and a snake surrounding a large letter 'H.' Harry Potter has never even heard of Hogwarts when letters start arriving for Mr H. Potter, The Cupboard under the Stairs, 4 Privet Drive. In emerald-green ink on yellowish parchment, they are swiftly confiscated by Harry's grisly aunt and uncle, the Dursleys. Then, on Harry's eleventh birthday, a great giant of a man called Rubeus Hagrid bursts in with some astonishing news: Harry Potter is a wizard, and he has a place at Hogwarts School of Witchcraft and Wizardry. In the first volume of one of the greatest children's stories of all time, Ron, Hermione, Dumbledore, and Professor McGonagall introduce Harry and the reader to Quidditch and You-Know-Who, to the promise of magic and the inheritance of the past. Now inspirationally translated into te reo Maori by Leon Heketu Blake, the story starts here.

Can you save the planet and have some fun along the way? Aimed at the teacher who updates students on the latest climate change negotiations, the conservationist who works to protect endangered species, the office manager who buys fair-trade coffee or the city councillor who lobbies for cycle lanes, this book is a guide for everyone who is trying to create a more sustainable planet. Psychology for a Better World explains how we can get others to join us. Based on the latest psychological research, Niki Harre shows which strategies work (drawing on positive emotions, role modelling and social identity), which don't, and why. The book ends with a self-help guide for sustainability advocates that outlines how we can work for change at the personal, group and civic level.

Collects C.K. Stead's most recent poems. The brilliant and moving focus of the collection is its final sequence, written after Stead suffered a stroke which temporarily affected his ability to read and write. Here fragmentary poems poignantly explore frailty and the closeness of death, the challenge of words and language, and the relieved and excited recovery of the power to use them.

Another fine collection by one of the Commonwealth's best writers, who is now writing poetry prolifically as he pauses between novels. It includes some moving memories of childhood, poems about horses and cows, even one about his own legs.