Böcker utgivna av Basler Afrika Bibliographien

Nature conservation is often framed as an ecological problem in need of repair. With both material and discursive dimensions, repairing things involves repairing people's orientation to those things. As such, nature conservation can be understood as a negotiation between different orientations to ecological problems.This publication seeks to understand the negotiation through trust, the analysis of which situates repair in a particular setting. Empirically, the book is structured around an encounter that unfolded over the course of a single day between white commercial farmers and experts belonging to various government departments, universities and an NGO working in a South African nature reserve. By moving through the situation se-quence-by-sequence the author captures the relationship between trust and repair vis-à-vis the material forces that structured the situation, and the discursive methods that actors used to repair a degraded ecology.Originally from Makhanda (South Africa), James Merron grew up in Botswana and the United States. After his Master's degree, he lectured at Stellenbosch University in 2012. By 2023, he earned a PhD and then post-doc position at the University of Basel. He is associated with the Centre for African Studies Basel (Switzerland) and his work is based on exploring the relationship between science, technology and society.

Worldwide, Namibia ranks high regarding gender equality. However, many women are intimidated by violence perpetrated by men. This book is based on a social anthropological field research in the small town of Outjo, situated in Northern Central Namibia, over a period of 14 months. Gender is learnt, lived and reproduced in a societal frame. Violence against women, too, is perpetrated by men in a societal context. By using mainly qualitative research methods, Sonja Gierse-Arsten looks at male and female perspectives to reach a holistic understanding and to provide a basis for sustainable changes towards equal gender relations. She traces the transition from a hierarchical gender system during colonial times to the aspired equal gender relations in present Namibia. Current challenges characterised by poverty and great economic inequalities form the framework in which gender is performed and violence perpetrated. This study offers inspirations to re-think gender to reach substantive gender equality and to overcome the normalisation of violence.

Most research on the migrant labour system in Namibia under South African colonial rule emphasises its dehumanising aspects. In a complete contrast, this study highlights the social and ritual resources that contract workers and their families in colonial Ovamboland mobilised to provide forms of support and connection across great distances and absences. Based on extensive oral research, this study peels back the layers of intangible infrastructure that sustained migrant workers through all the stages of their contract, including observances around workplace deaths. This thesis vividly demonstrates the persistence of older practices that sustained the bonds of life, fellowship and family under stress, as well as adaptation to new colonial system, such as the postal system.

European archives hold historical voice recordings that were produced by linguists, ethnologists and musicologists during colonial rule in African countries. While these recordings reverberate with the poly-phonic echoes of colonial knowledge production, to date, acoustic collections have rarely been con-sulted as sources of colonial history. In this book Anette Hoffmann engages with a Southern African audio-visual collection, which is located in five different institutions across Vienna, Austria. Several recordings collected by the anthropologist Rudolf Pöch in August 1908 have been retranslated for this book. These translations provide new insights into Pöch's collecting expedition to the Kalahari. Pöch's narrative of his heroic journey is called into question by the Naro speakers' comments, which address colonial violence and criticise the research practices of the anthropologist. By attending to the spoken texts on the recordings and reconnecting them to photographs, ethnographic objects, archival documentation and Pöch's travelogue, Hoffmann offers a different reading of this research trip into a war zone.

Gordon Jephtas (1943-92) was born into an impoverished, coloured, single-parent family in South Africa. He began piano lessons after being intrigued by the harmonium player at the local church. In his teens he worked as an accompanist with the amateur coloured opera group "Eoan" in Cape Town, then moved to Europe to further his studies. His first big break came in 1972 when the Zurich Opera House appointed him to assist the conductor Nello Santi. Jephtas thereafter established an international reputation as a vocal coach of Italian opera, and Switzerland provided him with a liberal environment where he was free to express his sexuality. Both there and later in the USA, Jephtas worked with the biggest names in the opera world, from Renata Tebaldi to Plácido Domingo, Montserrat Caballé and Luciano Pavarotti. He always longed to be accepted back in South Africa, but his attempts to return culminated each time in disaster because talent and experience meant little in a land where "whiteness" trumped everything. An official offer to be made an "honorary white" merely intensified his inner turmoil. Back in the USA, Jephtas's professional success was tempered by private misfortune. He died in New York in 1992. This book examines the life and career of Gordon Jephtas through the letters that he wrote home to May Abrahamse, a coloured singer with whom he had worked since his teens. They reveal in unique detail the life and achievements of a remarkable musician, but also the psychological damage wrought upon him by apartheid. Jephtas provides a fascinating case study of a gifted South African abroad, struggling with issues of race and sexuality at the height of the AIDS epidemic.

This book is a collection of essays written by emerging scholars at the University of Basel on the basis of their subjective encounters with a specific archival collection housed in the Basler Afrika Bibliographien in Basel. The Ernst and Ruth Dammann collection consists of around 8100 images, 750 audio recordings and numerous manuscripts, diaries and notes. The German couple conducted research on Namibian oral literatures and languages as they were spoken and performed across the country in the early 1950s. Based on in-depth engagement with the textual, visual and audio records assembled in this intricate collection, the authors of this book critically interrogated the implications of opening a colonial archive, exploring alternative ways of reading and understanding the historical material. As unique examples of close reading and listening, the essays propose creative ways of attending to the politics of race, gender, famine, ethnography, biography and fiction in colonial knowledge production.

A rich collection of captivating and remarkable chapters, Writing Namibia Coming of Age presents research of senior academics as well as emerging scholars from Namibia. The book includes wide ranging topics in literature written in English and other Namibian languages, such as German, Afrikaans and Oshiwambo. Almost thirty years after independence, Namibia literature has come of age with new writers experimenting with different genres and varied aspects of literature. As an aesthetic object and social phenomenon, Namibian literature still fulfils the function of social conscience and as new writers emerge, there is ample demonstration that, pluri-vocal as they are, Namibian literary texts relate in a complex manner to the socio-historical trends shaping the country. The Namibian literary-critical tradition continues to paint some versions of Namibia and what we find in this new and highly welcome volume is a canvas of rich voices and perspectives that demonstrate an intricate diversity in terms of culture, language, and themes.

Have Your Yellowcake and Eat It is a story of men, monsters and uranium in Swakopmund, a small coastal city in the west of Namibia. Founded by German settlers in the late nineteenth century, Swakopmund remains a popular holiday destination for Namibians and international visitors alike. How do young African men make their home in this peculiar town of pretty beaches and luxury hotels, a brutal colonial history and a large uranium mining industry? Are their close relations affected by global changes in the price of uranium? And how do we describe their life worlds which straddle many homes, neighbourhoods, and establishments - sometimes even existing beyond the limits of the post-colonial city? Employing a reflexive narrative and based on two year's fieldwork, Jack Boulton explores the myriad ways in which intimacy develops and manifests for men in a city defined predominantly by racialised difference and local and global forces of inequality.

Voices from the Kavango explores the contribution that the life histories and the voices of the contract labourers make to our understanding of the contract labour system in Namibia. In particular it asks: is it possible to view the migration of the Kavango labourers as a progressive step, or does the paradigm of exploitation and suppression remain the dominant one? The study highlights contract labourers engaging in a defeating activity and their disappointment with the little rewards which were non-lasting solutions to their problems. The realization of their entrapment under the contract system and the eventual frustrations led to the political mobilization for independence by SWAPO.

How does a peoples' music reflect their history, their occupations, cultural beliefs and values? These are the core questions that this book addresses in relation to the Aawambo people of Namibia. The author, herself born and bred in Namibia, brings to the fore the nuanced views of different people, describing their personal musical experiences - past as well as present. This is the first time that the music and stories of contemporary Namibian musicians is shared alongside those of the elderly. Similarly, it is the first time that some of the traditional Aawambo dances are analysed and described, abundantly illustrated with colourful photographs and several songs. Based on years of personal research, this book will appeal to research scholars, students and other interested readers alike, since its style is accessible but detailed, personal yet objective. Recommended for all those interested in culture, anthropology, the arts, and Namibian studies.