Böcker utgivna av Beacon Press

Japan, Germany, the United States, and the Race for Environmental Technology

Taking a Chance on God explores how lesbians and gay men can claim both a positive gay identity and a fulfilling life of Christian faith.

The radical sexuality of gay American men in the 1970s is often seen as a shameful period of excess that led to the AIDS crisis. Beyond Shame claims that when the gay community divorced itself from this allegedly tainted legacy, the tragic result was an intergenerational disconnect because the original participants were unable to pass on a sense of pride and identity to younger generations. Indeed, one reason for the current rise in HIV, Moore argues, is precisely due to this destructive occurrence, which increased the willingness of younger gay men to engage in unsafe sex.Lifting the'veil of AIDS,' Moore recasts the gay male sexual culture of the 1970s as both groundbreaking and creative-provocatively comparing extreme sex to art. He presents a powerful yet nuanced snapshot of a maligned, forgotten era. Moore rescues gay America's past, present, and future from a disturbing spiral of destruction and AIDS-related shame, illustrating why it's critical for the gay community to reclaim the decade.

On September 9, 1919, an American nightmare came true. The entire Boston police force deserted their posts, leaving the city virtually defenseless. Women were raped on street corners, stores were looted, and pedestrians were beaten and robbed while crowds not only looked on but cheered. The police strike and the mayhem that followed made an inconspicuous governor, Calvin Coolidge, known throughout America, turning him into a national hero and, eventually, a president. It also created a monster: for two days, more than 700,000 residents of Boston's urban core were without police protection, and the mob ruled the streets.

Cliff and Ossi have grown up in Plymouth on the island of Tobago, their lives turning on the axis of small-town life. One day they watch the arrival of a couple and their child at a luxurious house overlooking the ocean. The couple invites Cliff into their home and lives, and in that cool'flim-style' house, the harsh, brittle life of urban Plymouth is kept briefly at bay, desires obscuring differences in class and race. But then things begin to go wrong-money vanishes, the couple's car disappears-and those differences are brought suddenly to light, raising unsettling questions about relationships, wealth, and responsibility.

In a blend of intimate memoir and passionate advocacy, Nancy Mairs takes on the subject woven through all her writing: disability and its effect on life, work, and spirit.

Charles C. Calhoun's Longfellow gives life, at last, to the most popular American poet who ever lived, a nineteenth-century cultural institution of extraordinary influence and the"e;one poet average, nonbookish Americans still know by heart"e; (Dana Gioia).Calhoun's Longfellow emerges as one of America's first powerful cultural makers: a poet and teacher who helped define Victorian culture; a major conduit for European culture coming into America; a catalyst for the Colonial Revival movement in architecture and interior design; and a critic of both Puritanism and the American obsession with material success. Longfellow is also a portrait of a man in advance of his time in championing multiculturalism: He popularized Native American folklore; revived the Evangeline story (the foundational myth of modern Acadian and Cajun identity in the U.S. and Canada); wrote powerful poems against slavery; and introduced Americans to the languages and literatures of other lands.Calhoun's portrait of post-Revolutionary Portland, Maine, where Longfellow was born, and of his time at Bowdoin and Harvard Colleges, show a deep and imaginative grasp of New England cultural history. Longfellow's tragic romantic life-his first wife dies tragically early, after a miscarriage, and his second wife, Fannie Appleton, dies after accidentally setting herself on fire-is illuminated, and his intense friendship with abolitionist and U.S. senator Charles Sumner is given as a striking example of mid-nineteenth-century romantic friendship between men. Finally, Calhoun paints in vivid detail Longfellow's family life at Craigie House, including stories of the poet's friends-Hawthorne, Emerson, Dickens, Fanny Kemble, Julia Ward Howe, and Oscar Wilde among them.

Khaled Abou El Fadl, a prominent critic of Islamic puritanism, leads off this lively debate by arguing that Islam is a deeply tolerant religion. Injunctions to violence against nonbelievers stem from misreadings of the Qur'an, he claims, and even jihad, or so-called holy war, has no basis in Qur'anic text or Muslim theology but instead grew out of social and political conflict.Many of Abou El Fadl's respondents think differently. Some contend that his brand of Islam will only appeal to Westerners and students in "e;liberal divinity schools"e; and that serious religious dialogue in the Muslim world requires dramatic political reforms. Other respondents argue that theological debates are irrelevant and that our focus should be on Western sabotage of such reforms. Still others argue that calls for Islamic "e;tolerance"e; betray the Qur'anic injunction for Muslims to struggle against their oppressors.The debate underscores an enduring challenge posed by religious morality in a pluralistic age: how can we preserve deep religious conviction while participating in what Abou El Fadl calls "e;a collective enterprise of goodness"e; that cuts across confessional differences?With contributions from Tariq Ali, Milton Viorst, and John Esposito, and others.

The nearly forgotten story of the American Plan, a government program to regulate women's bodies and sexuality-and how they fought back-told through the lens of one of its survivors"A consistently surprising page-turner . . . a brilliant study of the way social anxieties have historically congealed in state control over women's bodies and behavior."-New York Times Book ReviewNina McCall was one of many women unfairly imprisoned by the United States government throughout the twentieth century. Tens, probably hundreds, of thousands of women and girls were locked up-usually without due process-simply because officials suspected these women were prostitutes, carrying STIs, or just "promiscuous."This discriminatory program, dubbed the "American Plan," lasted from the 1910s into the 1950s, implicating a number of luminaries, including Eleanor Roosevelt, John D. Rockefeller Jr., Earl Warren, and even Eliot Ness, while laying the foundation for the modern system of women's prisons. In some places, vestiges of the Plan lingered into the 1960s and 1970s, and the laws that undergirded it remain on the books to this day.Nina McCall's story provides crucial insight into the lives of countless other women incarcerated under the American Plan. Stern demonstrates the pain and shame felt by these women and details the multitude of mortifications they endured, both during and after their internment. Yet thousands of incarcerated women rioted, fought back against their oppressors, or burned their detention facilities to the ground; they jumped out of windows or leapt from moving trains or scaled barbed-wire fences in order to escape. And, as Nina McCall did, they sued their captors. In an age of renewed activism surrounding harassment, health care, prisons, women's rights, and the power of the state, this virtually lost chapter of our history is vital reading.

Award-winning novelist and poet Gayle Brandeis's wrenching memoir of her complicated family history and her mother's suicideGayle Brandeis's mother disappeared just after Gayle gave birth to her youngest child. Several days later, her body was found: she had hanged herself in the utility closet of a Pasadena parking garage. In this searing, formally inventive memoir, Gayle describes the dissonance between being a new mother, a sweet-smelling infant at her chest, and a grieving daughter trying to piece together what happened, who her mother was, and all she had and hadn't understood about her.Around the time of her suicide, Gayle's mother had been working on a documentary about the rare illnesses she thought ravaged her family: porphyria and Ehlers-Danlos syndrome. In The Art of Misdiagnosis, taking its title from her mother's documentary, Gayle braids together her own narration of the charged weeks surrounding her mother's suicide, transcripts of her mother's documentary, research into delusional and factitious disorders, and Gayle's own experience with misdiagnosis and illness (both fabricated and real). Slowly and expertly, The Art of Misdiagnosis peels back the complicated layers of deception and complicity, of physical and mental illness in Gayle's family, to show how she and her mother had misdiagnosed one another.Gayle's memoir is both a compelling search into the mystery of one's own family and a life-affirming story of the relief discovered through breaking familial and personal silences. Written by a gifted stylist, The Art of Misdiagnosis delves into the tangled mysteries of disease, mental illness, and suicide and comes out the other side with grace.