Böcker utgivna av Beacon Press

While much of the global warming conversation rightly focuses on reducing our carbon footprint, the reality is that even if we were to immediately cease emissions, we would still face climate change into the next millennium. In Finding Higher Ground, Amy Seidl takes the uniquely positiveyet realisticposition that humans and animals can adapt and persist despite these changes. Drawing on an emerging body of scientific research, Seidl brings us stories of adaptation from the natural world and from human communities. She offers examples of how plants, insects, birds, and mammals are already adapting both behaviorally and genetically. While some species will be unable to adapt to new conditions quickly enough to survive, Seidl argues that those that do can show us how to increase our own capacity for resilience if we work to change our collective behavior. In looking at climate change as an opportunity to establish new cultural norms, Seidl inspires readers to move beyond loss and offers a refreshing call to evolve.

Renowned conservationist Aldo Leopold once wrote, "e;A thing is right when it tends to preserve the integrity, stability, and beauty of the biotic community. It is wrong when it does otherwise."e;Few have taken Leopold's vision more to heart than Steven I. Apfelbaum, who has, over the last thirty years, transformed his eighty-acre Stone Prairie Farm in Wisconsin into a biologically diverse ecosystem of prairie, wetland, spring-fed brook, and savanna. In healing his land, Apfelbaum demonstrates how humans might play a starring role in healing the planet.

In 1983, Mike O'Connor opened the Bird Watcher's General Store on Cape Cod, which might well have been the first store devoted solely to birding in the United States. Since that time he has answered thousands of questions about birds, both at his store and while walking down the aisles of the supermarket. The questions have ranged from inquiries about individual species ("e;Are flamingos really real?"e;) to what and when to feed birds ("e;Should I bring in my feeders for the summer?"e;) to the down-and-dirty specifics of backyard birding ("e;Why are the birds dropping poop in my pool?"e;). Answering the questions has been easy; keeping a straight face has been hard.Why Don't Woodpeckers Get Headaches? is the solution for the beginning birder who already has a book that explains the slight variation between Common Ground-Doves and Ruddy Ground-Doves but who is really much more interested in why birds sing at 4:30 A.M. instead of 7:00 A.M., or whether it's okay to feed bread to birds, or how birds rediscover your feeders so quickly when you've just filled them after a long vacation. Or, for that matter, whether flamingos are really real.

No One Gardens Alone tells for the first time the story of Elizabeth Lawrence (1904-1985). Like classic biographies of Emily Dickinson and Edna St. Vincent Millay, this fascinating book reveals Lawrence in all her complexity and establishes her, at last, as one of the premier gardeners and gardening writers of the twentieth century."In this first biography of the renowned gardening writer Elizabeth Lawrence, Emily Herring Wilson reminds us that even quiet lives hold unsuspected passions. Written with graceful clarity, sensitivity, and empathy, this life is a perennial."--Linda H. Davis, author of Onward and Upward: A Biography of Katharine S. WhiteElizabeth Lawrence (1904-1985) lived a singular, often contradictory life. She was a traditional southerner; a successful, independent garden writer with her own newspaper column and numerous books to her credit; a dutiful daughter who cared for her elders and lived with her mother; a landscape architect; a passionate poet; a friend of literary figures like Eudora Welty and Joseph Mitchell; and a very private woman whose recently discovered letters illuminate aspects of her mystery. Lawrence earned many fans during her lifetime and gained even more after her death with the reissue of many of her classic books. When Emily Herring Wilson edited a collection of letters between Lawrence and famed New Yorker editor Katharine S. White in Two Gardeners, she found legions of readers who were eager to know more about the legendary Lawrence.Now, one hundred years after her birth, No One Gardens Alone tells for the first time the story of this fascinating woman. Like classic biographies of literary figures such as Emily Dickinson and Edna St. Vincent Millay, this book reveals Lawrence in all her complexity and establishes her, at last, as one of the premier gardeners and garden writers of the twentieth century.

Is that a weed? This question, asked by anyone who has ever gardened or mowed a lawn, does not have an easy answer. After all, a weed, as suburban mother and professional weed scientist Nancy Gift reminds readers, is simply a plant out of place. In A Weed by Any Other Name, Gift offers a personal, unapologetic defense of clovers, dandelions, plantains, and more, chronicling her experience with these "enemy" plants season by season. Rather than falling prey to pressures to achieve the perfect lawn and garden, Gift elucidates the many reasons to embrace an unconventional, weedy yard. She celebrates the spots of wildness that crop up in various corners of suburbia, redeeming many a plant's reputation by expounding on its positive qualities. She includes recipes for dandelion wine and garlic mustard pesto as well as sketches that show the natural beauty of flowers such as the morning glory, classified by the USDA as an invasive and noxious weed. Although she is an advocate of weeds, Gift admits that some plants do require eradication-she happily digs out multiflora rose and resorts to chemical warfare on poison ivy. But she also demonstrates that weeds often carry a message for us about the land and our treatment of it, if we are willing to listen.

Women in the Grove offers nine surprising, impossible-to-put-down stories about lives filled with loneliness, love, humor, grace, and mortality. The women are black, white, immigrants, faculty wives; they are in rehab and in high school, and each is filled with the imperative to go on living. In story after story Peterson presents the humanity of each of her characters even as they are compelled to make impossible choices-sometimes disastrous ones-about how they will spend the rest of their days. Theirs is an entirely fresh and unexpected brand of heroism.

World-renowned historian Howard Zinn has turned to drama to explore the legacy of Karl Marx and Emma Goldman and to delve into the intricacies of political and social conscience perhaps more deeply than traditional history permits. Three Plays brings together all this work, including the previously unpublished Daughter of Venus, along with a new introductory essay on political theater, and prefaces to each of the plays.

Religion scholar Diana Eck is director of the Pluralism Project, which seeks to map the new religious diversity of the United States, particularly the increasing presence of Hindu, Buddhist, and Muslim communities. In this tenth-anniversary edition of Encountering God, Eck shows why dialogue with people of other faiths remains crucial in today's interdependent world--globally, nationally, and even locally. She reveals how her own encounters with other religions have shaped and enlarged her Christian faith toward a bold new Christian pluralism

A 2008 Indie Next PickDespite nurse-midwife Patsy Harman's own financial and personal medical trials, including her private battle with uterine cancer, she devotes herself to her patients' well-being in all aspects of their lives. They, in turn, tell her intimate stories both heartbreaking and uplifting.

I am grateful beyond words for the example of the lanterns shared in this memoir whose lives I hope will illuminate my children's, your children's, and the paths of countless others coming behind.--Marian Wright Edelman, from the PrefaceMarian Wright Edelman, "e;the most influential children's advocate in the country"e; (The Washington Post), shares stories from her life at the center of this century's most dramatic civil rights struggles. She pays tribute to the extraordinary personal mentors who helped light her way: Martin Luther King, Jr., Robert F. Kennedy, Fannie Lou Hamer, William Sloane Coffin, Ella Baker, Mae Bertha Carter, and many others.She celebrates the lives of the great Black women of Bennettsville, South Carolina-Miz Tee, Miz Lucy, Miz Kate-who along with her parents formed a formidable and loving network of community support for the young Marian Wright as a Black girl growing up in the segregated South. We follow the author to Spelman College in the late 1950s, when the school was a hotbed of civil rights activism, and where, through excerpts from her honest and passionate college journal, we witness a national leader in the making and meet the people who inspired and empowered her, including Dr. Benjamin E. Mays, Howard Zinn, and Charles E. Merrill, Jr.Lanterns takes us to Mississippi in the 1960s, where Edelman was the first and only Black woman lawyer. Her account of those years is a riveting first-hand addition to the literature of civil rights: "e;The only person I recognized in the menacing crowd as I walked towards the front courthouse steps was [a] veteran New York Times reporter. He neither acknowledged me nor met my eyes. I knew then what it was like to be a poor Black person in Mississippi: alone."e; And we follow Edelman as she leads Bobby Kennedy on his fateful trip to see Mississippi poverty and hunger for himself, a powerful personal experience for the young RFK that helped awaken a nation's conscience to child hunger and poverty. Lanterns is illustrated with thirty of the author's personal photographs and includes "e;A Parent's Pledge"e; and "e;Twenty-five More Lessons for Life,"e; an inspiration to all of us-parents, grandparents, teachers, religious and civic leaders-to guide, protect, and love our children every day so that they will become, in Marian Wright Edelman's moving vision, the healing agents for national transformation.

Welcome to Lizard Motel is one of the most surprising books about reading and writing to come along in years. Not only does this rich and wonderfully readable memoir explore the world of children and stories, it also asks us to look at how our children are growing up. Barbara Feinberg suggests that we have lost touch with the organic unfolding of childhood, with that mysterious time when making things up helps deepen a child's understanding of the world. This book will reacquaint readers with the special nature of children's imaginations and why they need to be protected and fostered.

In this groundbreaking compilation of first-person accounts of the runaway slave phenomenon, editors Devon W. Carbado and Donald Weise have recovered twelve narratives spanning eight decades-more than half of which have been long out of print. Told in the voices of the runaway slaves themselves, these narratives reveal the extraordinary and often innovative ways that these men and women sought freedom and demanded citizenship. Also included is an essay by UCLA history professor Brenda Stevenson that contextualizes these narratives, providing a brief yet comprehensive history of slavery, as well as a look into the daily life of a slave. Divided into four categories-running away for family, running inspired by religion, running by any means necessary, and running to be free-these stories are a testament to the indelible spirit of these remarkable survivors. The Long Walk to Freedom presents excerpts from the narratives of well-known runaway slaves, like Frederick Douglass and Harriet Jacobs, as well as from the narratives of lesser-known and virtually unknown people. Several of these excerpts have not been published for more than a hundred years. But they all portray the courageous and sometimes shocking ways that these men and women sought their freedom and asserted power, often challenging many of the common assumptions about slaves' lack of agency. Among the remarkable and inspiring stories is the tense but triumphant tale of Henry Box Brown, who, with a white abolitionist's help, shipped himself in a box-over a twenty-seven-hour train ride, part of which he spent standing on his head-to freedom in Philadelphia. And there's the story of William and Ellen Craft, who fled across thousands of miles, with Ellen, who was light-skinned, disguised as a white male slave-owner so she and her husband could achieve their dream of raising their children as free people. Gripping, inspiring, and captivating, The Long Walk to Freedom is a remarkable collection that celebrates those who risked their lives in pursuit of basic human rights.

Gather round me, all ye ladies fair,And ye gentlemen of renown;Listen, listen, and to me repair,Whilst I sing of beauteous Dublin town.The Irish have long been associated with great writing generally and with poetry specifically. The love of language pervades this strong culture, and the Irish people have long shared poetry with each other, whether in the street, in the home, or in the pub. These poems may be bawdy or tragic, but there is always something quintessentially Irish about them.In Gather Round Me, Christopher Cahill has put together a collection of the best of these popular poems, found in newspapers, heard in pubs, or put down in diaries. With explanatory notes that make the verse more accessible, these poems give voice to the Irish character, full of humor, mischief, and wit.

In her haunting fourth collection, National Poetry Series winner Joan Murray takes the challenge of performing poetry's original and still necessary tasks in the uncertain landscape of a new millennium.Widely praised for the exceptional humanity and technical virtuosity of her earlier collections, Murray now explores the daily struggles of life and death in the natural world, the hidden pleasures and ironies of life in small-town America, the vulnerable underside of artistic communities, and the myriad complexities that pervade our dreams and relationships in this new century. With wit, generosity, and unflinching honesty, Murray gives us poems that mourn and praise, illuminate and challenge.

From the American Poetry Society's 2018 Wallace Stevens Awardwinner, this is an epic poem on kin estranged, the death of a brother from AIDS, and the possibility of reconciliation and love in the face of loss.