Böcker utgivna av BearManor Media

52 years ago, Richard Roat started his hobby of collecting movie material on the Dead End Kids and Bowery Boys. In that 52 years, he has collected all the posters from each film-81 in total-plus lobby cards, half sheets, and a treasures trove of 8x10 pictures.With each new day, Richard discovers more information and uncovers more source materials about these infamous young actors, with this fourth volume only being the latest of his presentations of over 500 new and rare photographs.

As a child, you never wondered about the bionics of the comics featuring Little Audrey, Casper the Friendly Ghost, Baby Huey, Sad Sack, Herman and Katnip, Mutt and Jeff, Richie Rich, Little Dot, The Black Cat, Stumbo the Giant, and Little Lotta. Now, the story behind their glory reverberates with renewed discoveries by author Mark Arnold.  Alfred Harvey, along with brothers Leon and Robert, established memorable comic books themed with war, romance, Westerns, science-fiction, 3-D, superheroes, and, most of all, humor. Through their artists’ pens and inks, Joe Palooka, Blondie, and Dick Tracy became more famous than some American Presidents. Harvey Comics' profusely illustrated history, as told by the people that worked there, includes Alfred Harvey, Jack Kirby, Joe Simon, Lee Elias, George Baker, Ham Fisher, Ernie Colon, Wally Wood, Jim Steranko, Sid Jacobson, Warren Kremer, Jeff Montgomery, and New Kids on the Block. Family battles, lawsuits, turmoil, scandals, triumphs, and transitions behind the scenes reveal the histrionics behind the comics.   Illustrated with more than 800 photos. Comic Book Index, General Index, and a Harvey Who's Who. Foreword by Dan Parent.About author Mark Arnold: a well-known historian of pop culture, is also author of The Best of the Harveyville Fun Times!; Created and Produced by Total TeleVision productions; Mark Arnold Picks on The Beatles; Frozen in Ice: The Story of Walt Disney Productions; Think Pink: The Story of DePatie-Freleng; Pocket Full of Dennis the Menace  “He covers the heyday of Harvey, and the eventual demise, through interviews and discussions with the people who were actually there. No stone goes unturned . . . .” –Dan Parent“The Harvey Comics Companion fills a huge gap in comics history. Comprehensive in its approach, it addresses the characters, writers, artists, techniques, and advertisers that characterized Harvey Comics, along with the media that the comics influenced . . . this book is a godsend, enabling us to understand the Harvey legacy and recall the delightful stories and characters.” -Kathy Merlock Jackson “A Harvey companion, yes, but much more—a richly detailed, exhaustively researched history of a company that entertained millions with its vast array of characters and media. Mark Arnold chronicles the decades-long journey from one century to the next, as key people who helped make it happen provide generous ‘narration’ for the fascinating story.” -Greg Ehrbar, author and film and music historian “Harvey Comics, brimming with the effervescent work of Sid Couchey, Ernie Colón, and (especially) Warren Kremer, along with so many other wonderful creators, were the ambrosia of my childhood. Mark Arnold is the one true scholar of that cherished publisher's history. We're all that much better for having them both, notably in a single volume. Hot stuff, indeed!” -Jon B. Cooke, editor of Comic Book Creator and ACE magazines

"It's not a monster . . . it's just a doggy . . . ." No American horror film did more to spike cat adoptions than Cujo (1983). Based on Stephen King's psychological thriller about a rabid dog, the terror story remains forever etched into the minds of filmgoers, as well as in the grip marks on many theater seats. Lee Gambin analyzes the film scene by scene, including exhaustive coverage of the production from its problematic early days with originally-assigned director Peter Medak to the final edit by ultimate director Lewis Teague. Drawn from interviews with Teague, screenwriter Barbara Turner, and cast and crew, including Dee Wallace, Daniel Hugh Kelly, Danny Pintauro, Jan de Bont, Jennifer Jason Leigh, composer Charles Bernstein, and stunt man Gary Morgan.With its sophistication and deep subversive intelligence, Cujo is a biting critique on the breakdown of the American family, an electric take on the "woman in the storm" story trope, a personal and introspective ecologically themed horror film (a subgenre usually socially and politically motivated), and a perfectly realised example of the power of circumstance. It also thoroughly scrutinizes fear-both real and imagined-in a sharp and magnetic manner. Featuring: -the film's problematic early days with originally assigned director Peter Medak being fired. -Lewis Teague being brought in to take over as director along with cinematographer Jan de Bont. -detailed insight into screenwriter Barbara Turner's take on the source material. -over thirty candid interviews with cast and crew, such as stars Dee Wallace, Daniel Hugh Kell, Danny Pintauro, director Lewis Teague, composer Charles Bernstein, and stunt man Gary Morgan. -remembrances from Danny Pintauro's parents. -highly deserving and loving insight about the late great animal trainer Karl Lewis Miller from his daughter, Teresa Ann Miller.Index. Illustrated with over 200 pictures (most never before seen). About the author: Film historian Lee Gambin has written for Fangoria, Shock Till You Drop, Delirium, and Scream Magazine, among others. His previous works include Massacred By Mother Nature: Exploring the Natural Horror Film, and We Can Be Who We Are: Movie Musicals of the 1970s. He is the director of Melbourne-based film collective, Cinemaniacs.

French comedian, actor, director, screenwriter, and producer Max Linder (1883-1925) appeared in hundreds of films, and he was as important a silent movie figure as Charlie Chaplin, Mary Pickford, Buster Keaton, or Harold Lloyd. He predated all of them with his screen debut in 1905, and he became a worldwide favorite, thanks to his top-hatted dandy character, "Max." By 1912, he was the highest-paid film star in the world. Follow his astounding path from anonymous bit-player onstage to his greatest triumphs. The fine line between comedy and tragedy blended into shades of gray, when Max's fame nearly extinguished due to World War One war injuries, but he recovered, returned, and regained his status only to face one of the most terrible tragedies in human existence that shocked the entire world. His hilarious films and heartrending personal tale unfold fully in this richly researched and annotated biography and filmography. Illustrated with dozens of personal and professional photographs.About the author: Snorre Smári Mathiesen is a Norwegian cartoonist. A silent film aficionado since childhood, he has researched Max Linder's life for the past ten years. He lives in Oslo, Norway.

This is the HARDBACK version. Click your heels together three times and join author Caren Marsh-Doll, Judy Garland's stand-in in The Wizard of Oz, as she dances through her rich Hollywood life. Caren, an original MGM doll, appeared on the silver screen, danced in Hollywood musicals, was a Western leading lady, acted on Broadway, and remains the darling of Oz fans around the world. She met gangster Bugsy Siegel, survived a near fatal plane crash, and learned about sex "near" a Hollywood casting couch. And she's still dancing... into the 2nd edition of her award-winning autobiography. Named Best Autobiography Classic Images, this expanded edition has More rare pictures, and extra material!

This is the HARDBACK version. CAR 54, Where Are You? is considered one of the best television comedies ever produced. From 1961 to 1963, Officers Toody and Muldoon were among the most unlikely patrol-car partners ever seen on a police force. Toody was short, stocky, and just a it nosy, a marked contrast to the tall, quiet Muldoon. Although they were assigned to New York's fictional 53rd precinct -- a run down area of the Bronx not generally considered a hotbead of hilarity -- they always seemed to encounter more comedy than crime. From the episode "Something Nice for Sol" to the classic Christmas episode of 1961, this light-hearted comedy offered a heart-warming approach to our police force at work. The comedy was invariably of the broad slapstick variety reminiscent of Mack Sennett -- and one episode even saluted the Keystone Cops! Created by Nat Hiken, this television program now receives a superb review including biographies on the lead actors, the creation of the series, detailed listings of all 60 television episodes, broadcast history, cast list, plot summaries and lots of behind-the-scenes stories.

This is the HARDBACK version. "To be a Benny Bell meant to be spirited, witty, funny and sometimes a little crazy. But to be a Benny Bell also meant to be obstinate, paranoid, suspicious and sometimes a little hasty. "Given all the facts about his traits and personality, it is no surprise that one of the great mysteries of Ben's life and career is whether or not he ever stood a chance of becoming the famous Tin Pan Alley tunesmith and vaudeville comic he set out to be. Could he have been one of the select few to schmooze with Sammy Cahn and trade shticks with George Burns? Could he have been a card-carrying Friars Club member who regularly headlined in Miami, Los Angeles, Lake Tahoe and Las Vegas? "Maybe he could have. But he wasn't."