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Those Western pulps, where men were dead shots, women were dangerous, and thieving wranglers were lynched until the cows came home. Rediscover three decades of Western pulps in the first documentation of the genre's writers and importance in American popular culture. These short novels featured bad men in need of killing, and more affection between the cowboy and his horse than with women. Pulp authors included Zane Grey, who authored as many as 200 pulps and famed Texas Ranger Captain Manuel T. Gonzaullas. There were more than 165 of these magazines to choose from, such as Ace High Weekly, Zane Grey's Western Story Magazine, and Texas Rangers. "The Pulp Western is a seminal work in the field, filled with fascinating information about the magazines, their contents, their editors and the most popular writers and characters."- J. Randolph Cox for Dime Novel Round-Up

What does Producer: RICHARD GORDON mean to you?If you're a fan of classic horror films, you know he's the only living producer to have worked with the genre's most valuable players Boris Karloff and Bela Lugosi--not to mention the Fiend Without a Face, the First Man into Space and other black-and-white beasties of the Fabulous Fifties.If you take your fright flicks on the ghastlier side, you remember his more gory goblins, from the Silicates on the Island of Terror to the mad slasher of the Tower of Evil, and the interstellar shocks delivered by Inseminoid.A master of both worlds, Richard Gordon has been a behind-the-scenes titan of terror for over a half-century, collaborating during his years of active production (1956-1981) with some of the field's most formidable names: Boris and Bela, Peter Cushing and Christopher Lee, Michael Gough, Terence Fisher and more.Go on a film-by-film excursion through his cinematic chamber of horrors in this definitive book-length interview....

Henry Darrow (born Enrique Tomás Delgado) catapulted to international stardom in 1967 as sexy, complex "Manolito Montoya" in the western The High Chaparral. He was the first actor of Puerto Rican heritage to star in a television series. "Henry survived and had a career when if you were Latino, you couldn't be just good, you had to be beyond great and that's Henry," says noted writer/entertainer Rick Najera. At the height of his fame Darrow put his career on the line to open doors for other Hispanics. He has continued to break ground for over fifty years as a working actor and was recently featured on the PBS series Pioneers of Television. LIGHTNING IN THE BOTTLE is the must-read portrait of this inspirational, fiercely determined, endearing and enduring Emmy-winning performer.

This is the HARDBACK version. "Lewis Vendredi made a deal with the devil to sell cursed antiques, but he broke the pact, and it cost him his soul. His niece Micki, and her cousin Ryan, inherited the store-and with it, the curse. Now they must get everything back-and the real terror begins."So opens Friday the 13th: The Series. In 1987, Paramount Studios found success selling a new Star Trek series into syndication. Eager to cash in on other studio-owned properties, Paramount asked producer Frank Mancuso Jr. to develop a series around Friday the 13th, and the television series was born. It had nothing to do with the popular slasher film franchise, which was both a blessing and curse. It was a largely young, inexperienced cast and crew, and one of the first Hollywood productions to shoot entirely in Canada. In the first-ever examination of the TV series, author Alyse Wax delves into the series episode-by-episode, with more than sixty exclusive interviews with the cast, writers, directors, and producers, as well as nearly fifty never published behind-the-scenes photos from the cast and crew's personal collections.ALYSE WAX has been covering television and the horror industry for over a decade. She was the Associate Editor of the dearly departed FEARnet.com, and currently writes for a number of geeky, freaky places, including ComingSoon.net, Fangoria, ShockTillYouDrop.com, and Blumhouse.com.

This is the HARDBACK version. Voted "Best Book of 2009" by Classic Images magazine! You know the films. You know the characters. You may even know the man behind the glasses. But do you really know the events and happenings that most changed Harold Lloyd? That define him? The turning points in his life and career? From birth to death, Harold Lloyd grew and evolved because of the things that were happening around him, and he was always aware of the importance of these events. These are the turning points that fashioned the magic . . . the coin flip that got him to California . . . meeting a fellow extra at Universal by the name of Hal Roach . . . creating his revolutionary Glass Character . . . a death-defying bomb accident . . . patenting his legendary thrill comedies . . . building his Greenacres . . . making a too-quick leap into sound . . . taking perpetual control of his films . . . deciding to raise his granddaughter . . . leaving two film compilations for posterity . . . not allowing his films to be aired on early television . . . winning his Oscar. Friends, family, and Harold Lloyd himself, together with author Annette D'Agostino Lloyd, tell the story that gives us a clear picture of this comedy legend.

This is the HARDBACK version. "And they are reading sociological significance into my performances . . . I was a brave, independent woman in the forest, frisking around . . . Of course, I was blithely unaware that I was a social statement. I was just a hungry actress." - Kay Aldridge on her Nyoka role, New York Times ". . . six beauties, but the only one who stood out was Kay Aldridge, who had a funny little way of winking her eyes and crinking her nose. They liked Kay for that." - On the Navy Blues Sextette, Los Angeles Times The Thrills Gone By: The Kay Aldridge Story presents the life of the photogenic and most-photographed cover girl, model, Hollywood starlet and Serial Queen who has been forgotten today, except for her iconic role in the Republic serial, Perils of Nyoka. Her story is one of unrealized potential. No, she did not become a major star in Hollywood, and sadly so, perhaps simply because she never overcame the limits of being so photogenic and so heart-stoppingly beautiful in person. Kay Aldridge is portrayed here experiencing nine years of thrills gone by. Her ultimate failure to make superstar status puts the familiar and oft-told Hollywood success stories in perspective. This biography is based on material from Aldridge's original scrapbooks as reassembled and annotated by her daughter as well as inclusion of every major newspaper article written about her. It offers a respectful portrait and appreciation of Aldridge's personal life and includes a brief examination of the thrilling moments from her three serials. Jim Manago has authored the first biography of Huntz Hall and two biographies on Shirley Booth. He holds a Master's degree in Cinema Studies from the College of Staten Island/City University of New York.

This is the HARDBACK version. THEY'LL LOVE YOU TO DEATH! James Bond's bad girls. Wicked queens of ancient myth. Bisexual vampire women. Teenage temptresses. Deadly dinosaur dames in fanciful fur bikinis. Golden princesses of porn. And many, many more. They were the wicked women of the 1960s and 1970s. While there have always been femme fatales in films, no one had ever believed anything like this pop-culture revolution could be possible, as overnight the 'new freedom of the screen' came into being. Censorship was out. Nudity was in. The golden age of the wicked woman lasted for two full decades. During that time, B-movies and exploitation flicks, as well as Hollywood A-movies and international cinema, played host to a remarkable array of deliciously deadly females who had two things in common: They were all drop dead gorgeous and they promised devoted fans "the desired death." Rich with rare photos, filled with previously unknown details from the private lives of the very real women who incarnated these fantasy femmes, here is the ultimate encyclopedia of their on- and off-screen adventures. DOUGLAS BRODE is a novelist, graphic novelist, screenwriter, playwright, and multi-award-winning journalist. He created and taught the Film Classics program at Syracuse University until his retirement in 2013.

This is the HARDBACK edition. MGM British Studios: Hollywood in Borehamwood tells the story behind England's biggest film studio. Based in Borehamwood, Hertfordshire, England, between 1948-1970, it played host to some of the biggest names in Hollywood's history, and over 150 classic movies from the golden age of cinema were produced on its sound stages. From Under Capricorn (1949) directed by Alfred Hitchcock; to Mogambo (1953) Starring Clark Gable, Ava Gardner and Grace Kelly; from Where Eagles Dare (1968) starring Richard Burton and Clint Eastwood; to 2001 (1968) directed by Stanley Kubrick; this book tells the story of their making, from behind the scenes. Featuring many never before seen photographs, and hundreds of memories from those who worked at MGM British, both in-front of, and behind the camera, this is a nostalgic trip through an important era in British film studio history. Derek Pykett spent many years of his life as a professional actor, working in theatre, television and films, and making his first movie appearance in what is now regarded as a classic, The Princess Bride (1986) directed by Rob Reiner. In 2001 he founded his own theatre company, Theatre Macabre, specialising in horror and fantasy. Shows produced include Dracula, Jack the Ripper and Witchfinder General. More recent years have seen him produce and direct documentaries for DVD, including AMICUS: House of Horrors (Alpha Home Entertainment, USA). Previously published work as an author includes, Michael Ripper Unmasked (Midnight Marquee, USA) and British Horror Film Locations (McFarland, USA). Derek and his partner Ruth live in England, and they have three dogs - Lucy, Willow and Woolly.

This is the HARDBACK version, folks. The memoirs of Murray Langston, aka "The Unknown Comic," is a detailed account of the Highlights and Lowlights of each year of my life, from June 27, 1944 until my 69th birthday coming up on June 27, 2013. It's my story of how a poor kid from Montreal, being influenced by Jerry Lewis, longed to follow in his funny steps and somehow leave Canada and make it to Hollywood. Spiced with humor, drama, and celebrities which made me consider calling the book, "Name-Droppers," the reader will be surprised at many of the revelations which include being threatened by Frank Sinatra, partying all night with Elvis Presley, spending Christmas Eve with Lucille Ball, watching Bob Hope's Christmas show when I was in the military and working with him 20 years later, attending the Academy Awards, double dating with Robin Williams, appearing with Patrick Swayze in his first film, hanging out at Steve Martin's house, playing practical jokes on Carol Burnett, friending David Letterman on his first arrival to L.A., holding Kate Hudson when she was only weeks old, hanging out at the Playboy Mansion, co-starring with Jim Carrey in his very first television appearance. Read about my appearing for 4 years with Sonny & Cher, working alongside Ronald Reagan, O.J. Simpson, Bobby Darin, the Jackson 5 and my hero at the time, Jerry Lewis, among so many others. Read about how I also worked on several other TV series starring Roger Miller, Wolfman Jack, Bobby Vinton, the Hudson Brothers, and more. Read about my appearing on practically every talk show of that era from The Tonight Show to Merv Griffin, Mike Douglas, John Davidson, Dinah Shore, even Howard Stern... and more. Read about my appearing at almost every Hotel in Las Vegas, from the Sahara, the Riviera, The Sands, The Tropicana, The Landmark, The Dunes and more. Read about how I produced, wrote, directed and starred in a couple of feature films, besides appearing in over 20 movies along with over 800 television appearances while starring in and directing several plays along the way with fellow actors Linda Blair, Pat Paulsen, Johnny Whitaker, Eddie Mekka, and more. Read about the Ladies who I appeared on stage with including, Charo, Helen Reddy, Melissa Manchester, Gladys Knight, Crystal Gayle, the Supremes and more... Read about the many comics who were my opening act like Drew Carey, David Spade, Kevin Nealon, Ryan Stiles and more. Read about the many comics who I worked with in their early years who later became famous like Jay Leno, Cheech and Chong, Freddie Prinze, Gabe Kaplan, Michael Keaton, Howie Mandel and more... Read about the many celebrities I worked with who I later became close friends with like Ruth Buzzi, Frankie Avalon, Dom DeLuise, Jerry Van Dyke, Ted Knight, Harvey Korman, especially my mentor Redd Foxx, and more... Read about celebrities who I worked and hung out with who were arrogant and not very nice people like Mickey Rooney, Sonny Bono, Billy Crystal, Chris Rock, Vickie Lawrence and more... Read about some of the ladies I dated like Miss U.S.A., Playboy centerfolds, Debra Winger, Deidre Hall, Teri Garr, and Lucie Arnaz to mention a few. Read about how I am currently single but was married twice with two daughters, one 24, who is Britney Spears' background singer and is about to make a huge splash on her own. The other a 14 year old with "Down" syndrome who is the light of my life, and pure liquid love.

This is the HARDBACK version. "I got interested in Gene Rayburn during the 1990s, when I was a teenager and I discovered a marvelous cable channel called Game Show Network. I'd been a fan of game shows my entire life, and I was excited about seeing all these shows that I just vaguely remembered from my early childhood. My biggest surprise was how obsessed I became with a show I had never heard of until I got Game Show Network; a show that was cancelled the same year I was born, funnily enough. It was a show called Match Game. Gene Rayburn, of course, was the host of Match Game, and I appreciated right away how different he was from other game show hosts. He was so hammy and mischievous and physical, and he fit the show he was hosting better than anybody I had ever seen hosting a game show. He and Match Game were absolutely made for each other. I think the biggest discovery I made was the way Gene just got repeatedly sidetracked during his career. He came to New York to become a star in musical theater. When he couldn't find work in musical theater, he wound up becoming a disc jockey. And after a decade of that, he decided to try being a television star. That didn't work out right away, so he took a job announcing a new show. Well, that turned out to be The Tonight Show. His career, right up to the end, was filled with little detours. Gene always wound up doing something besides what he was really trying to do. John Lennon was right and Gene was the proof; life is what happens when you're making other plans. The biggest pitfall I encountered was the dearth of materials from earlier in Gene's career. Because reruns weren't a consideration for so long, a considerable chunk of the man's work in television is just gone. Think about it-he's best remembered for the 1970s version of Match Game, a job that he started when he was 55 years old. So finding resources from earlier than that could be surprisingly tricky, but that made it all the more exciting when I finally did see the occasional kinescope or hear an audio recording. I think readers will enjoy #1, the memories, if they enjoy Match Game as much as I do, and #2, the surprises. Gene really had a remarkable career outside of that show. My hope for this book is that it makes that image on the TV screen a little more three-dimensional. Gene was very human, very flawed; he had his frustrations and disappointments like the rest of us." -- The Author

Back in the 1970s and early 1980s, Michael B. Druxman authored several books and stage plays about Hollywood, the movies, and the people that made them. He also wrote a monthly column for Coronet magazine, "Yesterday at the Movies." In researching these works, Druxman interviewed dozens of performers, producers, directors, screenwriters, composers, and other film folk, who were a part of Hollywood's "Golden Era." Hollywood Snapshots: The Forgotten Interviews reprints the author's columns for Coronet as they originally appeared in the magazine, and it also contains excerpts from Druxman's recently rediscovered interview notes for his books, columns, and stage plays, including many eye-opening comments that never made print. These notes are made public here for the first time. Subjects of the magazine interviews include Claire Trevor, Jack Oakie, Paul Henreid, Ann Miller, John Carradine, Howard Keel, Mary Pickford, Gale Sondergaard, David Janssen, Yvonne DeCarlo, and several members of The Little Rascals/Our Gang films. Among the book interview subjects are directors Edward Dmytryk, Herb Ross, George Sidney, George Sherman, Gordon Douglas, Raoul Walsh, Howard Hawks, Mervyn LeRoy, Arthur Hiller; composers Jule Styne, Paul Francis Webster, John Green; actors George Burns, Betty Garrett, Dan O'Herlihy, Charles "Buddy" Rogers, and many others. The forgotten interviews are no longer forgotten.

This is the HARDBACK version. After serving his film apprenticeship his film apprenticeship at Pinewood Studios between 1946 and 1962, Paul Hitchcock left at the invitation of United Artists to work on five of their major productions until he was later head-hunted by Paramount Pictures to oversee their entire international production arm. Subsequently as "Head Of International Production" for Warner Bros. for over twenty years, he oversaw scores of movies ranging from Gorillas In The Mist, Superman I & II, Batman (1989), Full Metal Jacket, Empire Of The Sun, Outland, Barry Lyndon, A Clockwork Orange, Firefox, Little Shop of Horrors to Greystoke. There were also films that never quite made it into production, such as David Lean's version of The Bounty and his ill-fated Nostromo, and a multi-million dollar biopic of Polish President Lech Wä¿sa which the studio believed would be the "next Driving Miss Daisy".Later as an independent Producer and Executive Producer he helmed films such as First Knight, Mission Impossible I & II, The Saint, The Man in the Iron Mask, Phantom Of The Opera and Fred Claus.This is his inside story of these and many other Hollywood blockbusters!London-born Paul Hitchcock spent most of his childhood living near Pinewood Studios, and after a chance suggestion by one of his teachers to Paul's father, he joined the studio as a junior in their accounts department. Thus began a 50 plus year involvement in the movie business. Now semi-retired Paul lives in Berkshire with his wife Lidia and along with going to the movies, is a passionate golfer. Gareth Owen has authored and ghost-written 12 film-related books and biographies, including three with Sir Roger Moore. He is based at Pinewood Studios.

Larry Cohen: The Stuff of Gods and Monsters traces the extraordinary career of the legendary writer/producer/director responsible for such cult and classic films as Black Caesar, It's Alive, God Told Me To, The Private Files of J. Edgar Hoover, Q - The Winged Serpent, The Stuff, Maniac Cop, and Phone Booth. Creator of some of the most diverse and thematically rich genre films that have been made in American independent cinema, Cohen's oeuvre has embraced horror, science fiction, thrillers, Westerns, comedies, the biographical film, and blaxploitation gangster movies. At turns provocative, disturbing, and humorous, his distinctly personal works in film, television, and theater are distinguished by their ferocious intelligence, biting satire, and powerful emotionalism. Over the course of 28 chapters, this in-depth career-length interview is an entertaining, enlightening, and gripping account of the singular career of a true American original. "For those of us who love the works of Larry Cohen, this is the most revealing and informative material ever published about him. And if by some chance you don't know about Larry's remarkable career, take this opportunity to learn how one maverick writer/director/producer has been able to survive and flourish in the ever changing madhouse of show biz." - Joe Dante, director of The Howling, Gremlins and The 'Burbs

This is the HARDBACK version. What folks say about Donn Trenner... "Donn, my musical director for twenty-one years, always made me feel so safe and secure as a performer. I would stand on stage, he would lift his baton, the music would begin, and I was home. Loving thanks, my dear friend. Everyone will love your book." - Ann-Margret, singer, dancer and award winning actress of movies and television "Donn was my partner in several productions and we played many engagements touring with my show. As a vocalist, I have worked with numerous musical directors over the years and there is no one better than my good friend, Donn Trenner. This book is a must read." - Peter Marshall, singer, actor and host of the popular TV game show, Hollywood Squares "I first met Donn Trenner when he was heading up The Steve Allen Show and their band in the sixties. Throughout the years, I've seen him again and again, now especially in the Connecticut area. He knows more about music than anyone else. He's worked with so many stars from Bob Hope on. I was lucky enough to inherit him for a two week run on Steve Allen's show while Steve was on vacation, and it was a thrill that I will never forget. But the thing about Donn Trenner that is most important - he's also the nicest guy I ever met. He's had a great career, which is still going on, and I know you'll enjoy reading about it in this book." - Regis Philbin, American media personality, singer, actor and talk show host

Think Pink! The Depatie-Freleng StoryIn 1963, Warner Bros. closed down their long-running cartoon facility that had produced such memorable merrymakers as the Looney Tunes and Merrie Melodies cartoons. Director/producer Friz Freleng and executive David H. DePatie faced unwanted early retirement. A generous parting gesture from a Warner executive allowed Freleng and DePatie to lease the former Warner cartoons studio on California Street in Burbank, complete with equipment and supplies, for a few dollars each year.They teamed up to create animated cartoons for advertising, but not everything behind their enterprise was enchanting. They struggled to keep their small animation studio running against odds and obstacles such as rising costs, heavy competition, outsourcing of labor to other countries, strikes, death, changing directions, and buyouts. They never anticipated how they would soon style a series of cartoon characters that would paint memorable colors over movie animation history.When director Blake Edwards produced The Pink Panther starring David Niven, Peter Sellers, Robert Wagner, Capucine, and Claudia Cardinale, he envisioned a cartoon character of the same name to illustrate the opening credits sequence. Edwards hired Freleng and DePatie, together with artists at their DePatie-Freleng Enterprises studio, to design the animated sequence. The crafty magenta furry feline minced his way into moviegoer's hearts.The inspiration behind the ink was the people that worked at the DePatie-Freleng Enterprises (DFE) animation studio. Their hilarious cartoons caused a generation of moviegoers to rock theaters with laughter.Author Mark Arnold returns you to the nostalgic memories of the exhilarating Pink Panther series and other cartoons DFE created. Discover the craftsmen behind the cartoons in an exciting exploration of the Pink Panther, Inspector Clouseau, Ant and the Aardvark, Cat in the Hat, The Grinch, The Lorax, Doctor Dolittle, Spider-Man, Spider-Woman, Mr. Magoo, The Fantastic Four, Planet of the Apes, Doctor Snuggles, Baggy Pants, The Nitwits, The Barkleys, The Houndcats, The Grump, The Super Six, Super President, Spy Shadow, Hoot Kloot, Blue Racer, Crazylegs Crane, Misterjaw, Tijuana Toads, The Dogfather, The Oddball Couple, Charlie the tuna, David DePatie, Friz Freleng, Blake Edwards, Peter Sellers, and various animators.Over 400 photos and illustrations. Indexed. Appendixes. About the author: Mark Arnold is a comic book and animation historian. He has written for various magazines, including Back Issue, Alter Ego, Hogan's Alley, Comic Book Artist, and Comic Book Marketplace. He is the author of seven other books, including two about Harvey Comics, two about Cracked magazine, one about TTV (Underdog), one about The Beatles, and one about Disney. He also helped Craig Yoe with a book about Archie. He has also performed commentary for the Underdog, Tennessee Tuxedo, and Casper DVD sets for Shout Factory. He is currently at work on a book about Dennis the Menace. He lives in Eugene, OR. ". . . DFE's cartoons will continue to bring amusement and delight to millions of future cartoon enthusiasts to come! I would like to thank Mark for including me in the writing of his fantastic book." - Art Leonardi, Animator, DePatie-Freleng Enterprises. "Think Pink! is an impressive result of exhaustive research . . . Arnold's efforts help the reader to further connect the dots from Yosemite Sam to the Pink Panther to Spider-Man." - Bryan Stroud, writer, Back Issue magazine.

June Foray, voice of Rocky the Flying Squirrel and Natasha on Rocky and Bullwinkle, has assembled a hilarious collection of humorous essays aimed at knocking the hats off conventions and conventional sayings. Her highly literate work is reminiscent of John Lennon, S.J. Pearlman, with a smattering of P.G. Wodehouse's love of language. This is the first book from the voice of Warner Brothers' Grandma (Tweety cartoons) and Stan Freberg's favorite gal! FOREWORD If "virtue is its own reward", then who in this world of sophistication and fierce competition wants to cling to virtuosity with a pay-off like that? "Love is blind." Absurd! Our flower children in the 60s dispelled that cock-eyed notion for a decade because of the evolution of various kinds of love - love for humanity, animals, peace and the great outdoors. Love has its eyes realistically open for the first time in our phrenetic world, and it's hanging right in there. "Like father like son." Ho, ho, ho! Have you heard the far right, on gay guys lately? I am resolutely determined to explode all the obsolete shibboleths that our parents drove into our adolescent, little minds, and I'm brazen enough to offer my, perhaps outrageous, judgment of the morals and mores of the establishment. It is my critique on society as it stumbled into the last quarter of the 20th Century and the first of our 21st, having lived by the myths given to us in centuries long gone. "FOUR STARS (Highest Rating). One of the wittiest, snappiest must-reads of the year. June Foray is best known as the voice of Rocky, of Rocky & Bullwinkle fame, but there's clearly much more to the woman than her ability to put words in the mouth of an animated flying squirrel. This book is a deliciously unexpected foray into the mind of Foray. It's one diabolically clever, entertaining tome." - Todd David Schwartz, CBS "I didn't know you were such hot stuff. This is fun. The acid wit that burns right through the surface is really good. I admire the kind of mind that can boil off puns and rhymes." - Frank Pierson, President of the Academy of Motion Picture Arts and Sciences, Oscar-winning writer of Dog Day Afternoon

This is the HARDBACK version. Fredric March (1897-1975) was one of the most dynamic and versatile actors of his time. On the screen he created memorable performances in such classic films as Dr. Jekyll and Mr. Hyde, Death Takes a Holiday, Les Miserables, A Star is Born, Nothing Sacred, One Foot in Heaven, The Adventures of Mark Twain, The Best Years of Our Lives, Death of a Salesman and Inherit the Wind. Along the way he was nominated five times for an Academy Award and won the coveted statuette twice. He had an equally distinguished career as a stage actor-appearing in such acclaimed Broadway productions as The Skin of Our Teeth and Long Day's Journey Into Night-winning two Tony Awards-including the very first presented to an actor. Despite this great record of success, Fredric March isn't as well remembered today as some of his peers (Gary Cooper, Cary Grant, James Stewart) because unlike them he never developed a recognizable screen persona that followed him from film to film. He was always characterizing-always hiding his own personality behind that of the character he was portraying. He was the consummate actor who richly deserves to be rediscovered.

This is the HARDBACK version. "This book brings back so many lovely and amusing memories of a sadly missed friend. She was unique and irreplaceable in so many ways. Joel has been thorough in his research, and his love and respect for Karen shine through. Love and thanks for the fun and the magic of her musical soul." -Petula Clark "An insightful look at the life of Karen Carpenter, a singing hero of mine. I had the pleasure of opening for the Carpenters in 1975, but it was more exciting that they recorded several of my songs, particularly 'Solitaire, ' which featured a breathtaking Karen vocal accompanied by Richard's magnificent orchestration. Mr. Samberg's book is a worthy tribute to her everlasting legacy as one of the great vocalists of all time." -Neil Sedaka The popularity of the Carpenters-Karen in particular-has never really waned. In fact, when you consider the online presence, documentaries, tributes and other projects, you might even say that an unofficial Carpenters revival has been brewing for years. Many remember the velvety voice that helped the Carpenters sell 100 million records, but not everyone knows that beyond the gifted singer was also a love-starved romantic, conflicted sister, obedient daughter, unpredictable jester, modest millionaire, optimistic dreamer, wannabe mother, emotional wreck, generous friend, and melancholy clown. How is it that someone whose stardom lasted just a dozen years, and who might have given it all up in a heartbeat, is still so beloved and still fascinates more than three decades after her untimely death?

This is the HARDBACK version. Actor David Hedison may be best-known for playing James Bond's CIA buddy, Felix Leiter, in Live and Let Die (1973) and Licence to Kill (1989), as well as Captain Crane on the television series, Voyage to the Bottom of the Sea (1964-1968). Long before those roles, Hedison appeared as a CIA agent of a different sort in the 1959-1960 20th Century Fox Television series, Five Fingers. His role was as Victor Sebastian, a double agent within the then active Communist Party. Through his adventures every week, he was able to thwart their many nefarious plots, all while romancing his lover and muse, chanteuse Simon Genet, in addition to keeping his cover intact as a bon vivant talent agent at Wembley and Sebastian of London, Paris, and New York. Quite a balancing act, yet Victor Sebastian was always able to pull it off. Five Fingers was one of three shows in 1959 that led 20th Century Fox Studios' entry into series television. The other two shows were the successful Adventures in Paradise (1959) and The Many Loves of Dobie Gillis (1959-1963). Some viewers believe that had Five Fingers not been programmed on Saturday nights against the Western, Gunsmoke (1955-1975)-the #1 show on television-Five Fingers might have enjoyed that same success. The sixteen episodes chronicled here were syndicated around the world through 1965 and in the United States until the late 1970s. Five Fingers was a truly class act of a series. Discover why the series has lasted for over fifty-five years in the hearts of the show's fans.