Mummy Is the root of all evil! Monster Kids' favorite movie mummy Kharis scream-iered in 1940's The Mummy's Hand and returned in a new chiller-diller two years later, dealing out more cruel and violent death. But the sequel's title The Mummy's Tomb is a misnomer, Kharis have left his Saharan resting place more than 5000 miles behind. Now the full moon, lighting his way from one midnight murder to the next, rides high in the sky over the U.S. of A.: Mapleton, Massachusetts, is the crumbling creeper's new stalking ground! The Mummy's Tomb is set 30 years after Hand, but Egypt's ancient gods are still in a royal huff that archaeologist Steve Banning (Dick Foran) plundered Princess Ananka's tomb. With Banning, his family and his colleague Babe (Wallace Ford) on his hit list, a fanatic High Priest (Turhan Bey) transports Kharis to the States and unleashes the mad mummy upon them. Lon Chaney, the Universal Horror Factory's new go-to guy for monster roles, fills the cloth-wrapped shoes of Kharis, a one-mummy crime wave casting his sinister shadow across the New England village.
John Wayne is a true cinema icon, but the B-westerns he made after The Big Trail and before Stagecoach are often overlooked. This book focuses on them specifically, film-by-film, and presents how they show the development of Wayne as both an actor and an image. These are the films that maintained his popularity throughout the 1930s until he was cast by John Ford in Stagecoach and his career quickly advanced. These B-westerns are an important part of The Duke's movie history. James L. Neibaur is a film historian and scholar who has authored over thirty books on various aspects of cinema's history, as well as hundreds of articles for Cineaste, Senses of Cinema, Filmfax, Film Quarterly, Films in Review, Classic Images, and the Encyclopaedia Britannica.
John Wayne is a true cinema icon, but the B-westerns he made after The Big Trail and before Stagecoach are often overlooked. This book focuses on them specifically, film-by-film, and presents how they show the development of Wayne as both an actor and an image. These are the films that maintained his popularity throughout the 1930s until he was cast by John Ford in Stagecoach and his career quickly advanced. These B-westerns are an important part of The Duke's movie history. James L. Neibaur is a film historian and scholar who has authored over thirty books on various aspects of cinema's history, as well as hundreds of articles for Cineaste, Senses of Cinema, Filmfax, Film Quarterly, Films in Review, Classic Images, and the Encyclopaedia Britannica.
Volume 2 concentrates on trial plays mounted in the twentieth century. The first decade featured notable dramas by Leo Tolstoy (The Living Corpse, Russia, 1900), Alexander Bisson (Madame X, France, 1908), and John Galsworthy (Justice, England, 1910). The trend continued with authors of the main stream penning plays populated with judges, prosecutors, defense attorneys, jurors, witnesses, and the accused, often charged with murder in the first degree -- Elmer Rice, Ayn Rand, Ernst Toller, W. Somerset Maugham, Richard Wright, Maxwell Anderson, and Arthur Miller. Herman Wouk, Jean Genet, Aldous Huxley, William Faulkner, William Saroyan, James Baldwin, Terence Rattigan, Jeffrey Archer, Ariel Dorfman, David Henry Hwang, Aaron Sorkin, others.Veteran mystery writers joined the fray, concocting courtroom melodramas. Among them were Gaston Leroux (The Mystery of the Yellow Room, 1912), A.E.W Mason (No Other Tiger, 1928), Agatha Christie Witness for the Prosecution, 1953), and Henry Cecil (Settled Out of Court, 1960).Quite a few plays were inspired by real-life events. Caponsacchi (1926) is based on a poem by Robert Browning, depicting a double murder among the clergy in Rome of 1698. Sophie Treadwell's expressionist drama Machinal (1928) focuses on a sensational 1927 murder case in Queens, New York, in which an ordinary stenographer kills her much older husband when she feels stifled at home. A Pin to See the Peepshow (1951), by F. Tennyson Jesse and H.M. Harwood, introduces a twenty-eight-year-old London millinery who, with the aid of her younger lover, plans to eliminate a bossy husband. On the evening of October 3, 1922, he is found stabbed to death on a side road.The entries, presented chronologically, include a plot synopsis, production data, opinions by critics, and biographical sketches of playwrights and key actors-directors.
Volume 2 concentrates on trial plays mounted in the twentieth century. The first decade featured notable dramas by Leo Tolstoy (The Living Corpse, Russia, 1900), Alexander Bisson (Madame X, France, 1908), and John Galsworthy (Justice, England, 1910). The trend continued with authors of the main stream penning plays populated with judges, prosecutors, defense attorneys, jurors, witnesses, and the accused, often charged with murder in the first degree -- Elmer Rice, Ayn Rand, Ernst Toller, W. Somerset Maugham, Richard Wright, Maxwell Anderson, and Arthur Miller. Herman Wouk, Jean Genet, Aldous Huxley, William Faulkner, William Saroyan, James Baldwin, Terence Rattigan, Jeffrey Archer, Ariel Dorfman, David Henry Hwang, Aaron Sorkin, others.Veteran mystery writers joined the fray, concocting courtroom melodramas. Among them were Gaston Leroux (The Mystery of the Yellow Room, 1912), A.E.W Mason (No Other Tiger, 1928), Agatha Christie Witness for the Prosecution, 1953), and Henry Cecil (Settled Out of Court, 1960).Quite a few plays were inspired by real-life events. Caponsacchi (1926) is based on a poem by Robert Browning, depicting a double murder among the clergy in Rome of 1698. Sophie Treadwell's expressionist drama Machinal (1928) focuses on a sensational 1927 murder case in Queens, New York, in which an ordinary stenographer kills her much older husband when she feels stifled at home. A Pin to See the Peepshow (1951), by F. Tennyson Jesse and H.M. Harwood, introduces a twenty-eight-year-old London millinery who, with the aid of her younger lover, plans to eliminate a bossy husband. On the evening of October 3, 1922, he is found stabbed to death on a side road.The entries, presented chronologically, include a plot synopsis, production data, opinions by critics, and biographical sketches of playwrights and key actors-directors.
Till-Christopher Bamberg's obsession with special effects films began, as it does for many others, in his early youth. At the age of nine he saw THE THING (1982) by John Carpenter and was at the same time shocked and fascinated by how the things were made that were seen there. He was also one of those who watched the credits to the end to find out which artists worked on the film and in which profession. Everything about the making of a film interested him. Today he has turned his passion into his vocation. Within his website science-fiction-filme.com" he interviewed many artists of the film like Chris Walas, Rocco Gioffre, Alec Gillis, Syd Dutton and many others. He cooperates with several film magazines, such as CINEMA MUSICA, the only magazie for movie scores in Europe, or NEON ZOMBIE, where he creates interviews and background stories. He also works together with a German film label (Wicked Vision Distribution) and made special effects documentaries for the releases of SPACE TRUCKERS (1996) and THE RIFT (1990). On this occasion he spoke with Paul Gentry, Steve Howarth and Colin Arthur. He also writes booklets for other labels. Together with two co-authors he wrote the book DIE ALPTRAUMFABRIK (The Nightmare Factory), in which he interviewed Steve Johnson or Jack Sholder, among others. This is his first book project alone. When he is not working on a film-related project, the 43-year-old lives in a quiet town in northern Germany with his wife and two sons.
Different from other works devoted to Judy Garland to date in that it is not a traditional birth-to-death biography, award-winning music producer, critic, and translator Lawrence Schulman's long-awaited 2-volume look at the legendary singer, Garland - That's Beyond Entertainment - Reflections on Judy Garland, aims to remove her from the simplistic realm of such epithets as "world's greatest entertainer" and "Miss Show Business" and reconsider her as one of the greatest singers of the 20th century's Great American Songbook, one who took us beyond entertainment to a level of artistry unique in classic American popular music. The importance of Judy Garland is amply highlighted in this detailed, richly-illustrated study that covers Schulman's writings on Garland between 1993 and 2023 that concentrate on her recordings, and not all the hoopla, hagiography, and tragedy usually attached to her short 47-year life. Utilizing published articles, reviews, liner notes, interviews, program notes, talks, and prefaces, the Schulman opus, which includes a Foreword by John H. Haley and an Afterword by James Fisher, took thirty years to write, and revolutionizes the trite take on Garland as having had just "a talent to amuse." A read which meticulously includes all the facts but does not exclude amusing anecdotes and unsettling stories that shed light on this complicated artist, Garland - That's Beyond Entertainment - Reflections on Judy Garland resembles Garland in that it is indeed entertaining, but also spotlights an artist whose frightening talent takes us over the rainbow to a reality in song that is devoid of complaisance or artifice. "Few figures in twentieth-century American popular culture continue to fascinate audiences with such verve as Judy Garland. Compiling a robust archive of writing that showcases the author's breathtaking encyclopaedic knowledge on all things Judy, Lawrence Schulman's Garland - That's Beyond Entertainment - Reflections on Judy Garland proves to be a must-read tome for anyone keen to understand (or be reminded of) the thrall this electric and eternal performer elicits still. A gargantuan effort as attentive to minute recording details as to broad cultural readings of the artist (not to mention fascinating and juicy anecdotal tidbits sprinkled throughout), Schulman's body of work here all but anoints him as the preeminent expert of a figure who has no shortage of them."- MANUEL BETANCOURT, film critic, culture writer and author of 33 1/3: Judy at Carnegie Hall, and others "Schulman's highly readable and deeply researched and analyzed collection of his varied essays and reviews provides a feast for even the most informed of Garland admirers and, at the same time, an indispensable guide for those who have just caught Garland fever."- JAMES FISHER, Professor Emeritus at the School of Theatre at the University of North Carolina at Greensboro, and author of The Theater of Tony Kushner, Al Jolson: A Bio-Bibliography, and others "Lawrence Schulman's book is a deep dive into the lore, the legacy, and the legend of one of the world's greatest and most iconic entertainers. It's absolutely essential for Judy Garland fans - and who isn't a Judy Garland fan?"- WILL FRIEDWALD, journalist and author of Sinatra! The Song Is You - A Singer's Art, A Biographical Guide to the Great Jazz and Pop Singers, and others
Different from other works devoted to Judy Garland to date in that it is not a traditional birth-to-death biography, award-winning music producer, critic, and translator Lawrence Schulman's long-awaited 2-volume look at the legendary singer, Garland - That's Beyond Entertainment - Reflections on Judy Garland, aims to remove her from the simplistic realm of such epithets as "world's greatest entertainer" and "Miss Show Business" and reconsider her as one of the greatest singers of the 20th century's Great American Songbook, one who took us beyond entertainment to a level of artistry unique in classic American popular music. The importance of Judy Garland is amply highlighted in this detailed, richly-illustrated study that covers Schulman's writings on Garland between 1993 and 2023 that concentrate on her recordings, and not all the hoopla, hagiography, and tragedy usually attached to her short 47-year life. Utilizing published articles, reviews, liner notes, interviews, program notes, talks, and prefaces, the Schulman opus, which includes a Foreword by John H. Haley and an Afterword by James Fisher, took thirty years to write, and revolutionizes the trite take on Garland as having had just "a talent to amuse." A read which meticulously includes all the facts but does not exclude amusing anecdotes and unsettling stories that shed light on this complicated artist, Garland - That's Beyond Entertainment - Reflections on Judy Garland resembles Garland in that it is indeed entertaining, but also spotlights an artist whose frightening talent takes us over the rainbow to a reality in song that is devoid of complaisance or artifice. "Few figures in twentieth-century American popular culture continue to fascinate audiences with such verve as Judy Garland. Compiling a robust archive of writing that showcases the author's breathtaking encyclopaedic knowledge on all things Judy, Lawrence Schulman's Garland - That's Beyond Entertainment - Reflections on Judy Garland proves to be a must-read tome for anyone keen to understand (or be reminded of) the thrall this electric and eternal performer elicits still. A gargantuan effort as attentive to minute recording details as to broad cultural readings of the artist (not to mention fascinating and juicy anecdotal tidbits sprinkled throughout), Schulman's body of work here all but anoints him as the preeminent expert of a figure who has no shortage of them."- MANUEL BETANCOURT, film critic, culture writer and author of 33 1/3: Judy at Carnegie Hall, and others "Schulman's highly readable and deeply researched and analyzed collection of his varied essays and reviews provides a feast for even the most informed of Garland admirers and, at the same time, an indispensable guide for those who have just caught Garland fever."- JAMES FISHER, Professor Emeritus at the School of Theatre at the University of North Carolina at Greensboro, and author of The Theater of Tony Kushner, Al Jolson: A Bio-Bibliography, and others "Lawrence Schulman's book is a deep dive into the lore, the legacy, and the legend of one of the world's greatest and most iconic entertainers. It's absolutely essential for Judy Garland fans - and who isn't a Judy Garland fan?"- WILL FRIEDWALD, journalist and author of Sinatra! The Song Is You - A Singer's Art, A Biographical Guide to the Great Jazz and Pop Singers, and others
Different from other works devoted to Judy Garland to date in that it is not a traditional birth-to-death biography, award-winning music producer, critic, and translator Lawrence Schulman's long-awaited 2-volume look at the legendary singer, Garland - That's Beyond Entertainment - Reflections on Judy Garland, aims to remove her from the simplistic realm of such epithets as "world's greatest entertainer" and "Miss Show Business" and reconsider her as one of the greatest singers of the 20th century's Great American Songbook, one who took us beyond entertainment to a level of artistry unique in classic American popular music. The importance of Judy Garland is amply highlighted in this detailed, richly-illustrated study that covers Schulman's writings on Garland between 1993 and 2023 that concentrate on her recordings, and not all the hoopla, hagiography, and tragedy usually attached to her short 47-year life. Utilizing published articles, reviews, liner notes, interviews, program notes, talks, and prefaces, the Schulman opus, which includes a Foreword by John H. Haley and an Afterword by James Fisher, took thirty years to write, and revolutionizes the trite take on Garland as having had just "a talent to amuse." A read which meticulously includes all the facts but does not exclude amusing anecdotes and unsettling stories that shed light on this complicated artist, Garland - That's Beyond Entertainment - Reflections on Judy Garland resembles Garland in that it is indeed entertaining, but also spotlights an artist whose frightening talent takes us over the rainbow to a reality in song that is devoid of complaisance or artifice. "Few figures in twentieth-century American popular culture continue to fascinate audiences with such verve as Judy Garland. Compiling a robust archive of writing that showcases the author's breathtaking encyclopaedic knowledge on all things Judy, Lawrence Schulman's Garland - That's Beyond Entertainment - Reflections on Judy Garland proves to be a must-read tome for anyone keen to understand (or be reminded of) the thrall this electric and eternal performer elicits still. A gargantuan effort as attentive to minute recording details as to broad cultural readings of the artist (not to mention fascinating and juicy anecdotal tidbits sprinkled throughout), Schulman's body of work here all but anoints him as the preeminent expert of a figure who has no shortage of them."- MANUEL BETANCOURT, film critic, culture writer and author of 33 1/3: Judy at Carnegie Hall, and others "Schulman's highly readable and deeply researched and analyzed collection of his varied essays and reviews provides a feast for even the most informed of Garland admirers and, at the same time, an indispensable guide for those who have just caught Garland fever."- JAMES FISHER, Professor Emeritus at the School of Theatre at the University of North Carolina at Greensboro, and author of The Theater of Tony Kushner, Al Jolson: A Bio-Bibliography, and others "Lawrence Schulman's book is a deep dive into the lore, the legacy, and the legend of one of the world's greatest and most iconic entertainers. It's absolutely essential for Judy Garland fans - and who isn't a Judy Garland fan?"- WILL FRIEDWALD, journalist and author of Sinatra! The Song Is You - A Singer's Art, A Biographical Guide to the Great Jazz and Pop Singers, and others
Different from other works devoted to Judy Garland to date in that it is not a traditional birth-to-death biography, award-winning music producer, critic, and translator Lawrence Schulman's long-awaited 2-volume look at the legendary singer, Garland - That's Beyond Entertainment - Reflections on Judy Garland, aims to remove her from the simplistic realm of such epithets as "world's greatest entertainer" and "Miss Show Business" and reconsider her as one of the greatest singers of the 20th century's Great American Songbook, one who took us beyond entertainment to a level of artistry unique in classic American popular music. The importance of Judy Garland is amply highlighted in this detailed, richly-illustrated study that covers Schulman's writings on Garland between 1993 and 2023 that concentrate on her recordings, and not all the hoopla, hagiography, and tragedy usually attached to her short 47-year life. Utilizing published articles, reviews, liner notes, interviews, program notes, talks, and prefaces, the Schulman opus, which includes a Foreword by John H. Haley and an Afterword by James Fisher, took thirty years to write, and revolutionizes the trite take on Garland as having had just "a talent to amuse." A read which meticulously includes all the facts but does not exclude amusing anecdotes and unsettling stories that shed light on this complicated artist, Garland - That's Beyond Entertainment - Reflections on Judy Garland resembles Garland in that it is indeed entertaining, but also spotlights an artist whose frightening talent takes us over the rainbow to a reality in song that is devoid of complaisance or artifice. "Few figures in twentieth-century American popular culture continue to fascinate audiences with such verve as Judy Garland. Compiling a robust archive of writing that showcases the author's breathtaking encyclopaedic knowledge on all things Judy, Lawrence Schulman's Garland - That's Beyond Entertainment - Reflections on Judy Garland proves to be a must-read tome for anyone keen to understand (or be reminded of) the thrall this electric and eternal performer elicits still. A gargantuan effort as attentive to minute recording details as to broad cultural readings of the artist (not to mention fascinating and juicy anecdotal tidbits sprinkled throughout), Schulman's body of work here all but anoints him as the preeminent expert of a figure who has no shortage of them."- MANUEL BETANCOURT, film critic, culture writer and author of 33 1/3: Judy at Carnegie Hall, and others "Schulman's highly readable and deeply researched and analyzed collection of his varied essays and reviews provides a feast for even the most informed of Garland admirers and, at the same time, an indispensable guide for those who have just caught Garland fever."- JAMES FISHER, Professor Emeritus at the School of Theatre at the University of North Carolina at Greensboro, and author of The Theater of Tony Kushner, Al Jolson: A Bio-Bibliography, and others "Lawrence Schulman's book is a deep dive into the lore, the legacy, and the legend of one of the world's greatest and most iconic entertainers. It's absolutely essential for Judy Garland fans - and who isn't a Judy Garland fan?"- WILL FRIEDWALD, journalist and author of Sinatra! The Song Is You - A Singer's Art, A Biographical Guide to the Great Jazz and Pop Singers, and others
From his debut in a 1914 novel by Louis Joseph Vance the adventures of Michael Lanyard, aka the Lone Wolf, have thrilled millions around the world. Lanyard was a reformed crook turned gentleman detective turned hardboiled trouble-shooter and something of a private eye - depending on which incarnation you're familiar with - and his adventures were documented in nine books, twenty-four films, thirty-nine half hour television episodes and a radio show. Alongside a biography of his creator this is a comprehensive look at the career of the Lone Wolf including details of the character's birth in print, his debut in silent movies as well as a full and detailed history of his subsequent film career, and an extensive history of the TV series that starred Louis Hayward. About the Author: Best known for his association with the adventures of The Saint, Ian Dickerson has written books and articles on subjects as diverse as satellite links, mashed potatoes and Lord Grade. He was co-producer on the 2017 TV movie of The Saint and has written and directed a number of documentaries on the making of the 1960s and 70s TV shows that share the name. His books cover subjects such as The Falcon and Sherlock Holmes as well as various aspects of the work of Simon Templar and the adventures of Leslie Charteris. He lives in Hampshire, England.
In 1942 Lena Horne became the first black star to sign a long-term contract with M-G-M, one of Hollywood's top studios. M-G-M transformed her into a movie goddess. Film historian Keith Howes describes Stephen Bourne's Lena Horne: The MGM Years as a tribute that "Reads like a dream. I love the way Stephen effortlessly encases Lena in the M-G-M glamor factory. Deep dives into her contemporaries adds to the book's richness. Smooth as silk, as lyrical as a nightingale, Stephen has taken Lena out of that dream, off that cloud, and made her safe in our hearts. Forever. It's a great tribute to a great lady. Vibrant, all-encompassing and deliciously detailed." Stephen Bourne's many books include Elisabeth Welch: Soft Lights and Sweet Music, Ethel Waters: Stormy Weather, Butterfly McQueen Remembered and BearManor Media's Nina Mae McKinney: The Black Garbo.
In 1942 Lena Horne became the first black star to sign a long-term contract with M-G-M, one of Hollywood's top studios. M-G-M transformed her into a movie goddess. Film historian Keith Howes describes Stephen Bourne's Lena Horne: The MGM Years as a tribute that "Reads like a dream. I love the way Stephen effortlessly encases Lena in the M-G-M glamor factory. Deep dives into her contemporaries adds to the book's richness. Smooth as silk, as lyrical as a nightingale, Stephen has taken Lena out of that dream, off that cloud, and made her safe in our hearts. Forever. It's a great tribute to a great lady. Vibrant, all-encompassing and deliciously detailed." Stephen Bourne's many books include Elisabeth Welch: Soft Lights and Sweet Music, Ethel Waters: Stormy Weather, Butterfly McQueen Remembered and BearManor Media's Nina Mae McKinney: The Black Garbo.
From his debut in a 1914 novel by Louis Joseph Vance the adventures of Michael Lanyard, aka the Lone Wolf, have thrilled millions around the world. Lanyard was a reformed crook turned gentleman detective turned hardboiled trouble-shooter and something of a private eye - depending on which incarnation you're familiar with - and his adventures were documented in nine books, twenty-four films, thirty-nine half hour television episodes and a radio show. Alongside a biography of his creator this is a comprehensive look at the career of the Lone Wolf including details of the character's birth in print, his debut in silent movies as well as a full and detailed history of his subsequent film career, and an extensive history of the TV series that starred Louis Hayward. About the Author: Best known for his association with the adventures of The Saint, Ian Dickerson has written books and articles on subjects as diverse as satellite links, mashed potatoes and Lord Grade. He was co-producer on the 2017 TV movie of The Saint and has written and directed a number of documentaries on the making of the 1960s and 70s TV shows that share the name. His books cover subjects such as The Falcon and Sherlock Holmes as well as various aspects of the work of Simon Templar and the adventures of Leslie Charteris. He lives in Hampshire, England.
How Much Do You Know About the Tenth, Eleventh and TwelfthDoctors, His Companions and Their Adventures?TEST YOUR KNOWLEDGE!FASCINATING FACTS YOU MAY NOT KNOW! Which Doctor ate fish Fingers and custard? What were the final works the tenth Doctor said before his regeneration? How many years did the Doctor vow to guard Missy in The Vault? If you love the Doctor Who that featured these three Doctors, this book is for you! There are 300 questions and answers, plus many random fun Doctor Who show facts from 2005-2017. Many of these facts may even fascinate you. Amaze your friends and family with all things related to the Doctor Who series with the Tenth, Eleventh, and Twelfth Doctors, his companions and their adventures. While some of these questions may be easy, many are sure to challenge even the most diehard of Whovians! M.A. Cassata is the author of Timeless TV Quiz & Random Facts:'60s to'80s, Pop 'n' Rock Trivia Quiz: '60s to'80s , The Superheroes Movies Trivia Quiz Book and other entertainment/celebrity-themed tribute books including, The Elton John Scrapbook , Starman: A Tribute to Bowie , The Cher Scrapbook and The Essential Jim Carrey.
What in the cultural zeitgeist causes a movie to be made? Is it current affairs, a popular event or trend, a best-selling book, a genre of filmmaking or the will of a Hollywood director? In the case of the vastly entertaining cult movie, THE WANDERERS, from 1979, the answer would be all above. The setting of the movie is the Bronx, circa early in the 1960s, but the ambience is the unresolved 1950s when teen gangs frightened American urban dwellers and teenage behavior distressed parents everywhere. The popular singer Dion grew up in the Bronx during the 1950s and in 1961 he climbed the record charts with one of his biggest hits, THE WANDERER. The song struck a nerve in someone else who also grew up in 1950s Bronx, author Richard Price. He ended up writing a book called THE WANDERERS, which incorporated Dion's song into the storyline. Years later, director Philip Kaufman, picked up the book on recommendation from his son and decided to turn it into a movie. Films about gangs and juvenile delinquency had been popular with teens since the early 1950s with The Wild One and Blackboard Jungle. By the 1970s, soon to be middle-age Americans, became wildly nostalgic for the 1950s, resulting a slew of Broadway plays, television shows and movies that mixed greasers, early rock 'n' roll and naïve sexual fumblings into a cultural tsunami. This book is about the times, the song, the book, the director, the genre of teen-gang films and, most definitely, the last great "greaser feature," THE WANDERERS. As a journalist, Steve Bergsman has contributed to more than one hundred magazines, newspapers and wire services over the past four decades. As an author, he has written more than a dozen books. His most recent book was EARTH ANGELS: THE SHORT LIVES AND CONTROVERSIAL DEATHS OF THREE R&B PIONEERS.
What in the cultural zeitgeist causes a movie to be made? Is it current affairs, a popular event or trend, a best-selling book, a genre of filmmaking or the will of a Hollywood director? In the case of the vastly entertaining cult movie, THE WANDERERS, from 1979, the answer would be all above. The setting of the movie is the Bronx, circa early in the 1960s, but the ambience is the unresolved 1950s when teen gangs frightened American urban dwellers and teenage behavior distressed parents everywhere. The popular singer Dion grew up in the Bronx during the 1950s and in 1961 he climbed the record charts with one of his biggest hits, THE WANDERER. The song struck a nerve in someone else who also grew up in 1950s Bronx, author Richard Price. He ended up writing a book called THE WANDERERS, which incorporated Dion's song into the storyline. Years later, director Philip Kaufman, picked up the book on recommendation from his son and decided to turn it into a movie. Films about gangs and juvenile delinquency had been popular with teens since the early 1950s with The Wild One and Blackboard Jungle. By the 1970s, soon to be middle-age Americans, became wildly nostalgic for the 1950s, resulting a slew of Broadway plays, television shows and movies that mixed greasers, early rock 'n' roll and naïve sexual fumblings into a cultural tsunami. This book is about the times, the song, the book, the director, the genre of teen-gang films and, most definitely, the last great "greaser feature," THE WANDERERS. As a journalist, Steve Bergsman has contributed to more than one hundred magazines, newspapers and wire services over the past four decades. As an author, he has written more than a dozen books. His most recent book was EARTH ANGELS: THE SHORT LIVES AND CONTROVERSIAL DEATHS OF THREE R&B PIONEERS.
"Inspired by my friend Bobby Driscoll's performance in The Window (1949), Robert Strom has written a groundbreaking book. The research and fifty interviews offer rare insight into the Golden Age of Hollywood and the genre of film noir. Cries in the Night: Children in Film Noir is the film historian's labor of love."- Russ Tamblyn Actress Mimi Gibson of Strange Intruder (1956) and The Brothers Rico (1957) calls author Robert Strom the "Detective of Film Noir".
Between 1980 and 1989, Los Angeles was the world's most popular location for thriller movies, providing the perfect setting for gritty neo-noirs, buddy cop actioners, cautionary tales, vigilante flicks and apocalyptic science fiction. During this ten-year period, over two hundred L.A. Thrillers were produced and released, including Hollywood blockbusters like Die Hard and The Terminator, crime dramas like To Live and Die in L.A. and 52 Pick-Up and exploitation epics like Vice Squad and Savage Streets. Brad Sykes' Neon Nightmares: L.A. Thrillers of the 1980s is the first comprehensive study of the City of Angels' most outrageous cinematic decade. Hundreds of films, from studio megahits to cult obscurities, receive in-depth reviews. The book also examines the L.A. Thriller's origins and development while focusing on key production companies, actors and filmmakers. Written with insight gleaned over twenty-five years living and working in Hollywood and filled with rare stills, Neon Nightmares sheds new light on some of the most popular and controversial movies ever made. BRAD SYKES BIO Brad Sykes is the award-winning screenwriter and director of more than 20 feature films, including Plaguers, Goth and Camp Blood. He is the author of Terror in the Desert: Dark Cinema of the American Southwest and has penned articles for Fangoria, Midnight, Route and Indie Slate. Sykes lives with his wife/producing partner Josephina in Los Angeles, California, where they own and operate Nightfall Pictures.
Between 1980 and 1989, Los Angeles was the world's most popular location for thriller movies, providing the perfect setting for gritty neo-noirs, buddy cop actioners, cautionary tales, vigilante flicks and apocalyptic science fiction. During this ten-year period, over two hundred L.A. Thrillers were produced and released, including Hollywood blockbusters like Die Hard and The Terminator, crime dramas like To Live and Die in L.A. and 52 Pick-Up and exploitation epics like Vice Squad and Savage Streets. Brad Sykes' Neon Nightmares: L.A. Thrillers of the 1980s is the first comprehensive study of the City of Angels' most outrageous cinematic decade. Hundreds of films, from studio megahits to cult obscurities, receive in-depth reviews. The book also examines the L.A. Thriller's origins and development while focusing on key production companies, actors and filmmakers. Written with insight gleaned over twenty-five years living and working in Hollywood and filled with rare stills, Neon Nightmares sheds new light on some of the most popular and controversial movies ever made. BRAD SYKES BIO Brad Sykes is the award-winning screenwriter and director of more than 20 feature films, including Plaguers, Goth and Camp Blood. He is the author of Terror in the Desert: Dark Cinema of the American Southwest and has penned articles for Fangoria, Midnight, Route and Indie Slate. Sykes lives with his wife/producing partner Josephina in Los Angeles, California, where they own and operate Nightfall Pictures.
The complete history of the Academy Awards.
Till-Christopher Bamberg's obsession with special effects films began, as it does for many others, in his early youth. At the age of nine he saw THE THING (1982) by John Carpenter and was at the same time shocked and fascinated by how the things were made that were seen there. He was also one of those who watched the credits to the end to find out which artists worked on the film and in which profession. Everything about the making of a film interested him. Today he has turned his passion into his vocation. Within his website science-fiction-filme.com" he interviewed many artists of the film like Chris Walas, Rocco Gioffre, Alec Gillis, Syd Dutton and many others. He cooperates with several film magazines, such as CINEMA MUSICA, the only magazie for movie scores in Europe, or NEON ZOMBIE, where he creates interviews and background stories. He also works together with a German film label (Wicked Vision Distribution) and made special effects documentaries for the releases of SPACE TRUCKERS (1996) and THE RIFT (1990). On this occasion he spoke with Paul Gentry, Steve Howarth and Colin Arthur. He also writes booklets for other labels. Together with two co-authors he wrote the book DIE ALPTRAUMFABRIK (The Nightmare Factory), in which he interviewed Steve Johnson or Jack Sholder, among others. This is his first book project alone. When he is not working on a film-related project, the 43-year-old lives in a quiet town in northern Germany with his wife and two sons.
The NEW catalog from performing arts book publisher, BearManor Media. Including new works from Bonnie Daniels, Tom Weaver, Troy Donahue, The Greatest American Hero, Carrie (1976), Robert Young, Larry Hankin, screenplays such as The Mummy's Hand, Claude Rains, Of Mice and Men, Leprachaun, Maverick, Jim Henson, Tina Cole and many more.
"They've got their own groups. What are we going to give America that they don't already have?" - Paul McCartney" They give the teenagers something that thrills them, a vision. The boys and girls of this age are young men and women looking for something in life that can't always be found, a joie de vivre." - Leopold Stokowski, American Symphony Orchestra Conductor "I knew England would get even with us for the Boston Tea Party." - An American barber The first weeks of the year 1964 were cold, gray, and somber, as America was reeling from the tragic death of its vibrant young President. But then something began piercing through the desolate haze: a sound, both new, yet also echoing the thrilling, unbridled energy of early Rock and Roll . . . an energy that had been almost utterly tamed in recent years. Up to this time, British bands had been wholly unsuccessful at gaining a lasting foothold in American Rock and Roll. But suddenly, all of that changed forever as four young men led an army across the ocean, and from that moment on, nothing would ever be the same again. The British Invasion was more than just The Beatles . . . it was The Dave Clark Five, The Rolling Stones, The Animals, Peter and Gordon, The Swinging Blue Jeans, Dusty Springfield, The Zombies, The Kinks, and so many others. And 1964 was more than just a year . . . it was the gateway to vast changes in music and culture. And the British Invasion was the soundtrack to it all!
"They've got their own groups. What are we going to give America that they don't already have?" - Paul McCartney" They give the teenagers something that thrills them, a vision. The boys and girls of this age are young men and women looking for something in life that can't always be found, a joie de vivre." - Leopold Stokowski, American Symphony Orchestra Conductor "I knew England would get even with us for the Boston Tea Party." - An American barber The first weeks of the year 1964 were cold, gray, and somber, as America was reeling from the tragic death of its vibrant young President. But then something began piercing through the desolate haze: a sound, both new, yet also echoing the thrilling, unbridled energy of early Rock and Roll . . . an energy that had been almost utterly tamed in recent years. Up to this time, British bands had been wholly unsuccessful at gaining a lasting foothold in American Rock and Roll. But suddenly, all of that changed forever as four young men led an army across the ocean, and from that moment on, nothing would ever be the same again. The British Invasion was more than just The Beatles . . . it was The Dave Clark Five, The Rolling Stones, The Animals, Peter and Gordon, The Swinging Blue Jeans, Dusty Springfield, The Zombies, The Kinks, and so many others. And 1964 was more than just a year . . . it was the gateway to vast changes in music and culture. And the British Invasion was the soundtrack to it all!
What does Frank Leahy, the legendary win-at-all-costs hall of fame Notre Dame football coach have in common with infamous cross-dressing, counterculture B-movie filmmaker Ed Wood, once voted "worst director of all time"? Ed Wood wrote a screenplay about him. And it's possibly the most confounding entry on the cult director's otherwise sci-fi, horror and pornography-filled resumé. For years, there have only been two known connections between Ed Wood and football: the fact that he hated it, and the fact that he was watching it on the last day of his life. So how did an underdog who wore his quirks on his (angora) sleeve end up writing about Knute Rockne's macho protégé? And does Wood's irrepressible personality and unique style make it into Leahy's life story? Find out the answers to these questions and more as Ed Wood expert W. Paul Apel takes you on a personally guided tour of the never-produced, lost-and-now-found screenplay by Edward D. Wood, Jr.: The Frank Leahy Legend.
How Much Do You Know About the Tenth, Eleventh and TwelfthDoctors, His Companions and Their Adventures?TEST YOUR KNOWLEDGE!FASCINATING FACTS YOU MAY NOT KNOW! Which Doctor ate fish Fingers and custard? What were the final works the tenth Doctor said before his regeneration? How many years did the Doctor vow to guard Missy in The Vault? If you love the Doctor Who that featured these three Doctors, this book is for you! There are 300 questions and answers, plus many random fun Doctor Who show facts from 2005-2017. Many of these facts may even fascinate you. Amaze your friends and family with all things related to the Doctor Who series with the Tenth, Eleventh, and Twelfth Doctors, his companions and their adventures. While some of these questions may be easy, many are sure to challenge even the most diehard of Whovians! M.A. Cassata is the author of Timeless TV Quiz & Random Facts:'60s to'80s, Pop 'n' Rock Trivia Quiz: '60s to'80s , The Superheroes Movies Trivia Quiz Book and other entertainment/celebrity-themed tribute books including, The Elton John Scrapbook , Starman: A Tribute to Bowie , The Cher Scrapbook and The Essential Jim Carrey.
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