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David Starkey's A Few Things You Should Know About the Weasel is a far-ranging and fearless collection, of great humour, intelligence and sympathy. Ranging through philosophy, art and history -- both global and domestic -- these poems skillfully chronicle the darkness that is our current age and condition, and the pinpricks of light thta may show us the way out.

Meniscus is Shane Neilsons manic statement, arching backwards through his personal histories and into the current scale of illness: how it prophecizes and destroys. But this book is not solely given to a state. Most of Meniscus is given to love, how it moves, the disaster of chasing it, and how it settles all his accounts.

Diverse in subject, style and mood and rich in contrasts - from the lyrical to the rhetorical, from the public and collective to the personal and private - the poems in Pause for Breath are a meditation on the times and on time itself, sounding the human condition at a moment of world-change.

The poems in Zachariah Wellss second collection range from childhood to dimly foreseen events in the future; they idle on all three of Canadas coasts, travel the open road, take walks in the city and pause on the banks of country streams and ponds.

In his sixties, Yeats published the half-dozen poems that drew Crazy Jane out from his imagination to act as a profane voice against the strictures of the Church and the mores of his age. Wayne Clifford, in his sixties, after a lifetime of wondering why Yeats offered so little explanation of Jane's human presence absorb his own imagination, has let Jane free to speak once more. In Jane Again, we learn why Jane is crazy, if indeed she is, what part her Jack has played in her passion, how she understands the nature of the divine, and who she insists herself to be in this world almost large enough to hold her. Wayne Clifford's Jane Again is bawdy, irreverent and humorous; it is also loving, moving and beautiful, and should help to cement Clifford's reputation as one of the most inventive versifiers to come out of Canada in years.

The Pangborn Defence, a departure from Sibum's previous verse, will be something of a surprise for those who have followed his career. Poems written as letters to personages both real and imagined, there are political undertones to many rarely seen in Sibum's ouevre. But there is still the same attention to detail, the same craftsmanship, humour, love and originality.

A collection of 99 Canadian sonnets from the 19th Century to the present.

Here Come the Moonbathers, is more dark, difficult and tragic than Patricia Youngs earlier work. The poems in this collection have wild freedom, exploring the themes of love, longing and loss with grace, playfulness, and occasionally anger. There's a surreal edge to these poems, a personal, political and ecological vision, an incantatory vernacular and rhythm that makes these poems unforgettable.

Bringing together Eric Ormsby's entire poetic oeuvre thus far, including a healthy selection of previously unpublished poems, Time's Covenant is timeless, by one of America's best poets. Essential reading.

Written between one January and the next, A Thaw Foretold is a passionate exploration of themes that are as timeless and recurrent as the seasons. In language that is both precisely vivid and particular, embracing both colloquial directness and formal elegance, the poems confront the elementals of love and loss, mortality and remembrance.

In the Lights of a Midnight Plow, glitters and startles. The writing is deftly musical, where every detail and image has been carefully weighed, honed with a knife's edge and poet's ear. There is language, the sparkle and sheen of it, the rhythm, all of which tells us that a new and important voice is at work here.

Straight Razor and Other Poems brings together Salvatore Ala's new poems and selections from his privately published broadsides. It is a beautiful and original collection. Both formal and lyrical, it is the work of a determined and committed craftsman.

The best of Kapuscinski's published poems, offered for the first time in English.

Painters use the term fugitive pigments to describe those colours most prone to fading after a brief exposure to light. In Self-Portrait Without a Bicycle, poet and visual artist Jessica Hiemstra uses the idea of fugitive colour to explore the grieving process; whether her subject is a lost grandparent, language, child, painting or cat, Hiemstra renders the fleetingness of life with fine, delicate strokes.The poet listens, tastes and remembers, senses afloat, dipping into the past and then surfacing again, drawn by a perfect but fleeting moment. DescantJessica Hiemstra is a visual artist and writer. Self-Portrait Without a Bicycle is her third volume.