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  • av Edward Eggleston
    271

  • av E. F. Benson
    271 - 407

    E. F. Benson's subject is always the petty concerns of petty people, but his talent is to make those concerns nearly as important to us as they are to his characters. For us, what happens to Benson's people is also much funnier than it is to them.As with the Mapp and Lucia books Benson began to write in the 1920s, Mrs. Ames (1912) deals with the struggle of two women to be the dominant social maven in their little town. Millie Evans and Amy Ames are cousins and rivals for the title of supreme hostess of Riseborough, and an additional frisson is added to the plot by the dalliance of Millie and Major Ames, Amy's husband. Mrs. Ames dares to invite only one member of each prominent Riseborough couple to a dinner party. Mrs. Evans counters with a fancy dress ball with a Shakespearean theme, and Benson makes hilarious use of the ball's glut of Cleopatras and paucity of Antonys. Then Mrs. Ames begins to read suffragette tracts, and as Benson writes, "the fumes of an idea, to one who had practically never tasted one, intoxicated her as new wine mounts to the head of a teetotaler." (Michael Cohen)

  • av E. F. Benson
    271 - 407

    The book starts with a reference to Damon and Pythias, which in the Victorian age -- and apparently also into the first few decades of the 20th century, given this book's publication date -- was code for same-sex love. Here the love that dare not speak its name (but almost does, as is characteristic of Benson's work) is between Robin and his best buddy from (Eton and then) Cambridge. But the bond between the two young men is completely incidental to the main plot: in fact, as the story progresses, it turns out it is primarily about Robin's mother, the rather wonderful Lady Grote and how, when WW1 upsets her pleasure-seeking existence and demands something more of her, she manages to step up to the occasion. The book has excellent characterisation, and is beautifully written, with witty dialogue, lyrical descriptions of the natural world, and an ending a tad too edifying for modern sensibilities. (Aleardo Zanghellini)

  • av Arthur Machen
    257

  • av Edgar Rice Burroughs
    241

  • av Arthur Machen
    257

  • av Edgar Rice Burroughs
    271

  • av Jules Verne
    257

  • av Jules Verne
    261

  • av Jules Verne
    257

  • av Bernard Shaw
    257

  • av Bernard Shaw
    257

  • av Bernard Shaw
    257

  • av L. Oulton & Jane Austen
    241

  • av Mary Rinehart
    261

  • av Wilkie Collins
    301 - 421

    Interesting collection of 10 short stories, plus an extra one, equally interesting, that makes the frame of the other ten. The best stories, in my opinion, are the frequently antologized "The biter bit," plus "A plot in private life" and the frame story ("The Queen of Hearts"). (Manuel Alfonseca)BIOWilliam Wilkie Collins (8 January 1824 - 23 September 1889) was an English novelist and playwright known for The Woman in White (1859) and The Moonstone (1868). The last has been called the first modern English detective novel. Born to a London painter, William Collins, and his wife, the family moved to Italy when Collins was twelve, living there and in France for two years, so that he learned Italian and French. He worked at first as a tea merchant. On publishing his first novel, Antonina, in 1850, Collins met Charles Dickens, who became a friend and mentor. Some Collins works appeared first in Dickens's journals Household Words and All the Year Round. The two also collaborated on drama and fiction. Collins reached financial stability and an international following in the 1860s from his best-known works, but began to suffer from gout. He took opium for the pain, but became addicted to it. His health and his writing quality declined in the 1870s and 1880s. Collins was critical of the institution of marriage: he later split his time between widow Caroline Graves, with whom he had lived most of his adult life, treating her daughter as his, and the younger Martha Rudd, by whom he had three children. Collins's works were classified at the time as "sensation novels", a genre seen nowadays as the precursor to detective and suspense fiction. He also wrote penetratingly on the plight of women and on the social and domestic issues of his time. For example, his 1854 Hide and Seek contained one of the first portrayals of a deaf character in English literature. As did many writers of his time, Collins first published most of his novels as serials in magazines such as Dickens's All the Year Round, and was known as a master of the form, creating just the right degree of suspense to keep his audience reading from week to week. ...Collins died at 82 Wimpole Street, following a paralytic stroke. He is buried in Kensal Green Cemetery, West London. His headstone describes him as the author of The Woman in White. (wikipedia.org)

  • av Wilkie Collins
    257

  • av William Shakespeare
    257

  • av Gustave Flaubert
    257

  • av Elizabeth Cleghorn Gaskell
    307 - 471

    Sylvia's Lovers (1863) is a novel written by Elizabeth Gaskell, which she called "the saddest story I ever wrote". The novel begins in the 1790s in the coastal town of Monkshaven (modeled on Whitby, England) against the background of the practice of impressment during the early phases of the Napoleonic Wars. Sylvia Robson lives happily with her parents on a farm, and is passionately loved by her rather dull Quaker cousin Philip. She, however, meets and falls in love with Charlie Kinraid, a dashing sailor on a whaling vessel, and they become secretly engaged. When Kinraid goes back to his ship, he is forcibly enlisted in the Royal Navy by a press gang, a scene witnessed by Philip. Philip does not tell Sylvia of the incident nor relay to her Charlie's parting message and, believing her lover is dead, Sylvia eventually marries her cousin. This act is primarily prompted out of gratefulness for Philip's assistance during a difficult time following her father's imprisonment and subsequent execution for leading a revengeful raid on press-gang collaborators. They have a daughter. Inevitably, Kinraid returns to claim Sylvia and she discovers that Philip knew all the time that he was still alive. Philip leaves her in despair at her subsequent rage and rejection, but she refuses to live with Kinraid because of her child.Philip joins the army under a pseudonym, and ends up fighting in the Napoleonic wars, where he saves Kinraid's life. Kinraid returns to Britain, and marries. His wife, who knows nothing of their history together, informs Sylvia that her husband is a great military leader. Kinraid's marriage suggests to Sylvia that he was not as faithful to her as she had remained to him, and she then realizes she is actually in love with Philip. Philip, meanwhile horribly disfigured by a shipboard explosion, returns to the small Northumbrian village to try to secretly get a glimpse of his child. He ends up staying with the sister of a servant of Sylvia's deceased parents, and rescues his child when she nearly drowns. He is fatally injured while saving his daughter, but his identity then becomes known and he is reconciled with his wife on his deathbed. (wikipedia.org)

  • av Elizabeth Gaskell Cleghorn
    287

    Mary Barton: A Tale of Manchester Life is the first novel by English author Elizabeth Gaskell, published in 1848. The story is set in the English city of Manchester between 1839 and 1842, and deals with the difficulties faced by the Victorian working class. The novel begins in Manchester, where we are introduced to the Bartons and the Wilsons, two working-class families. John Barton is a questioner of the distribution of wealth and the relations between rich and poor. Soon his wife dies-he blames it on her grief over the disappearance of her sister Esther. Having already lost his son Tom at a young age, Barton is left to raise his daughter, Mary, alone and now falls into depression and begins to involve himself in the Chartist, trade-union movement.Chapter 1 takes place in the countryside where Greenheys is now.Mary takes up work at a dressmaker's (her father had objected to her working in a factory) and becomes subject to the affections of hard-working Jem Wilson and Harry Carson, son of a wealthy mill owner. She fondly hopes, by marrying Carson, to secure a comfortable life for herself and her father, but immediately after refusing Jem's offer of marriage she realizes that she truly loves him. She, therefore, decides to evade Carson, planning to show her feelings to Jem in the course of time. Jem believes her decision to be final, though this does not change his feelings for her.Meanwhile, Esther, a "street-walker," returns to warn John Barton that he must save Mary from becoming like her. He simply pushes her away, however, and she's sent to jail for a month on the charge of vagrancy. Upon her release, she talks to Jem with the same purpose. He promises that he will protect Mary and confronts Carson, eventually entering into a fight with him, which is witnessed by a policeman passing by.Not long afterward, Carson is shot dead, and Jem is arrested for the crime, his gun having been found at the scene. Esther decides to investigate the matter further and discovers that the wadding for the gun was a piece of paper on which is written Mary's name.She visits her niece to warn her to save the one she loves, and after she leaves Mary realizes that the murderer is not Jem but her father. She is now faced with having to save her lover without giving away her father. With the help of Job Legh (the intelligent grandfather of her blind friend Margaret), Mary travels to Liverpool to find the only person who could provide an alibi for Jem - Will Wilson, Jem's cousin and a sailor, who was with him on the night of the murder. Unfortunately, Will's ship is already departing, so that, after Mary chases after the ship in a small boat, the only thing Will can do is promise to return in the pilot ship and testify the next day.During the trial, Jem learns of Mary's great love for him. Will arrives in court to testify, and Jem is found "not guilty". Mary has fallen ill during the trial and is nursed by Mr. Sturgis, an old sailor, and his wife. When she finally returns to Manchester she has to face her father, who is crushed by his remorse. He summons John Carson, Harry's father, to confess to him that he is the murderer. Carson is still set on justice, but after turning to the Bible he forgives Barton, who dies soon afterward in Carson's arms. Not long after this Esther comes back to Mary's home, where she, too, soon dies.Jem decides to leave England, where, his reputation damaged, it would be difficult for him to find a new job. The novel ends with the wedded Mary and Jem, their little child, and Mrs. Wilson living happily in Canada. The news comes that Margaret has regained her sight and that she and Will, soon to be married, will visit. (wikipedia.org)

  • av Jerome K. Jerome
    257

  • av Herbert Allen Giles
    257

  • av Thea Von Harbou
    261

    Metropolis is a 1925 science fiction novel by the German writer Thea von Harbou. The novel was the basis for and written in tandem with Fritz Lang's 1927 film Metropolis. The story is set in 2026 in a technologically-advanced city, which is sustained by the existence of an exploited class of labourers who live underground, far away from the gleaming surface world. Freder, the son of Joh Fredersen, one of the city's founders, falls in love with Maria, a girl from the underground. The two classes begin to clash for lack of a unifying force. (wikipedia.org)

  • av Rudyard Kipling
    271

  • av Arthur Machen
    261

  • av Walter Scott
    307 - 457

    The Antiquary (1816), the third of the Waverley novels by Walter Scott, centres on the character of an antiquary: an amateur historian, archaeologist and collector of items of dubious antiquity. He is the eponymous character and for all practical purposes the hero, though the characters of Lovel and Isabella Wardour provide the conventional love interest. The Antiquary was Scott's own favourite of his novels, and is one of his most critically well-regarded works; H. J. C. Grierson, for example, wrote that "Not many, apart from Shakespeare, could write scenes in which truth and poetry, realism and romance, are more wonderfully presented."Scott wrote in an advertisement to the novel that his purpose in writing it, similar to that of his novels Waverley and Guy Mannering, was to document Scottish life of a certain period, in this case the last decade of the 18th century. The action can be located in July and August 1794. It is, in short, a novel of manners, and its theme is the influence of the past on the present. In tone it is predominantly comic, though the humour is offset with episodes of melodrama and pathos. (wikipedia.org

  • av Edgar Rice Burroughs
    271

  • av William Walker Atkinson
    261

  • av Edgar Rice Burroughs
    261

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