This volume foregrounds Pina Bausch, Romeo Castellucci and Jan Fabre as three leading directors who have each left an indelible mark on post-war European theatre. Combining in-depth discussions of the artists' poetics with detailed case studies of several famous and lesser-known key works, the authors featured in this volume trace a range of foundational aesthetic strategies that are central to the directors' work: the dynamics of repetition vis-à-vis fragmentation, the continued significance of language in experimental theatre and dance, the tension between theatricality and the performative reality of the stage, and the equal importance attached to text, image and body. This volume develops a vivid picture of how European stage directors have continued to redefine their own position and role throughout the latter half of the 20th century.
In this volume leading scholars assess the contributions of Max Reinhardt, Leopold Jessner and Harley Granville Barker to European theatre. Their work represents the cultural shift from traditional theatre practices of the 19th century to the rise of Modernism and its means of establishing theatre as an art form in its own right. Uncovering the theories and visions of theatre held by Reinhardt, Jessner and Barker, this volume establishes the contribution and importance of these directors in the development of modern theatre and their significance alongside the better-known names of Stanislavski and Brecht.
This volume provides a fresh assessment of the pioneering practices of theatre directors Jerzy Grotowski, Peter Brook and Eugenio Barba, whose work has challenged and extended ideas about what theatre is and does. Contributors demonstrate how each was instrumental in rethinking and reinventing theatre's possibilities: where it takes place - whether in theatres or beyond - and who the audience might then be, as well as how actors train and perform, highlighting the importance of the group and collaboration. The volume examines their role in establishing intercultural dialogues and practices, and the wider influence of this work on theatre. Consideration is also given to each director's documentation of their practice in print and film and the influence this has had on 21st-century performance.
This volume surveys and assesses the contributions of Vsevolod Meyerhold, Erwin Piscator and Bertolt Brecht to theatre-making, which richly exemplify the range of ways that directors address dramatic material, theatrical space and their audiences. Their directorial work marks an unmistakeable interest in developing the political potential of theatre in the early 20th century, although each director offered more to their actors, collaborators and spectators than simply the staging of politics and the political.
This volume examines the work of directors Jacques Copeau, Theodore Komisarjevsky and Tyrone Guthrie. It explores in detail many of the directors' key productions, including Copeau's staging of Molière's The Tricks of Scapin, Komisarjevsky's signature season of Chekhov plays at the Barnes Theatre and Guthrie's pioneering direction of Shakespeare's plays in North America. This study argues that their work exemplifies the complexity and novelty of the role of theatre directing in the first three-quarters of the 20th century, as Komisarjevsky was in the middle of the genesis of directing in Russia, Copeau launched his directorial career just as the role was gaining definition, and Guthrie was at the vanguard of directing in Britain, at last shaking off the traditions of the actor-manager to formulate the new role of artistic director.
This volume assesses the contributions of André Antoine, Konstantin Stanislavski and Michel Saint-Denis, whose work has influenced theatre and training for over a century. These directors pioneered Naturalism and refined Realism as they experimented with theatrical form including non-Realism. Antoine and Stanislavski's theatre direction proved foundational to the creation of the director's role and artistic vision, and their influential ideas progressively developed through the stylized theatre of Saint-Denis to the innovative contemporary theatre direction of Max Stafford-Clark, Declan Donnellan and Katie Mitchell.
The Encyclopaedia of Shakespeare's Language is the first comprehensive account of Shakespeare's language to use computational methods derived from corpus linguistics - methods of choice for today's historical linguist. Volume 3 focuses on keywords in Shakespeare's plays. Play keywords are derived by conducting a statistical comparison between the words in one play with those in all the other plays. For characters, the statistical comparison is made between the vocabulary of one character and that of all the other characters in the same play. These keywords are then used to create 'linguistic profiles' of each play and main character. The profiles show how patterns of words around keywords contribute to themes in plays and characterization of the protagonists. For example, we reveal how the simple word 'Goodnight' contributes to dramatic tension in Julius Caesar, or how in Romeo and Juliet, Juliet's most distinctive yet apparently innocuous words, 'if', 'yet' and 'but', create an important aspect of her character.
Using insights drawn from the experiences of professional linguists working in a range of domains, this book is an essential resource to help you recognize the value and relevance of your skills and training as a linguist in the job market. No matter where you are in your career - just starting a first job or reflecting back on 30 years - this book provides an interpretive frame for catalyzing momentum around what comes next. Encouraging you to approach your career with agency and curiosity, Anna Marie Trester details the myriad ways that linguists can contribute meaningfully to the world of work. Exploring the connections between linguistics as a field of study and a way of thinking, she details the ways in which the powerful observational and analytical skills and abilities cultivated by a background in linguistics can be employed in a diverse range of professional workspaces. With activities, exercises, and a review of career literature, Employing Linguistics helps you seek and create opportunities as you choose what challenges to focus on next.
Call it batida, kuduro, Afro house, Lisbon bass: anyone with a keen ear for contemporary developments in global electronic dance music can't fail to have noticed the rise in popularity and influence of Lisbon-based DJs such as DJ Marfox, DJ Nervoso and NÃdia. These DJs and producers have brought the sound of the Lisbon projects to the wider world via international club nights, festival appearances, recordings and remix projects for a range of international artists.This book uses the 2006 compilation DJs do Guetto as a prism for exploring this music's aesthetics and its roots in Lusophone Africa, its evolution in the immigrant communities of Lisbon and its journey from there to the world. The story is one of encounters: between people, sounds, neighborhoods, technologies and cultural contexts. Drawing on reflections by DJ Marfox and others, the book establishes DJs do Guetto as a foundation stone not only for a burgeoning music scene, but also for a newfound sense of pride in a place and a community.
Interviews from the Edge presents a selection of conversations, drawn from 50 years of the international journal New Orleans Review, that dive head-first into the most enduring aesthetic and social concerns of the last half century. From reflections on the making of literature and films to personal accounts of writing inside racial divides and working against capital punishment, the writers, poets, and activists featured in this book offer not only a fresh perspective on our present struggles but also perhaps a way through them-for writers and readers alike. "I think it's frightfully important, and this is really much more difficult than it sounds, only to say what you absolutely believe." - Christopher Isherwood "Most American writers probably do not think of their writing as a kind of activism. And it shouldn't have to be-I don't think we can impose that on writers-but it can be. I think for many writers, the ones I admire-it is." - Viet Thanh Nguyen "Do you become a writer because you desire to become famous and make a lot of money? Or do you become a writer because there's something you discovered, this spark, this flash, that you want to share with other human beings knowing that they can enter into the words too?" - Sister Helen Prejean "The hardest part of developing a style is that you have to learn to trust your voice. If I thought of my style, I'd be crippled. Somebody else said to me a long time ago in France, 'Find out what you can do, and then don't do it.'" - James Baldwin "As I have grown older, I have come to see that the romantic notion of the outsider in love with death doesn't solve a thing. It only makes life worse. We have to find ways to create communities." - Valerie Martin
Science Fiction is illuminated by world class scholars and fiction writers, who introduce the history, concepts and contexts necessary to understanding the genre. Their groundbreaking approach provides insights into today's SF world and makes learning how to read Science Fiction an exciting collaborative process for teachers and students.
Harrowing eyewitness account of one of the most crucial battles of World War II. Nazi Germany's titanic struggle for Leningrad
One of the most active areas in the field of second language acquisition, language learning motivation is a burgeoning area of research. Yet the plethora of new ideas and research directions can be confusing for newcomers to the discipline to navigate. Offering concise, bite-size overviews of key contemporary research concepts and directions, this book provides an invaluable guide to the contemporary state of the field. Making the discussion of key topics accessible to a wider audience, each chapter is written by a leading expert and reflects on cutting-edge research issues. From well-established concepts, such as engagement and learning goals, to emerging ideas, including contagion and plurilingualism, this book provides easy to understand overviews and analysis of key contemporary themes. Helping readers understand a field which can appear highly technical and overwhelming, Researching Language Learning Motivation provides valuable insights, perspectives and practical applications.
Adopting the modernist master Vladimir Nabokov as its guide, Nabokov in Motion: Modernity and Movement is an exploration of the radically changing social, historical, technological, and literary culture of the early 20th century, a time when modes of communication and transportation, especially, were changing society in drastic and profound ways. Across seventy microchapters that are by turn serious, ironic, informative, and playful, and which take on topics such as automobiles, trains, airplanes, electricity, elevators, advertisements, telegraphs, and telephones, Yuri Leving offers new ways to understand Nabokov, Russian literature, and technology, modernism, and world material culture. Nabokov's writings are analyzed against a broad context of prose and poetry and from the point of view of what Leving calls the poetics of urbanism in literature. Nabokov in Motion is a ground-breaking exploration of urban and material themes in literature and creates a complex and vibrant cultural fabric of which Nabokov is the master weaver.
Modeselektor, the Berlin electronic duo consisting of Gernot Bronsert and Sebastian Szary, released Happy Birthday! in 2007, an album that mixed emotion, humor, and party excess. Through this album, this book presents a unique window into the histories of Berlin techno, European rave culture, and electronic music. By emphasizing Happy Birthday! as a network of collabs, genres, and insider winks, it highlights key features in Modeselektor's career: above all, the beginnings of Moderat, the famous project between Modeselektor and Apparat, as well as the connections to groups and artists as diverse as Thom Yorke, Ellen Allien, Paul St. Hilaire, Otto von Schirach, Scooter, and Jones & Stephenson. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.
"This book was crying out to be written." The Irish Times"Scandalously readable." Literary ReviewJames Joyce's relationship with his homeland was a complicated and often vexed one. The publication of his masterwork Ulysses - referred to by The Quarterly Review as an "Odyssey of the sewer" - in 1922 was initially met with indifference and hostility within Ireland. This book tells the full story of the reception of Joyce and his best-known book in the country of his birth for the first time; a reception that evolved over the next hundred years, elevating Joyce from a writer reviled to one revered. Part reception study, part social history, this book uses the changing interpretations of Ulysses to explore the concurrent religious, social and political changes sweeping Ireland. From initially being a threat to the status quo, Ulysses became a way to market Ireland abroad and a manifesto for a better, more modern, open and tolerant, multi-ethnic country.
What would happen if I accepted an invitation to Bible Study from Jehovah's Witnesses? What would attending a Kingdom Hall meeting involve? And if I invited door-knocking Witnesses into my home? This book introduces Jehovah's Witnesses without assuming prior knowledge of the Watch Tower organization. After outlining the Society's origins and history, the book explains their key beliefs and practices by taking the reader through the process of the seeker who makes initial contact with Witnesses, and progresses to take instruction and become a baptized member. The book then explores what is involved in being a Witness - congregational life, lifestyle, rites of passage, their understanding of the Bible and prophetic expectations. It examines the various processes and consequences of leaving the organization, controversies that have arisen in the course of its history, and popular criticisms. Discussion is given to the likelihood of reforms within the organization, such as its stance on blood transfusions, the role of women and new methods of meeting and evangelizing in response to the COVID-19 pandemic.
University literary journals allow students to create their own venue for learning, have a hands-on part of their development in real-world skills, and strive towards professional achievement. But producing an undergraduate literary magazine requires commitment, funding, and knowledge of the industry. This practical guide assists students and faculty in choosing a workable structure for setting up, and then successfully running, their own literary publication. Whether the journal is print or online, in-house or international, Creating an Undergraduate Literary Journal is a step-by-step handbook, walking the reader through the process of literary journal production. Chapters focus on: defining the journal; the financial logistics; editing the journal; distribution; and what could come next for a student writer-editor after graduation. The first book of its kind to offer instruction directly to those running university-based literary magazines, this book includes insights from former editors, advisers, students and features an extensive list of active student-run literary magazines key literary organizations for writers/editors who serve literary publications. From Audrey Colombe, faculty adviser on the award-winning Glass Mountain magazine from the University of Houston, this is a text for both newcomers and those more informed on the production process to help them navigate through a successful publishing experience.
Drawing on new research from local archives as well as reinterpretations of published literature, Power and the People examines how England remained governable despite the wars, famine, epidemics, and dynastic and religious crises that characterized the tumultuous period between 1525 and 1640. The book surveys the mechanisms of authority at various levels, from the street and alehouse to the manor and the royal court to reveal the challenge of maintaining order without a standing army or professional police force. Alison Wall investigates everything from the roles of village constables to the social cohesiveness resulting from civic celebrations and participatory politics, providing students with a rich perspective on the social world and political culture of early modern England.
What sort of information did people in early modern England seek? In The Practical Renaissance Donna Seger explores the diffusion and reception of prescriptive publications over the 16th and 17th centuries. Published in an age of dynamic religious and political change, these texts demonstrate the universal desire for health and wealth, a fortified body and an orderly household. Showing how classical and continental information had been "Englished" over time, this book shows how new publications supplanted these traditional ideas with more empirical and authoritative knowledge. Published in an age of dynamic religious and political change, these texts, which include plague tracts, husbandry handbooks, printed recipe books, and navigation manuals, demonstrate the universal desire for health and wealth, a fortified body and an orderly household. Divided into three parts, the opening chapters explore factors which affected the diffusion of practical knowledge via prescriptive texts. Part two focuses on the interaction between new discoveries and traditional authority, and the final section considers debates in the 'medical marketplace', the term 'knowledge-mongerer' and the commodification of knowledge at this time. A thorough exploration into the popular and pragmatic expressions of the period, The Practical Renaissance offers a new window into the movement in which knowledge and information became power.
"Offers a set of examples of how a more systematic approach to industry challenges in Hollywood can help generate effective ways to address them successfully"--
"This book investigates women's representation and work in the Swedish film industry, focusing on both historical and contemporary cases and women from a variety of theoretical perspectives and methods emanating from cinema studies, gender studies, ethnography, and law"--
An essential guide for those who provide or seek litigation funding, as well as for anyone who wishes to understand the litigation funding process and how to avoid pitfalls.This title answers questions such as: How do litigation funders raise capital and how do they spend it? What are their corporate and financial structures? What types of cases do they invest in and what are their returns? What are the key legal issues relating to litigation funding? Fully revised and updated, the 2nd edition includes:- New chapters covering insurance and the different stakeholders in litigation finance, examining who they are, what they seek to achieve, the risks and rewards that they have and their interests- Increased coverage of the position in Australia, continental Europe and jurisdictions such as Singapore and Hong Kong- Updated case law including recent high profile cases in the UK, USA, Australia and Europe that have benefited from litigation financeEdited by one of the most accomplished litigation funders in the international market with contributions from leading experts, the focus is on the UK and the US, the two main centres for the international litigation funding industry, with reference to Australia, New Zealand and other select jurisdictions.
This is the second part of a 2-volume set which presents an in-depth investigation into the canon of constitutionally conforming interpretation.This second volume builds upon the insights of volume 1, which includes national reports on the use of constitutional interpretation. In volume 2, the analysis is extended beyond the national context, discussing its use in the supranational and international context, such as in EU law or in the practice of the ECtHR and the IACtHR. It looks at constitutional amendments, global constitutionalism, the impact of unwritten constitutional provisions. The volume is rounded off by a comparative analyse, which formulates universally applicable insights.Together with volume 1, this book fills an important gap in legal scholarship and sets the stage for cross-national discourse.
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