In STEM to STREAMS the authors explore ways to create a more inclusive and equitable STEM world that opens new pathways for all students to enter and thrive in STEM. Using STREAMS as a metaphor they address the challenges of integrating the arts, humanities and social sciences into STEM. Using practical examples, this book aims to provide educators and educational researchers with new ways of thinking about how to merge disciplines to create a more equitable and dynamic vision of STEM.
In STEM to STREAMS the authors explore ways to create a more inclusive and equitable STEM world that opens new pathways for all students to enter and thrive in STEM. Using STREAMS as a metaphor they address the challenges of integrating the arts, humanities and social sciences into STEM. Using practical examples, this book aims to provide educators and educational researchers with new ways of thinking about how to merge disciplines to create a more equitable and dynamic vision of STEM.
How to identify, launch, develop and scale an idea so that it has the most effective and meaningful social impact, and benefits as many people as possible.Everyone is always changing the world. What we do and how we do it affects our family, friends and colleagues, for better or for worse. But some people change the world more than others. Some succeed because they are geniuses, some because they are lucky and some because they are rich and powerful. But you do not need to be a genius, lucky, rich or powerful to have a profound impact on our world. All you need is an idea and the determination to make it happen.Your idea can come from anywhere: from reading an article, talking to colleagues, stumbling across a good idea which can be developed. It is often tempting to say "someone should do something about that." But why shouldn't that 'someone' be you? This book shows how anyone can take an idea and turn it into something that can have a meaningful and lasting impact on people's lives. This book shows how anyone can perform the miracle of creating something great out of nothing.The simplest way to read this book is as a manual on how you can change the world. From finding the money, to identifying the best people with whom to join forces, How to Change the World will help you to find the best route forward, target and dismantle any obstacles, and to leave a positive mark on sections of society or areas of the globe.
A darkly comic new play that blends multimedia, movement and live illustration that tells the story of the unseen people who are charged with scooping up the sum total of our daily online toxic waste
Edited collection on Richard Barnfield, a lesser known but important early modern English poet who was a contemporary of Shakespeare and wrote homoerotic verse.
Dostoevsky uses Hamlet to address some of the most important problems in Russian culture in the second half of the 19th century. Approaching Dostoevsky's engagement with Shakespeare through a focus on his novel, Demons, Petra Bjelica considers the figure of Hamlet as it connects to Russian national identity, spirituality and cultural migration.Bjelica argues that Russian Hamletism is a perfect example of how a literary phenomenon forms through a specific culture. She reads Dostoevsky's use of Hamlet through the Tsarist government, the wide gap between the aristocratic, working and peasant class, and the educated intelligentsia of the period. Russian Hamletism is shown to reflect the hegemony of power as well as the intricate debates that arise via political, ideological and philosophical differences between Slavophiles and Westerners. The book touches on the translatability and universality of Shakespeare, his cultural hegemony and the ethics of appropriating the 'other' by exploring Dostoevsky's highly original interpretation of Hamlet. Rather than just referencing the play, Dostoevsky's engagement with opposing and contradictory elements of Russian Hamletism dramatize the Hamletian dilemma anew. By re-thinking literary transmission and the concept of source, the intertextuality of Shakespeare and Russian Hamletism in Dostoevsky finds new ground.
This open access book challenges dominant understandings of learning outcomes and educational (under)achievement and examines the quality and construction of learning outcomes across Europe. Educational achievement is considered central to economic development and social inclusion, yet its measuring is not a straightforward task, as the controversial discussion on defining learning outcomes show. Rather, they result from a complex process of constructing learning outcomes and entails manifold intersecting factors and actors. This volume argues that gaining an in-depth understanding of educational achievement requires re-thinking and re-conceptualising learning outcomes and their construction processes in a holistic and context-sensitive manner.Organized along three thematic parts, the chapters in this volume challenge dominant understandings of learning outcomes and educational achievement in research and offer a reconceptualization of learning outcomes by drawing on three major theoretical perspectives, Life course, Intersectionality, and Spatial justice, thus bringing together different disciplinary approaches in a dynamic manner. Importantly, the book does not only offer new approaches and rethinking of learning outcomes, but also a critical reappraisal of the methodological frameworks used to research them, offering new tools for not only overcoming some of the major shortcomings and problems of the currently dominating approaches, but also tapping on the potential of participatory methodologies to facilitate the formulation and implementation of more effective, context-sensitive, and evidence-based policies. Drawing empirical evidence from a European research project, the volume offers novel approaches to conceptualising, understanding, and researching learning outcomes and educational achievement that can promote inclusiveness of education. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Horizon Europe.
Plautus' Cistellaria ("The Hope Chest") is a story of young lovers defying poverty, illegitimacy and implacable parents in order to be together, featuring a memorable cast of characters thrown together in moments of both high humor and melodrama amid scenes of witty interchange and lively conflict of values and ideals. This volume is the first book-length introduction to the play, offering an incisive overview for both students and scholars coming to it for the first time. Drawing on performance and cultural studies, gender and sexuality, and secondary world theory, Ariana Traill combines a lucid exploration of Cistellaria's places, people, plot and key themes with detailed analyses of its literary, historical and socio-cultural contexts. Readers are able to appreciate the play as a literary artefact, with its attendant issues of generic conventions and variations, language and imagery, and also to understand what the experience of watching it as a member of a Roman audience might have been like. With its majoritively female line-up (7 of the 12 roles are female), Cistellaria presents an unusual focus on women's thoughts and feelings as they struggle for their economic and social existence, making it a fascinating source for the historical study of women and gender in ancient Rome, and one which continues to cast a long shadow in the western dramatic tradition through its long history of reception and adaptation.
From the author of FIVE NIGHTS comes the next edge-of-your-seat destination thriller, a murder mystery set in the middle of the desert where there is no escape...
Religion, Culture, and the Monstrous: Of Gods and Monsters explores the intersection of the emerging field of "monster theory" within religious studies. With case studies from ancient Mesopotamia to contemporary valleys of the Himalayas to ghost tours in Savannah, Georgia, the volume examines the variegated nature of the monstrous as well as the cultural functions of monsters in shaping how we see the world and ourselves. In this, the authors constructively assess the state of the two fields of monster theory and religious studies, and propose new directions in how these fields can inform each other. The case studies included illuminate the ways in which monsters reinforce the categories through which a given culture sees the world. At the same time, the volume points to how monsters appear to question, disrupt, or challenge those categories, creating an 'unsettling' or surplus of meaning.
This book highlights hidden unintentional biases, emotional defense mechanisms, and responses in haste. By revealing these preconceived notions present in message choices, Xiaowei Shi and Steve Mortenson demonstrate techniques to help prevent communication from becoming problematic. In a conversational style, the authors extend their interdisciplinary theoretic perspectives by introducing concepts and practices of supportive confrontation and argumentative interaction management. Through examining those automatic responses and reactions in our everyday conversation with friends, coworkers, and loved ones, this book engages the readers to confront their own hidden preferences and underlying beliefs about gender, relationships, and themselves with a new eye. The book moves beyond prior work on rational choice model in strategic communication by considering actual human attributes. Shi and Mortenson offer new insights into communication ';noises' and how to engage in communication during a difficult life event or on a difficult subject in a more skillful manner. Scholars of social psychology, interpersonal communication, and communication training and development will find this book of particular interest.
The Making of American Whiteness: The Formation of Race in Seventeenth-Century Virginia changes the narrative about the origins of race and Whiteness in America. With an exhaustive array of archival documents, Carmen P. Thompson demonstrates not only that Whiteness predates European expansion to the Americas as evidenced in their participation in the transatlantic slave trade since the fifteenth century, but more importantly that it was the principal dynamic in the settlement of Virginia, the first colony in what would become the United States of America. And just as the system of White supremacy was the principal framework that fueled the transatlantic slave trade, it likewise was the framework that drove the organization of civil society in Virginia, including the organization and structure of the colony's laws, social, political, and economic policies as well as its system of governance. The book shows what Whiteness looked like in everyday life in the early seventeenth century, in a way eerily prescient to Whiteness today.
All cats are alike in the dark. At the height of the Cold War, disillusioned British spy Alec Leamas is persuaded to stay out 'in the cold' for one last risky operation against the powerful leader of the East German Secret Service. But Leamas has committed a cardinal error: he's fallen in love. After a lifetime of deception and betrayal, can there be room for humanity in the ruthlessly manipulative world of international espionage?The first ever John le Carré novel to be adapted for the stage, this award-winning 1963 thriller has been hailed as a modern masterpiece. Leading playwright David Eldridge creates this gripping theatrical version. This edition was published to coincide with the world premiere at Chichester Festival Theatre in August 2024.
Exploring the intriguing interplay between tradition and modernity in the 19th-century capitals of London, Athens and Rome, Richard Alston delves into the political decisions and architectural choices that shaped these cities as self-consciously modern nations. Despite breaking with traditions and embracing new values, politicians and architects strategically incorporated classical styles to address issues of city and nation values, citizenship and belonging. Classicism's appeal to authoritarian politics and its subsequent transformations under nationalism offer a compelling narrative of utopian dreams clashing with the complexities of the modern urban landscape.Through a series of case studies, this book illuminates how classicism became a potent tool for expressing elitist nationalism in London, excluding many Greeks from their own state in Athens, and unifying a technocratic Rome. As the grand visions of these capitals collided with the realities of the modern city, Richard Alston unravels the mythic allure and ultimate failure of these architectural endeavours. This book presents a riveting exploration of the classical architectural choices that reflected the aspirations and challenges of a rapidly changing world, leaving a lasting impact on the capitals and the nations they represented.
Considers the constitutional consequences of Brazil's determination to deal with corruption against the backdrop of its worst democratic crisis of the last 35 years.
See with your Ears. Poor Effy. Sent to live with her aunt and uncle in a block that won't allow dogs. What's a girl to do? She smuggles her furry friend in, of course. Keeps him under a blanket. Feeds him biscuits. Ssh Toto, quiet. But it can't last forever. Effy needs saving. And Toto is up to the task. Experienced through headphones, Toto Kerblammo! mixes live and recorded performance to deliver a tender and powerful story about listening, friendship and finding hope in the darkest of places. Tim Crouch is 'one of the most important writers and theatre-makers in the UK' (The Stage). His award-winning plays include An mOak Tree, The Author, Beginners, I, Malvolio and Truth's a Dog Must to Kennel. This edition was published to coincide with the world premiere at the Unicorn Theatre, London, in October 2024.
Showcases how multimodality can enable effective teaching in the context of EME, exploring case studies from the Asian context.
I look at these fields and I try to imagine what they were: crop fields, maybe. Or fields of sheep. And these... power lines. I try to imagine that they lead somewhere - but they never do. Only under. In 1631, The Fens, the flat area of land stretching from Cambridge to Norwich, were drained. In 2050, The Fens return to the sea. Two children play in the waterscape. They tell tales of a mythic Waterman, who scours the water for sunken parts. But, in the bitter struggle for survival, soon play adopts a more sinister note. Meanwhile in Ely, 2023, a priest gets a visit from a woman haunted by prophetic dreams. Tom Murray's Forgotten In The Land Of Egypt is a play about grief, faith, and the climate crisis; the crashing confluence of past and present; the refusal to heed the warnings we're given. It's a play about loneliness and the longing for human connection. This edition was published to coincide with the world premiere UK tour starting in September 2024.
She helped found MoMA and pioneered the promotion of work of American and French modern artists at the turn of the 20th century, but until now, her life and legacy remain woefully under examined. An early pioneer and patron of French and American modernism, Lillie P. Bliss (1864-1931) was one of three female cofounders of MoMA in 1929, and went on to furnish the museum with one of the finest collections of modern art in the world. Presenting case-studies alongside data-driven analysis drawn from original research into the American art market, this book reconstructs Bliss's influential career in rich and compelling detail. It weaves together extensive archival material related to the art and the artists that Bliss collected and patronised - such as Paul Cezanne, Pierre-Auguste Renoir, Edgar Degas, Georges Seurat, and Odilon Redon - the art market of the time and the evolution of the New York museum ecosystem, and highlights the importance of private collecting in the development of American museums.By revisiting MoMA's foundational history, author Irene Walsh explores how Lillie P. Bliss's visionary bequest of over 120 artworks upon her death in 1931 profoundly influenced and shaped the institution, questioning why her pioneering role has been overshadowed by other collectors. Combining biography, market knowledge, institutional analysis, and art history, it enriches our understanding of early 20th-century dealer dynamics and collection strategies in New York, illuminates the role of collections in shaping art narratives, while offering contemporary insights into women's agency in the arts. Global, interdisciplinary, and timely, the book provides fascinating first-hand research into a collector of great importance, and will make a long standing contribution to studies in the art market and 20th-century collecting.
The World Today Series: Latin America offers the latest available economic, demographic, political, and cultural information. Including solid statistical data expressing freedom, violence, and governmental orientation. Consideration is given to the evolving relationships with the United States and other Latin American nations. Revisions have also addressed new historical interpretations, for example, of the history of Mexico and latest political changes, for example, in Venezuela and Cuba. Maps, charts, and photographs provide extensive visual expressions of the region, its geography, peoples, and cultures, in particular public architecture, agricultural technology, specular geology, and striking diversity. The images offer a narrative of the multiplicity of peoples as demonstrated in their clothing, economic and everyday activities, their physical surroundings. Consequently, the narrative combines global economics, national politics, and daily social life throughout the region. The chapters can be read as individual histories for each of the countries, within the context created by contrasts and similarities with the other nations of Latin America.
Challenging single authorship in modern and contemporary Italian art history, this volume highlights the significance of intimacy for artistic production within couples, friendships and familial ties.
In the early 20th century, copying, cutting and pasting entered the Western European avant-garde through collage and readymades, as artists employed found objects and ephemera to create new meaning from existing materials. This book explores how this practice has evolved in contemporary art today, looking at its important and distinct outcomes in the practice of artists such as Andrea Fraser, Douglas Gordon, Isaac Julien, Christian Marclay, Amie Siegel and Christopher Williams. It analyses the pivotal consequences of the interrelationships these artists establish between fragments of culture, from television and film, to internet culture and their artwork's site, where the verb to "sample" has become deeply tied to digital music editing, writing, image production, database searches and social media. Samples take many forms: quotations of other cultural works; replicas of other objects; reenactments of works by other artists; or fragments that are quite literally cut or removed from other works of art, design, or media. Via Bouman's analysis, we visualise the shared frameworks of meaning that underpin these multifaceted, multidimensional and medium-fluid works. Focussing on 'action' and 'form', the book discusses the relationship between the referent and reference, and the citational labor that any sample performs. The distributive sense of authorship that emerges places the audience in a new position of significance.Concepts and themes discussed include: queer and race theory, postproduction and mirroring, mobile site specificity, now-time and dragging, and gender fluidity and Drag King performance, centring sampling as a key form of 21st-century art. With novel insights into the conceptual, material, and aesthetic dimensions of sampling in contemporary culture, the book provides a new critical framework for understanding the complex implications of this practice, as a vital resource for researchers in contemporary art practice and visual culture.
This third and final volume concludes Hermias' commentary on Plato's Phaedrus. Here, Plato delivers a celebrated critique of writing, and its relationship to orality. Hermias follows him, and adds a general account of good writing. In addition, this volume offers the first English translation of the brief Introduction to Hermogenes' On Styles, which manuscripts attribute-probably mistakenly-to Hermias' teacher Syrianus. Baltzly and Share discuss the Introduction's authorship and its relation to the genuine commentaries of Syrianus on the rhetorical treatises of Hermogenes. They illuminate the relationship between philosophy and rhetoric in the Neoplatonic schools, and provide a novel explanation of Neoplatonic commentaries as performances of Platonic literacy in ancient elite education. This translation offers novel evidence of interest for students of ancient philosophy, rhetorical education, and literature more broadly. It is accompanied by explanatory notes, an introduction, and scholarly apparatus, including indices, glossaries, and bibliography.
Time-travelling penguins Pablo and Splash must fight gladiators in Ancient Rome in this hilarious full-colour graphic novel. Fans of Dog Man or Bunny vs Monkey will love it
This book provides a comprehensive study of two parallel notions of civil and common law: cause and consideration. It does this in three ways; with historical, comparative, and functional perspectives. Aspects of cause and consideration are hotly contested by contract lawyers and this book will bring clarity by looking at the English and Continental positions. Key areas of focus include: enforceability, questions of legality and morality, contractual justice, and the correction of unjustified property displacements. Bringing together a team of experts, the book discusses (in some cases for the first time in English), complex questions of both academic and practical importance.
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