Based on the online blogs of acclaimed historian and author Ada Palmer, Inventing the Renaissance provides a fresh perspective on what makes this period one of the most captivating and unique parts of European history.
Whether watching Studio Ghibli adaptations of British children's books, visiting Harry Potter sites in Britain or eating at Alice in Wonderland-themed restaurants in Tokyo, the Japanese have a close and multifaceted relationship with British children's literature. In this, the first comprehensive study to explore this engagement, Catherine Butler considers its many manifestations in print, on the screen, in tourist locations and throughout Japanese popular culture. Taking stock of the influence of literary works such as Gulliver's Travels, Alice's Adventures in Wonderland, The Tale of Peter Rabbit, Tom's Midnight Garden, and the Harry Potter series, this lively account draws on literary criticism, translation, film and tourist studies to explore how British children's books have been selected, translated, understood, adapted and reworked into Japanese commercial, touristic and imaginative culture. Using theoretically informed case studies this book will consider both individual texts and their wider cultural contexts, translations and adaptations (such as the numerous adaptations of British children's books by Studio Ghibli and others), the dissemination of distinctive tropes such as magical schools into Japanese children's literature and popular culture, and the ways in which British children's books and their settings have become part of way that Japanese people understand Britain itself.
A lively and thorough exploration of the aesthetic, metaphysical, ethical, political, and legal implications of Taylor Swift's ongoing project of re-recording her first six studio albums.When Taylor Swift's record label was sold in 2019, the six studio albums she recorded for them came under the control of a person with whom she has had years of bad blood: Kanye West's former manager Scooter Braun. But rather than move on, Swift chose to take the unprecedented step of re-recording duplicate versions of those albums. With all of the profits made from selling, streaming, and licensing these "Taylor's Versions" going directly to Swift, she could deprive Braun of potentially hundreds of millions of dollars. The gambit has already paid off. The first two Taylor's Versions (of Fearless and Red) debuted at Number 1 on the Billboard charts and have sold over one million copies so far; and four more are still on the way. In this book, ten philosophers, a music producer and a composer/music technologist explore the philosophical richness of Swift's project and the questions it raises: Are Swift's re-recordings new works of art or mere copies of the originals? Do the Taylor's Versions of the songs have the same meanings as the original versions, or do they now mean something different? Is her re-recording project genuinely artistic or merely commercial? Is Swift standing up for artists' rights or looking out for herself? Does the music industry exploit artists, and, if so, how should it be reformed? Together they show the philosophical dividends one of the most famous and acclaimed recording artists of her generation is capable of producing. For anyone interested in the complicated relationship between popular art and commerce this book is a must-read.
Pulp Fiction was one of the films that defined American cinema of the 1990s, and remains one of the stand-out movies of its director Quentin Tarantino. Tarantino's style - violent, fast, funny and full of knowing pop culture references - epitomises 90s post-modernism. Pulp Fiction was a phenomenal cult success and one of the first films to generate hot debate in internet chatrooms and on fan websites.Dana Polan's compelling analysis sets out to uncover the style and technique of Pulp Fiction. He shows how broad Tarantino's points of reference are, and analyzes the film's narrative accomplishment and complexity. Where some critics dismissed Pulp Fiction for its violence and its worship of a certain brand of cool, Polan shows how the film exemplifies new kinds of engagement with cultural and social codes, such as those around racial identity. In addition, Polan argues that the film's celebration of macho attitudes is more nuanced than might first appear. In a new afterword to this new edition, Polan looks back on Pulp Fiction 30 years after its first release.
This book considers how art market stakeholders, including art dealers, collectors and agents, have shaped museum collections and affected exhibition practices since the mid-nineteenth century. Based on new archival research and data analysis, it explores the role of dealers not only in selling directly to museums, but in influencing museum collecting priorities, as well as potential donors. It also examines the important but hitherto overlooked contribution of the female curator-agent.The book is divided into three sections, which address the relationship between art dealers and museums, women as art agents and influencers, and the strategies of entrepreneurial collectors. Featuring contributions from a wide range of international specialists in the market for decorative arts and antiquities, as well as European modernism, The Art Market and the Museum explores the origins and development of the modern Western art market and the global art networks that operated not only in Paris, London and New York, but in cities such as Glasgow, Vienna, Melbourne and Kansas City. It is perfect reading for scholars and researchers on the history of the art market, museum studies and art history more broadly.
How can philosophy of religion become more diverse in content and method? How can we take a multiplicity of stories into account and teach a truly inclusive philosophy of religion? It is now openly acknowledged that if we do not change the underlying framework of the way we do philosophy of religion, we will always create subalterns. Here is an invitation to rethink Philosophy of Religion. Engaging with texts and thinkers from multiple traditions, this book offers 18 distinct approaches to doing Philosophy of Religion and presents an opportunity to change Philosophy of Religion at a fundamental level.Drawing on religions and philosophies from across history and around the world, each chapter outlines a framework for approaching religion from a different standpoint: monotheism in Christianity, Qi in Daoism, embodiment in neuroscience, naturalism in the atheism debates, and non-territorialism in 19th-century debates on cartography. Contributors identify the many philosophical systems that guide metaphysical and moral truths and adhere to the principle that traditions are not monolithic but diverse. They recognise that categories such as "indigenous religions" are political rather than descriptive in nature. Innovative and forward-looking, this collection constructs a new method and terminology that promotes active interaction. It is essential reading for students and teachers looking for a new way of doing Philosophy of Religion.
How can philosophy of religion become more diverse in content and method? How can we take a multiplicity of stories into account and teach a truly inclusive philosophy of religion? This edited collection invites us to rethink philosophy of religion by offering 18 distinct approaches to teaching philosophy of religion. Engaging texts and thinkers from multiple traditions and standpoints, it constructs a method and terminology of philosophy of religion and presents an opportunity to change philosophy of religion at a fundamental level.Each chapter outlines a framework for approaching religion within a tradition: monotheism in Christianity, Insan-ity in Akbari Sufism, Qi in Daoism, embodiment in neuroscience, naturalism in the atheism debates, and non-territorialism located in 19th century debates on cartography. Drawing from religions and philosophies from around the world and across history, contributors take care to stress the philosophical systems that metaphysical and moral truths belong to. Guided by the principle that traditions are not monolithic but diverse, and categories such as "indigenous religions" are political rather than descriptive in nature, they acknowledge historical context shapes the development of any philosophical system. It is now openly acknowledged that if we do not change the underlying framework of the way we do philosophy of religion, we will always create subalterns. Promoting active interaction, this innovative and forward-looking collection points to a new way of dong philosophy of religion.
How can we study and teach design in a way that is critical, socially engaged and relevant to place? In this timely book, Danah Abdulla challenges us to imagine a design education and culture that moves beyond blindly borrowing Eurocentric models and frameworks. Drawing on learnings from work with design students, educators and designers in the Arab region, with a particular focus on Jordan and featuring examples from Lebanon, Egypt and the United Arab Emirates, Abdulla creates a dialogue with those who have most at stake in education to imagine how we can develop a collaborative, contextually based and socially relevant design education. By first contextualising higher education and design education in the region, and examining the issues and challenges that are pertinent to the development of curricula and pedagogy, such as power, bureaucracy, language and access, Abdulla considers the purpose and relevance of design education in contemporary postcolonial societies. She explores how regional identities and class divisions shape the development of design cultures, as well as different perceptions of design and its value. Abdulla highlights design's role in society and the models of curricula and pedagogy appropriate for developing contextually situated design education. Outlining skills and strategies for equipping future designers, she proposes new possibilities for forms of practice and an actionable framework for developing design education.
Examines the commodification of the Atlantic, Indian, and Pacific Ocean worlds during the long nineteenth century focusing on the transaction of marine objects
Instead of religion influencing political outcomes, this analysis examines how politics influences religious outcomes. Dominant analyses examining the utilization of religion as a tool of statecraft in the Middle East remain overwhelmingly fixated on how Islam influences the foreign policies of different state actors - not how political considerations often influence the forms Islam assumes and how religion itself is often molded according to strategic considerations of political elites. That Islam, due to its "unique" or "exceptional" relationship with politics, drives political outcomes at the international level in the Middle East is a myth this book shatters by demonstrating how the political considerations of ruling elites - specifically, the intersection of domestic and foreign threats - influence and constrain the kinds of religious soft power strategies adopted by states in the region.This book develops a comprehensive analytical framework for the notion of "religious soft power" capable of incorporating power-based, identity-based, and ideational variables to examine how states couple religion with their broader foreign policy conduct. This framework is applied to the Middle East through the specific examination of three countries - Saudi Arabia, Qatar, and the United Arab Emirates - in the period following the Arab Uprisings to demonstrate how specific religious narratives, identities, histories, and ideologies are constructed by political elites in the Middle East for the advancement of what are inherently political objectives, namely the imperatives of regime preservation and power projection.
"This book brings together ideas about narrative from a variety of contexts across the social sciences and synthesizes understandings of the field. Rather than focusing on theory, the book examines how narrative research is conducted and applied. It operates as an introductory guide, simple enough for beginners; but also as a window onto more complex questions"--
For over a century, Muslim women have championed their own brand of feminism, rooted in human rights principles and a deep understanding of their diverse cultural contexts. Yet, secular Muslim feminism remains shrouded in misunderstanding and contention. This book boldly confronts the complexities and controversies surrounding this contested concept, offering a nuanced exploration of its potential to bridge divides and empower women. The book challenges the simplistic portrayals of Muslim women, dismantling the harmful narratives of oppression and victimhood propagated by both Western and Islamist agendas. It critiques the selective glorification of religious agency by some feminists, recognizing how this can inadvertently reinforce patriarchal ideologies. Additionally, it exposes the hijacking of the secular Muslim feminist movement by the far-right, disguised as advocates for women's rights but fueled by anti-Muslim sentiments. Drawing on over two decades of personal observations and interactions with diverse organizations in the Middle East and Europe, the book delves into the heart of secular Muslim feminism, dissecting its nuances and potential to reconcile divergent perspectives. It amplifies these voices, challenging the misrepresentation and limitations imposed by external agendas. Secular Muslim Feminism emerges as a bold and transformative force, redefining the boundaries of equality and empowering women to shape their destinies. It offers a nuanced and critical framework for understanding the complex realities of Muslim women's lives, paving the way for a more just and equitable future.
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