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This is the essential guide to the most transferable of all student skills: delivering a presentation clearly, coherently and confidently. Written in a friendly and accessible style, it takes the fear out of public speaking and helps students to acquire the skills they need to deliver effective presentations at university and in their future careers. Revised and updated throughout, it provides readers with practical guidance on controlling their nerves, creating visual aids and structuring presentations. This is an invaluable resource for students of all disciplines in further or higher education who have to give presentations as part of their course. It is also ideal for recent graduates looking to hone their presentation skills as they enter the job market.

This enlightening study explores the set design drawings for theatre and live performance, highlighting their unique qualities within the greater arena of drawing practice and theory. The latest volume in the Drawing In series, Scenographic Design Drawing encourages an interdisciplinary dialogue in the field of drawing with the inclusion of illustrations throughout.Scenographic design drawings visualize the images in the designer's 'mind's eye' early in the design process. They are the initial design tool in the creative engagement with theatre, opera, dance, and non-text-based performance. It is, in particular, this body of drawings that is unique as both a performative and a theatrical representation of multiple worlds within the 'stage space'. Sue Field illuminates this illustration process and identifies how these drawings have functioned and developed over time.Scenographic Design Drawing serves to satisfy an emerging global curiosity and a thirst for new knowledge and understanding in relation to the drawings executed by the historical and contemporary scenographer. This work addresses a critical research gap and shows how the scenographic design drawing continues to be a principal site of innovation, subjectivity, originality and authorship in theatre and live performance.

Using the life and work of Günter Henle, Volker R. Berghahn examines the postwar West German approach to labour relations and European integration. The study of Henle simultaneously allows Berghahn to reflect on the unique insights into German Jewish life before and during the Nazi dictatorship that his story provides. The book looks at how Henle suffered from Nazi persecution, but was ultimately protected by the Establishment he had married into. It then charts how, reinstated after 1945, he involved himself not only in the reconstruction of his Klockner industrial enterprise, but also in the rebuilding of the West German economy and society, and the development of the European Coal and Steel Community (ECSC) - the embryo of what was ultimately to become the European Union. The Insider-Outsider of Early 20th-Century German Industry discusses West European and American strategies to complement NATO as the political and military counter to the perceived threat of the Soviet Bloc with the creation of institutions for economic cooperation. It is a timely analysis which stresses the importance of cooperation between employers, trade unions and government in securing compromise, social peace and economic stability in trans-Atlantic perspective at a time when the neo-liberal axioms of Thatcherite and Reaganite shareholder societies are again being held against the strengths of the managed stakeholder societies of the early post-war decades.

Derek Jarman's place in the history of film is assured by virtue of his vibrant, defiant films that experiment with the very process of film-making and create new forms. His paintings, their excitements and their profundity, are less well known. In this first book-length study, Michael Charlesworth sheds light on the varied ramifications of Jarman's artistic practice from his years at Prospect Cottage, Dungeness, and his interest in depth psychology. He draws on Jarman's paintings, especially his landscapes from the 1960s and 70s, his multiple series such as 'black' and 'broken glass', GBH, Queer and Evil Queen, and his last Ecstatic Landscapes (1991-3). He also showcases Jarman's excellence as a writer with respect to his memoir, Kicking the Pricks. Selecting films such as Journey to Avebury (1973), Caravaggio (1986), The Garden (1990) and Blue (1993), Charlesworth emphasizes themes and artistry rather than narrative, amounting to a novel approach to Jarman's cinema. Exploring the ways in which Jungian and post-Jungian psychology were absorbed into Jarman's varied works, Derek Jarman's Visionary Arts provides a fresh perspective on his painting, film and writing. It celebrates him as one of the major British artists of the late 20th century, engaging with current debates about queer sexualities, environmentalism and climate catastrophe.

Nishida Kitaro is widely considered as the first original philosopher in modern Japan. Addressing this claim, Richard Stone critically examines Nishida's relation to his contemporary philosophers in the Meiji era (1868-1912), highlighting the continuity, difference and relationships between them.Stone reassesses the notion that Nishida's An Inquiry into the Good (1911) was substantially more philosophically worthwhile than any preceding attempts at philosophy in Japan, whilst demonstrating how his early ideas were heavily influenced by the work of thinkers such as Inoue Enryo, Onishi Hajime and Miyake Setsurei. He argues that original philosophy in Japan did not suddenly start with Nishida. Instead, it developed within a process of methodological refinement, wherein ideas starting from early Meiji philosophers were gradually given more rigorous treatment over the course of the era, eventually culminating in Nishida's early philosophy.Providing an in-depth analysis of Nishida's work that brings it into dialogue with his predecessors, The Origins of Modern Japanese Philosophy offers an engaging insight into the Meiji period as background to Nishida's philosophical formation.

Biopolitics as a System of Thought takes seriously Foucault's claim that biopolitics is the primary technique of government, the means by which the organisation of our social relations operates. The book's main argument is that there exists a fundamental relationship between thinking and political action - understood as the capacity of transforming our existing social relations. It asks how it could be that while the material conditions of life have increasingly worsened; that we are not lacking in reasons for political mobilisations, and our capacities for effective political action appear to have diminished. Engaging with modern political discussions such as black lives matter and Roe v Wade, Serene Richards draws from jurists such as Pierre Legendre, Yan Thomas, and philosophers such as Agamben, Arendt, Esposito to explore how the same institutions that offer rights protection can easily and without much notice, take them away. She argues that a politics of destitution as opposed to constitutive power could form the basis of such a politics to come - a reappraisal of law, violence and the state to reconceptualise our social relations. One that remains institutional - for it is not a doing away with institutions all together that is in question - and adjacent to the law - for there is no outside of the law.

Livestock food systems need to be rapidly rethought to tackle the global climate crisis. This book examines how climate concerns for the livestock sector are governed in international law and addresses the sector's inclusion or (lack thereof) across the international governance of climate change, agriculture, forests and trade.The book provides a wide-ranging analysis of legal regimes on the international level that affect emissions from cattle (and where relevant, livestock more broadly). On this basis, tensions, interactions, and common themes for livestock emissions mitigation across the international climate change, forestry, agricultural and agri-trade regime are identified. This showcases where productive synergies and damaging tensions have emerged across the cross-cutting nature of livestock governance, enabling goals of fairer and more effective emissions mitigation for the sector to be achieved. In addition to addressing issues such as food security and public health, the book highlights the problem of affluence in reducing cattle emissions from meat consumption. This key insight is significant in terms of tackling future livestock emissions trajectories, particularly in relation to securing climate justice within the agricultural sector and securing equitable and effective livestock solutions. The book is a key text for all those with an interest in the legal governance of climate change and agriculture, adding to the timely debate on the future sustainability of the global diet and the relationship between affluence and climate change.

Approaching translations of Tolkien's works as stories in their own right, this book reads multiple Chinese translations of Tolkien's writing to uncover the new and unique perspectives that enrich the meaning of the original texts. Exploring translations of The Lord of the Rings, The Hobbit, The Silmarillion, The Children of Hurin and The Unfinished Tales, Eric Reinders reveals the mechanics of meaning by literally back-translating the Chinese into English to dig into the conceptual common grounds shared by religion, fantasy and translation, namely the suspension of disbelief, and questions of truth - literal, allegorical and existential. With coverage of themes such as gods and heathens, elves and 'Men', race, mortality and immortality, fate and doom, and language, Reinder's journey to Chinese Middle-earth and back again drastically alters views on Tolkien's work where even basic genre classification surrounding fantasy literature look different through the lens of Chinese literary expectations.Invoking scholarship in Tolkien studies, fantasy theory and religious and translations studies, this is an ambitious exercises in comparative imagination across cultures that suspends the prejudiced hierarchy of originals over translations.

This book poses the question: do we need a new body of regulations and the constitution of new regulatory agents to face the evolution of money in the Fourth Industrial Revolution? After the Global Financial Crisis and the subsequent introduction of Distributed Ledger Technologies in monetary matters, multiple opinions claim that we are in the middle of a financial revolution that will eliminate the need for central banks and other financial institutions to form bonds of trust on our behalf. In contrast to these arguments, this book argues that we are not witnessing a revolutionary expression, but an evolutionary one that we can trace back to the very origin of money. Accordingly, the book provides academics, regulators, and policy makers with a multidisciplinary analysis that includes elements, such as the relevance of intellectual property rights, which are disregarded in the legal analysis of money. Furthermore, the book proposes the idea that traditional analyses on the exercise of the lex monetae ignore the role of inside monies and technological infrastructures developed and supported by the private sector, as exemplified in the evolution of the cryptoassets market and in cases such as Banco de Portugal v Waterlow & Sons.The book puts forward a proposal for the design and regulation of new payment systems and invites the reader to look beyond the dissemination of individual Distributed Ledger Technologies like Bitcoin.

The Russian Intelligentsia is the first single-volume history of a small but tremendously influential group of Russian intellectuals who achieved world renown in a variety of spheres. While previous accounts have addressed the history of individuals within this collective, Christopher Read offers the first explanation of the intelligentsia as a group. Read traces the vast debates that broke out between, and within, a multitude of intellectual factions, and contextualizes the ideas of the group within the framework of cultural, social, political, and economic development from the late 18th century to the present day.This comprehensive yet accessible account demonstrates how the Russian intelligentsia morphed from one incarnation to the next, and effectively situates this change and continuity within a pan-European context. It considers the role of the intelligentsia throughout its origins, its transformation during the Russian Revolution, and since the collapse of communism, and highlights the beliefs of key figures such as Fyodor Dostoyevsky, Ivan Pavlov, Vladimir Lenin, Leon Trotsky, and Mikhail Gorbachev. In doing so, Read provides an essential guide to a fascinating aspect of Russia's social and cultural history.

"Well-researched... a welcome guide." The Spectator"Reliable and lucid." History TodayWith a fractured geography and complex identity, The Philippines is an eclectic and unique mix of culture, environment, people and politics. Known mostly for natural disasters, migrant labour and dictatorial presidents, in this book Philip Bowing shows how it is much, much more. Deftly navigating the history of this populous island republic, The Making of the Modern Philippines traces its history to define and explain its position in the modern world. Looking past the headlines of volcanoes, earthquakes and violence, it asks why has the Filipino economy lagged behind its neighbours, explores the importance of its location in geopolitics, and investigates how its deep-rooted Catholicism clashes with the Islamic consciousness of the region in which it sits. Taking the history of the Philippines from its pre-colonial era, through its Spanish and American occupations and up to the modern day, it unravels the complex politics, culture, peoples and economy of this rich and unique nation. Engaging with challenges the Filipino people face today such as federalism, revolution, Mindanao, the diaspora, capitalism and relations with China, it rediscovers the struggles, culture and history of its past to understand the present.

In 2008 an Iraqi artist was waterboarded as performance art. In 2010 artists upturned police cars in Russia. But what exactly do we mean by militant art and aesthetics? Bringing together the philosophy of art and politics, Martin Lang provides a comprehensive examination of militant art activism: its history, its advocates and the aesthetic theory behind it. Protest art is not a new concept and yet this book argues that after the terrorist attacks of 9/11 distinctly 21st-century forms of art activism emerged. On the one hand these became militant as artists retained belief in the possibility of radical political change through art. On the other hand, this belief developed in a hostile environment, when anti-terror legislations reclassified activists and artists as terrorists. Through first-hand interviews and experiences, Militant Aesthetics sheds light on numerous international case studies of modern art activism and the different ways they can be classified as militant. Many artists and collectives, including Grupo Etcétera in Buenos Aries, are prepared to break the law and risk arrest for their art. Others like Thomas Bresolin's Militant Training Camp utilise military uniforms in violent performances that connect with public anger, and artists such as Zthoven in the Czech Republic occupy, hack, antagonise and disrupt in increasingly militant ways. Combining these examples with the pioneering thought of Badiou, Zizek, Rancière and Mouffe, as well as up-to-date scholarship from Bishop, Léger and others, Lang investigates the instances, attributes and rules of militant art in order to introduce a new overall theory of 21st-century militant aesthetics.

Engaging with the many debates about the meaning and character of Bonhoeffer's late resistance theology and action, particularly as it relates to his participation in the attempted coup d'etat against Hitler, Dietrich Bonhoeffer and a Theology of the Exception attends to Bonhoeffer's understanding of the exception. Resisting the common reduction of the exception to a political or ethical concept, O'Farrell argues that the exception for Bonhoeffer is an extraordinary moment in history that disarms persons, impinging on one's understanding of politics and ethics. Through a wide engagement with the Bonhoeffer corpus, this book states that this leads to distinctive narrations of key concepts in Bonhoeffer's corpus: responsibility, the free venture, simple obedience, and action beyond the law. It also offers a different portrait of Bonhoeffer to contemporary narrations. The Bonhoeffer that emerges is neither a Niebuhrian realist, a pacifist, or a religious fanatic, but one who is impelled to act apart from the law without this action becoming arbitrary. This Bonhoeffer provides a hopeful political witness that seeks a world beyond the conflicts and divisions of this age.

Two new novels from Amanda Prowse, that tell the story of one couple from both sides... This is Anna's story.

Two new novels from Amanda Prowse, that tell the story of one couple from both sides... This is Theo's story.