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A smart, savage and hilarious debut exploring love, sexuality, purpose - and the delicious absurdities of online life

From Betty Boop to Donald Duck, Tex Avery to Walt Disney, collage animation to Japanese anime, and Claymation to 3D animation, Surrealism and Animation is the first book to identify correspondences between the art of animation and the International Surrealist Movement.Sharing a deep commitment to a reanimation of everyday life, surrealist artists and animators sought a marvellous, living form of art. Cartoons and trick films by pioneers such as Georges Méliès were influential for Salvador Dalí and André Breton, among others; many other surrealists and their associates such as Max Ernst, Joseph Cornell, Hans Richter, Len Lye, Roland Topor, Jan Svankmajer, and Lawrence Jordan turned to animated cinema and theories of animacy to express their surrealist visions.Surrealism and Animation is the first book devoted to surrealism's vivid engagement with the history, theory, and medium of animation on a transnational basis. Featuring seventeen essays by leading and emerging scholars, as well as interviews with contemporary artists Penny Slinger and Jacolby Satterwhite, this collection investigates a shimmering range of topics on animated surrealism, including black humour, queer subjectivities, ecofeminism, Black surrealisms, and more.

For many, the conditions and privileges of citizenship, and the access it provides to equal civil, political and social rights, are taken for granted. Yet citizenship always implies histories of inclusion and exclusion and in settler nations with colonial roots, the history of citizenship is entangled with the legacies of colonisation. Looking beyond its legal definition to the wider historical processes through which citizenship and its associated ideas of rights and belonging have been imagined, debated and found lasting form, this collection considers the unique role of visual culture in defining, contesting and advancing ideas of citizenship in settler national contexts from the 19th century to the present day. Addressing citizenship's particular entanglements with colonial histories in contemporary settler nations, the collection considers how images have shaped the meanings and experiences of citizenship from the colonial era, through periods of mass global migration to contemporary geopolitical change and debates on Indigenous rights and recognition. Contributors explore the role visual culture has played in imagining or interrogating ideas about belonging, rights, civic identity, and the ideal citizen in societies that continue to grapple with their settler colonial origins. They ask how image-making may be used to negotiate or contest the limits of citizenship, whether as a legal or as an imagined cultural category, and the role of visual culture in building relationships between citizens, non-citizens and the state. This collection will provide a new and compelling history of citizenship and the ways it has been defined, not only by historicising citizenship's visual imagery but by exploring its present effects and legacies.

Sheona Beaumont addresses the untold story of biblical subjects in photography. She argues that stories, characters, and symbols from the Bible are found to pervade photographic practices and ideas, across the worlds of advertising and reportage, the book and the gallery, in theoretical discourse and in the words of photographers themselves. Beaumont engages interpretative tools from biblical reception studies, art history, and visual culture criticism in order to present four terms for describing photography's latent spirituality: the index, the icon, the tableau, and the vision. Throughout her journey she includes lively discussion of selected fine art photography dealing with the Bible in surprising ways, from images by William Henry Fox Talbot in the 19th century to David Mach in the 21st. Far from telling a secular story, photography and the conditions of its representations are exposed in theological depth.; Beaumont skillfully interweaves discussion of the images and theology, arguing for the dynamic and potent voice of the Bible in photography and enriching visual culture criticism with a renewed religious understanding.

Written in tribute to the work of Professor Alan Dobson, this collection of essays brings diplomacy and the Anglo-American relationship together, considering politics and foreign policy in tandem with cultural interactions. Uniquely placed to define exactly what transatlanticism is, and to explore the ways in which this idea has evolved in the last 150 years, this book asks to what extent can it be argued that there was a transatlantic world, how can it be defined and what was unique about it?With contributions from leading scholars it offers an overview of the field as well as a comparative exploration of Anglo-American relations. From emotion in foreign policy decision making, to the RAF in the Vietnam War, as well as leader personalities and transatlantic reactions to women's rights in China, Locating the Transatlantic in Twentieth-century Politics, Diplomacy and Culture explores this 'special relationship' at many levels and from many angles. It further asks how this relationship has evolved over the years, and considers how it might survive in a globalized, post-industrial world.

"Curating Transcultural Spaces asks what a museum which enables the presentation of multiple perspectives might look like. Can identity be global and local at the same time? How may one curate dual identity? More broadly, what is the link between the arts and processes of identity construction? This volume, an indispensable source for the process of engaging with colonial history in Germany and beyond, takes its starting point from the 'scandal' of the Humboldt Forum. The transfer of German state collections from the Ethnological Museum and the Museum for Asian Art, located at the margins of Berlin in Dahlem, into the centre of Germany's capital indicates the nation's aspiration of purported multiculturalism and cosmopolitanism; yet the project's resurrection of the site's former Prussian city palace, which was demolished during the GDR, stands in opposition to its very mission, given that the Prussian rulers benefited from colonial exploitation. By examining the contrasting successes of other projects, such as the National Museum of African American History and Culture in Washington DC, Curating Transcultural Spaces compellingly argues for the necessity of taking post-colonial thinking on board in the construction of museum spaces in order to generate genuine exchange between multiple perspectives"--

An irresistible picture book from internationally bestselling Isabel Allende, featuring a feisty, magical rescue dog called Perla and the family who love her!

Provides a clear understanding of data protection and privacy and examines their social value amid political struggles and the AI revolution.

Uncovers the growing body of legal principles and rules around mortgages devised by various institutions beyond the national dimension.

Examining contemporary literary depictions of environmental disasters through a North-South axis, this book explores the resonances and dissonances between environmentalisms of marginalized communities in the U.S. and the global South. Pairing anti-colonial texts from the United States with examples from the Global South, it interrogates the complexity of global precarity and particular forms of environmental violence. Each pairing is linked to a specific manifestation of environmental disaster, such as hurricane, drought, species extinction, and agricultural collapse. Featuring texts from authors such as Jesmyn Ward, Monique Roffey, Paolo Bacigalupi, Alexis Wright, Linda Hogan, Henrietta Rose-Innes, Ruth Ozeki, and Sonora Jha, this book models how a comparative (global North-global South) approach to literary studies can help us untangle the complex power dynamics and differentials of the Anthropocene.

Through a variety of archival documents, artefacts, illustrations, and references to primary and secondary literature, On the Job explores the changing styles, business practices, and lived experiences of the people who make, sell, and wear service-industry uniforms in the United States. It highlights how the uniform business is distinct from the fashion business, including how manufacturing developed outside of the typical fashion hubs such as New York City; and gives attention to the ways that various types of employers (small business, corporate, government and others) differ in their ambitions and regulations surrounding uniforms.On the Job sheds new light on an understudied yet important field of dress and clothing within everyday life, and is an essential addition to any fashion historian's library, appealing to all those interested in material culture, the service industry, heritage and history.