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Artists have worked from home for many reasons, including care duties, financial or political constraints, or availability and proximity to others.From the 'home studios' of Charles and Ray Eames, to the different photographic representations of Robert Rauschenberg's studio, this book explores the home as a distinct site of artistic practice, and the traditions and developments of the home studio as concept and space throughout the 20th and into the 21st century.Using examples from across Europe and the Anglophone world between the mid-20th century and the present, each chapter considers the different circumstances for working at home, the impact on the creative lives of the artists, their identities as artists and on the work itself, and how, sometimes, these were projected and promoted through photographs and the media. Key themes include the gendered and performative aspects of women practising 'at home', collaborative studio communities of the 1970s - 90s including the appropriation of abandoned spaces in East London, and the effects of Covid on artistic practices and family life within the spaces of 'home'. The book comprises full-length chapters by artists, architects, art and design historians, each of whom bring different perspectives to the issues, interwoven with short interviews with artists to enrich and broaden the debates.At a time when individual relationships to home environments have been radically altered, The Artist at Home considers why some artists in previous decades either needed to or chose to work from home, producing work of vitality and integrity. Tracing this long tradition into the present, the book will provide a deeper understanding of how the home studio has affected the practices and identity of artists working in different countries, and in different circumstances, from the mid-20th century to the present.

In ancient Greek comedy, nothing is ever 'just a joke'. This book treats jokes with the seriousness they deserve, and shows that far from being mere surface-level phenomena, jokes in Greek comedy are in fact a site of poetic experimentation whose creative force expressly rivals that of serious literature.Focusing on the fragments of authors including Cratinus, Pherecrates, and Archippus alongside the extant plays of Aristophanes, Naomi Scott argues that jokes are critical to comedy's engagement with the language and convention of poetic representation. More than this, she suggests that jokes and poetry share a kind of kinship as two modes of utterance which specifically set out to flout the rules of ordinary speech. Starting with bad puns, and taking in crude slapstick, vulgar innuendo and frivolous absurdism, Jokes in Greek Comedy demonstrates that the apparently inconsequential jokes which pepper the surface of Greek comedy in fact amplify the impossible and defamiliarizing qualities of standard poetic practice, and reveal the fundamental ridiculousness of treating make-believe as a serious endeavour. In this way, jokes form a central part of Greek comedy's contestation of the role of language, and particularly poetic language, in the truthful representation of reality.

The Police, the State and the Congo Cop offers the first book-length, empirical deep-dive into everyday policework in the DRC. Its findings go well beyond the DRC and Africa, however: they ultimately provide a new, startlingly nuanced theoretical framework for understanding what police practice and reform efforts tell us about states anywhere in the world. Following officers from the classroom to the station and the street, Michel Thill offers five narrative-driven chapters rich with historical detail and thick description that show how the police force, as an institution, struggles to coordinate practice with training, coercion with persuasion and reconciliation, and the need to make ends meet with the duty to serve the public. By delving into the convoluted repercussions of police reform, Thill identifies the tensions that shape everyday policework, thereby offering new ways of thinking about police reform while offering practical guidance for practitioners and policymakers. This deeply theorized, yet grounded and highly readable study is an essential source for researchers and upper-level students of African studies, anthropology, and political science who are interested in police and the state. It is also of keen interest to practitioners and policymakers interested in what makes for effective police reform.

A new dramatic comedy from the internationally successful writer Richard Bean that looks at the shipping community in Hull during the 1970s

In this open-access third volume of Bloomsbury's Digital Africa series, a broad range of African and European scholars and practitioners map the development, procurement and (mis)use of the ever-expanding suite of digital surveillance and policing technologies across the continent. Drawing on the empirically rich, theoretically sophisticated research of the African Digital Rights Network, this book examines how public and private actors in Africa use spyware, mobile phone extraction, biometric and face recognition systems, and other technologies for smart-city and other social, and social-control, applications. Eight chapters examine eight African countries, and each of these begins with a thorough political history of the nature of surveillance there under colonial and post-liberation political settlements. This enables new analyses of the socio-cultural, political, and economic drivers and characteristics of contemporary digital surveillance in each country, all of which ultimately leads to concrete policy recommendations at local, national, and international levels. For its empirical richness and breadth, as well as its theoretical sophistication, Digital Surveillance in Africa is essential reading for anyone interested in contemporary African studies, and it is of keen interest to anyone concerned with how digital surveillance affects everyday lives across the world. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.

Media coverage and scholarly research on digital surveillance has focused primarily on the USA and Europe. Everyone knows about Cambridge Analytica's social media surveillance; Edward Snowden's revelations of the West's mass internet and phone surveillance; and Pegasus Spyware's mobile phone surveillance of activists, journalists, judges, and presidents across the world. Comparatively little is known about the millions of dollars now being spent on digital technologies for use in the illegal and illegitimate surveillance of citizens in Africa. In this open-access third volume of Bloomsbury's Digital Africa series, a broad range of African and European scholars and practitioners map the development, procurement and (mis)use of the ever-expanding suite of digital surveillance and policing technologies across the continent. Drawing on the empirically rich, theoretically sophisticated research of the African Digital Rights Network, this book examines how public and private actors in Africa use spyware, mobile phone extraction, biometric and face recognition systems, and other technologies for smart-city and other social, and social-control, applications. Eight chapters examine eight African countries, and each of these begins with a thorough political history of the nature of surveillance there under colonial and post-liberation political settlements. This enables new analyses of the socio-cultural, political, and economic drivers and characteristics of contemporary digital surveillance in each country, all of which ultimately leads to concrete policy recommendations at local, national, and international levels. For its empirical richness and breadth, as well as its theoretical sophistication, Digital Surveillance in Africa is essential reading for anyone interested in contemporary African studies, and it is of keen interest to anyone concerned with how digital surveillance affects everyday lives across the world. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.

When Lucy is sent on a work trip to research a new romance series, she discovers that small-town life might just be her happily ever after

The Arab Spring initially ignited excitement for Arab society in Israel. But following the outbreak of the uprising in Syria, Israeli-Arab attitudes shifted. This book demonstrates why the Arab Spring, and especially the war in Syria, provoked such deep fragmentation for Palestinians in Israel. Based on governmental and public surveys, the book shows that many more Arab-Palestinian citizens became supportive of instrumental integration with Israeli politics following the Arab Spring. But the momentous events convinced other Arab citizens to abandon the connection between finding a solution for the Palestinian problem if it involved integration with the state. At the same time, this book reveals that the younger generations wanted to search for alternatives to replace the existing political frameworks completely and were inspired to form a new model of political activism. This is the first study to explore how the Arab Spring affected Arab society in Israel in terms of identity, political discourse and behaviour. In doing so it covers the new policy adopted by the central government in Israel, formed after 2011 to strengthen civic discourse amongst Arab citizens. It has been neither Israelization nor Zionization; but Instrumental integration which meets the conditional citizenship offered by the state.

A fresh, graceful translation of one of the most important and timeless classics-the foundational work of Daoism-by award-winning novelist Ken Liu, who contextualizes and demystifies this famously enigmatic text.

An essential guide to surviving and thriving with adult ADHD from Alex Conner and James Brown, the hosts of the hit ADHD podcast, The ADHD Adults.

From the acclaimed, bestselling author of the Bad Birdwatcher trilogy, comes an enchanting celebration of the transformative power of spring

This thematically arranged book examines the evolution of rail transport and a number of railway workforces across Europe in the modern era, from around 1880 to 2023. Each chapter explores how, within the context of a social railway, rail workers developed distinct national and international perspectives on the nature of their work and their roles in societies and states. David Welsh convincingly argues that workers formed a raft of entirely new and enduring organisations such as trade unions that, in turn, became ramparts of hope. Welsh goes on to consider how the insurgent character of these organisations produced moments of fury during tumultuous periods in the 20th century. The Social Railway and its Workers in Europe's Modern Era, 1880-2023 explores the national and European contexts in which both characteristics came to the fore, including the ecology of fossil fuel technology (coal and oil).The book examines the cultural construction of European railways through literature, art and other forms of writing as well as recent oral history. It also includes a detailed investigation of the role played by nationalisation and public ownership in Europe; it reflects on why this remains a major talking point in the EU and a key part of the character of our railways today.