Engaging with the many debates about the meaning and character of Bonhoeffer's late resistance theology and action, particularly as it relates to his participation in the attempted coup d'état against Hitler, this book attends to Bonhoeffer's understanding of the exception. Resisting the common reduction of the exception to a political or ethical concept, O'Farrell argues that the exception for Bonhoeffer is an extraordinary moment in history that disarms persons, impinging on one's understanding of politics and ethics. Through a wide engagement with the Bonhoeffer corpus, this book claims that this leads to distinctive narrations of key concepts in Bonhoeffer's corpus: responsibility, the free venture, simple obedience, and action beyond the law. It also offers a different portrait of Bonhoeffer to contemporary narrations. The Bonhoeffer that emerges is neither a Niebuhrian realist, a pacifist, or a religious fanatic, but one who is impelled to act apart from the law without this action becoming arbitrary. This Bonhoeffer provides a hopeful political witness that seeks a world beyond the conflicts and divisions of this age.
A searing, inventive memoir that interrogates misogyny, heroism and women's power in an often-unsafe world through the lens of Vicky's Foster's own traumatic background.
This book analyses the ways in which Article 9 of the Aarhus Convention enables environmental access to justice in the Balkans, a region at the epicentre of extreme climate change events.Adopting a law-in-context approach, the chapters explore national cultures and driving forces shaping the implementation of Aarhus standards in Albania, Croatia, Montenegro, North Macedonia, Romania, Slovenia, and Serbia, paving the way for their comparative assessment.The book combines EU law and the case law of the European Court of Human Rights with the bottom-up Europeanisation brought about by rising environmental protests and the activism of civil society organisations in the region. In doing so, it explores the extent to which these Balkan countries comply with requirements stemming from Article 9 of the Aarhus Convention, and whether, despite national differences, it is possible to talk about Europeanisation of access to justice in environmental matters.The interdisciplinary approach and geographical scope of the book make it an important read for academics and practitioners, as well as for the civil society sector and policy makers grappling with the normative and practical challenges around environmental access to justice - both in and beyond Europe.
This book analyses the equal citizenship claims of women and sexual and gender diverse people across several Asian jurisdictions. The volume examines the rich diversity of constitutional responses to sex, gender and sexuality in the region from a comparative perspective. Leading comparative constitutional law scholars identify 'opportunity structures' to explain the uneven advancement of gender equality through constitutional litigation and consider a combination of variables which shape the diverging trajectories of the jurisdictions in this study.The authors also embed the relevant constitutional and legal developments in their historical, political and social contexts. This deep contextual understanding of the relationship between sex, gender, sexuality and constitutionalism greatly enriches the analysis. The case studies reflect a variety of constitutional structures, institutional designs and contextual dynamics which may advance or impede developments with respect to sex, gender and sexuality. As a whole, the chapters further an understanding of the constitutional domain as a fruitful site for advancing gender equality and the rights of sexual and gender diverse people.The jurisdictions covered represent all Asian sub-regions including: East Asia (Japan, Taiwan, Hong Kong and South Korea), South East Asia (Malaysia, Singapore, Philippines and Indonesia), and South Asia (India, Nepal, Pakistan and Sri Lanka). The introductory framework chapter situates these insights from the region within the broader global context of the evolution of gender constitutionalism.
Punitive damages are private law's most controversial remedy. This book traces the development of the jurisdiction from the foundational decisions of Huckle v Money and Wilkes v Wood in England, to leading modern cases such as Harris v Digital Pulse Pty Ltd in Australia, Whiten v Pilot Insurance Co in Canada, Couch v AG (No 2) in New Zealand, PH Hydraulics and Engineering Pte Ltd v Airtrust (Hong Kong) Ltd in Singapore and Mathias v Accor Economy Lodging, Inc and State Farm Mutual Automobile Insurance Co v Campbell in the United States. Many of the decisions addressed are not only landmarks regarding punitive damages but are among the most important judgments delivered in private law more generally.The essays, which are written by leading scholars from a wide range of jurisdictions, cast new light on the cases covered. They do so by examining their historical antecedents and the impact that they have had on the development of the law. The full spectrum of issues regarding punitive damages is addressed including the insurability of punishment, constitutional constraints on the remedy's availability and whether the award should be confined to particular causes of action. The collection will be of interest to all scholars and students of private law. It concentrates on common law cases although civilian perspectives, drawn from France and Germany, are also offered.
This book presents the first comprehensive comparison of how moral agency is constructed in Sirach, 4QInstruction, and the Hodayot. World Kim argues that recent scholastic studies have overemphasized differences amongst various Second Temple texts and neglected the similarities between them. By employing four stages of comparison-description, juxtaposition, re-description, and rectification- Kim re-describes moral agency in Sirach, 4QInstruction, and the Hodayot, and aims to rectify the relationship between these texts. Kim demonstrates that moral agency cannot be described by categories such as affirmation or denial, and argues that such agency should instead be described in terms of degrees and shaped by various factors such as knowledge and desire, that will either decrease or increase moral agency. Through an extensive comparison of these texts, Kim concludes that the degree to which one internalizes and actualizes the teachings of their religious text increases one's capacity for moral agency, and that this agency must be conceived as dynamic rather than static.
Robert de Niro and Al Pacino have acted opposite each other only once, in Heat, Michael Mann's operatic 1995 heist thriller. De Niro is Neil McCauley, a skilled professional thief at the centre of a tight-knit criminal team; Pacino is Vincent Hanna, the haunted, driven cop determined to hunt him down. Boasting a series of meticulously orchestrated setpieces that underline Mann's sense of scale and architecture, Heat also presents a rhapsody to Los Angeles, as Hanna closes in on his prey. For Nick James, the pleasures and virtues of Heat are mixed and complex. Its precise compositions and minimalist style are entangled with a particular kind of extravagant bombast. And while its vision of male teamwork is richly compelling it comes close to glorifying machismo. But these complexities only add to the interest of this hugely ambitious and accomplished film, which confirmed Mann's place in the front rank of American film-makers.In his afterword to this new edition, published to coincide with the film's 30th anniversary, Nick James reflects upon its lasting impact and on Michael Mann's subsequent film-making career.
A food story to binge.A ghost story to devour.A love story to savour.When dead-end dishwasher Kostya discovers the ability to summon spirits through the food he cooks, he embarks on a journey to open a New York City restaurant that serves closure - something he's craved for as long as he can remember. There are just three problems:1. Kostya has some ghosts of his own.2. His advancing menu of spirit cuisine is threatening the stability of the Afterlife itself.3. He's falling in love with Maura, a party psychic with her own secret connection to the Afterlife - who also happens to be the one person who knows he must be stopped.A bittersweet cocktail of humour and heart, Aftertaste is an imaginative odyssey through food and love, life and death: the things that sustain us, connect us, transport us, and remind us who we are.
Bringing together a wide array of modern scientific techniques and interdisciplinary approaches, this book provides an accessible guide to the methods that form the current bedrock of research into Roman, and more broadly ancient, wine. Chapters are arranged into thematic sections, covering biomolecular archaeology and chemical analysis, archaeobotany and palynology, vineyard and landscape archaeology and computational and experimental archaeology. These include discussions of some of the most recent techniques, such as ancient DNA and organic residue analyses, geophysical prospection, multispectral imaging and spatial and climatic modelling. While most of the content is of direct relevance to the Roman Mediterranean, the assortment of detailed case studies, methodological outlines and broader 'state of the field' reflections is of equal use to researchers working across disparate disciplines, geographies, and chronologies. The study of ancient Roman wine has been dominated until recently by traditional archaeological analyses focused upon production facilities and ceramic evidence related to transport. While such architecture and artefact-focussed approaches provide a fundamental foundation for our understanding of this topic, they fail to provide the requisite nuance to answer other questions regarding grape cultivation and wine production, consumption, use and trade. As the first compendium of its kind, this book supports the embedding of modern scientific and experimental techniques into archaeological fieldwork, research and laboratory analysis, pushing the boundaries of what questions can be explored, and serving as a launching point for future avenues of interdisciplinary research.
The high-stakes action of Buffy the Vampire Slayer meets the high society manners of Bridgerton, with the sexy romance of Rebecca Yarros.
From the award-winning author of the smash hit Send Nudes: an electrifying debut exploring love and desire, chaos and control - and family in all its forms
Explores semantics across diverse religious, spiritual, cosmological, and historical views of time shape personal and collective understandings of the past through alternative historicities.
Richard III is one of Shakespeare's enduring villains as the troubled and troubling figure at the heart of this popular succession drama. Traversing the familiar terrain of scheming plots, proposals, betrayals and kingly power, this edition is presented in an easy to read format with notes for performance and rehearsal by directors and actors. It is edited by academic and director, Abigail Rokison-Woodall and the leading Shakespearean actor, Sir Simon Russell Beale. Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate. Each edition offers:- Short, clear definitions of words- Information about key textual variants- Notes on pronunciation of difficult names and unfamiliar words- An easy to read layout with space to write your own notes- A short introduction to the play
In four volumes, the classic A Grammar of New Testament Greek covers every aspect of the Greek language in the New Testament. The authors' innovative and thought-provoking analysis is supplemented by a multitude of invaluable charts and indices, and continues to act as an invaluable resource for advanced students of New Testament Greek today. This new edition includes an introduction by Stanley E.Porter, one of the leading scholars of New Testament Greek, who provides critical reflection on the style and approach used in this classic work, as well as a discussion of developments in the study of New Testament Greek over the last 40 years. Volume 4: Style examines the diverse styles of writing exhibited by each author of the New Testament. It explores the grammatical and other linguistic features which distinguish the work of one author form that of another, attempting to isolate and identify varying techniques.
Volume 1 of the first translation of the Latin literary review Alaudae, compiled by pioneer sexologist, Karl Heinrich Ulrichs
"For the first time, more than just a handful of readers will be able to study, enjoy and become acquainted with one of the seminal works by Karl Heinrich Ulrichs. Many have been able to read his works in German, but not in Latin. This annotated, easy-to-read translation will satisfy scholars, educators, researchers, historians, activists and biographers hungry to learn more about the life and work of Ulrichs. Published to celebrate the bicentenary of Ulrichs' birth in 1825, this three-volume edition contains the full Latin text of Alaudae alongside a translation and contextualising notes"--
"For the first time, more than just a handful of readers will be able to study, enjoy and become acquainted with one of the seminal works by Karl Heinrich Ulrichs. Many have been able to read his works in German, but not in Latin. This annotated, easy-to-read translation will satisfy scholars, educators, researchers, historians, activists and biographers hungry to learn more about the life and work of Ulrichs. Published to celebrate the bicentenary of Ulrichs' birth in 1825, this three-volume edition contains the full Latin text of Alaudae alongside a translation and contextualising notes"--
Rediscover the magic of The Falconer Trilogy - now reimagined for adult romantasy fansDive back into the world of The Falconer rewritten by the author to bring even more depth, darkness, and desire to this beloved series. Perfect for fans of enemies-to-lovers tension, sizzling chemistry, and high-stakes fantasy.
Providing an innovative approach to conceptualising imagination or creativity, this book offers an alternative concept of imagination to the classical internalist and representationalist theory.Émilien Dereclenne argues that contemporary conceptions of imagination and creativity in the field of cognitive science, are guilty of a kind of dualism between mind and technics. Combining enacted, embodied, ecological, extended, embedded (5e) cognitive theories with material anthropology and the French philosophy of technics and imagination, Dereclenne challenges this approach. Instead, he highlights the role of technical and socio-material engagement in imaginative and creative processes. In doing so, he brings enactive philosophers like Lambros Malafouris, Shaun Gallagher and Ezequiel Di Paolo into dialogue with the philosophy of André Leroi Gourhan, Gilbert Simondon and Bernard Stiegler in order to showcase how French philosophers of technics can help 5E cognitive sciences further explore their theories of imagination.
Through a reappraisal of the work of four major figures in critical theory - Ernst Bloch, Georg Lukács, Theodor Adorno, and Walter Benjamin - Filippo Menozzi rethinks the tradition of critical theory in relation to pressing concerns in postcolonial studies. Revealing these authors' continued relevance to urgent issues in the 21st century, from struggles against racism to social movements and the transmutations of global capitalism, Menozzi reimagines them as central to an alternative genealogy of critical theory that moves beyond their European provenance and the limitations of "Western Marxism". In doing so, this book challenges, more broadly, the view of critical theory as steeped in Eurocentrism, culturally conservative, and politically defeatist. Contesting this in four chapters, Postcolonial Historical Materialism inserts Adorno, Lukács, Bloch, and Benjamin into key contemporary sites of militancy and debate.Engaging with a wide range of European and non-European sources, Menozzi proposes a new concept of "postcolonial historical materialism", indicating how the heritage of critical theory can reopen global possibilities of utopia and revolution in a non-utopian age of global emergencies, social unrest, and the unfinished history of decolonisation.
This volume presents innovative studies of how the emerging disciplines of archaeology and ancient history shaped the modern Middle East, and how they were in turn shaped by competing visions and agendas of empires and new nations. The Middle East was a region constructed through its putatively unique relationship to the whole world's past-and its special relevance for the destiny of empires and nations. Over the course of the nineteenth and early twentieth centuries, European empires fought for influence and control over this 'cradle' of civilization, empire and monuments, and local powers and people in the Middle East worked with and against these historical and heritage frameworks in their own quests for self-determination. In this volume, contributors from the fields of history, archaeology and heritage explore how historical consciousness about the Middle East was contested in the nineteenth and early twentieth century through excavation and interpretation of the past. Chapters span West Asia and North Africa, covering Turkey, Iraq, Iran, Syria, Lebanon, Israel, Palestine, Egypt and Tunisia, and the imperial history of Britain, France, Germany and the Ottoman Empire. The result is an original contribution to our understanding of the origins and influence of Middle Eastern archaeology, which resonates today in contemporary discussions on heritage discourses and practices.
For Walter Benjamin and Gilles Deleuze, who both authored seminal theoretical works on early cinema and photography, the history of modern media begins much earlier, in Baroque culture and science. Benjamin, Deleuze, and the Baroque argues that their media theories were informed by their respective readings of the philosophy and mathematics of G.W. Leibniz, and how the Baroque can thus be seen as the locus of modern media.By critically comparing Benjamin and Deleuze's interpretations of the Baroque, Levin demonstrates the extent to which their theories of visual culture are intertwined with critiques of enlightenment historiography and politics. By using a hermeneutic comparative approach, the book argues that the juxtaposition of Benjamin's reception of Leibniz with Deleuze's makes manifest the extent to which both authors' theories of image and media were informed by Leibniz's concepts of expression and perspectivism, itself inspired by ground-breaking evolutions in optics and perspective taking place during his time. Providing close critical analyses of Deluze and Benjamin's works on cinema, which remain understudied in the English language, it explores how, in their dual roles of philosopher and cultural critic, the pair may illuminate our own age of multiple crises through the Baroque.
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