Böcker utgivna av Bloomsbury Publishing PLC

Beginning in the 18th century, a turning point in labour history as work encountered an industrialising modernity, this book explores how different forms of work have been valued up to the present day. Focusing on the cultural, intellectual, social and political implications of wages, the chapters in this collection historicise the labour market, conceiving it as complex system of social relations which evolve through time and differ according to space. They show how the level of wages and other forms of remuneration reflect not only marginal productivity and scarcity but also the nature of work relations and wider political, social and economic circumstances. With examples ranging across several centuries and different parts of the globe, it shows how wages are influenced by the specific organization and processes of work, conflict and power, social status and hierarchies between workers, custom and identity, family structure and professional ethics, ideology, politics and policy. Combining quantitative and qualitative approaches The Value of Work since the 18th Century also addresses two interlinked questions; how did theoretical interpretations and techniques of wage measurement emerge and evolve, and to what extent does this matter in understanding the social and political history of work?

Over the past several years, the Thai popular culture landscape has radically transformed due to the emergence of "Boys Love" (BL) soap operas which celebrate the love between handsome young men. Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture is the first book length study of this increasingly significant transnational pop culture phenomenon. Drawing upon six years of ethnographic research, the book reveals BL's impacts on depictions of same-sex desire in Thai media culture and the resultant mainstreaming of queer romance through new forms of celebrity and participatory fandom. The author explores how the rise of BL has transformed contemporary Thai consumer culture, leading to heterosexual female fans of male celebrities who perform homoeroticism becoming the main audience to whom Thai pop culture is geared. Through the case study of BL, this book thus also investigates how Thai media is responding to broader regional trends across Asia where the economic potentials of female and queer fans are becoming increasingly important. Baudinette ultimately argues that the center of queer cultural production in Asia has shifted from Japan to Thailand, investigating both the growing international fandom of Thailand's BL series as well as the influence of international investment into the development of these media. The book particularly focuses on specific case studies of the fandom for Thai BL celebrity couples in Thailand, China, the Philippines, and Japan to explore how BL series have transformed each of these national contexts' queer consumer cultures.

This book considers Raine's engagement with Graeco-Roman philosophy in her poetry, scholarship, essays, and autobiographical writings. Kathleen Raine was a poet, literary scholar, and co-founder of the Temenos Academy, an educational charity dedicated to the study of world philosophies. Raine garnered acclaim during her lifetime: in 1962, she became the first woman to deliver the A. W. Mellon lectures and received the 1992 Queen's Gold Medal for poetry. Her interpretation of the classical past informed her persona as poet and scholar, and in both tasks she sought to reintroduce to Western society what she viewed as the lost symbolic discourse of a 'perennial philosophy'. Her way of seeing the world, traceable from antiquity to the present day, distinguished no separation between inner self and outer world and stressed the interconnectedness of all beings.Jenny Messenger explores Raine's readings of antiquity as characterised by a perpetual, though by no means seamless, flow of meaning between the classical and the modern. From this overarching perspective, the first chapter foregrounds Raine's disillusionment with mainstream academia and her attempts to recentre a forgotten spiritual tradition rooted in Graeco-Roman philosophy; the second chapter considers her autobiographical accounts of self and subjectivity; and the third chapter explores Raine's creation of a poetic aesthetic that manifests the tension between symbolic expression and the limits of human knowledge. Messenger concludes by taking account of Raine's complex classicism and its parallels in her experience of nature as something both outside and within us.

The experiences of two social generations of LGBTQ people in Australia as they navigate a period of unprecedented social and political transformation.

Carefully considering the difference in the philosophical potential of page poetry and performance poetry, Karen Simecek argues that it is only by considering them side by side that the unique cognitive value of each can be realised. Focusing on spoken word poetry reveals the importance of voice and embodied words to the differing epistemic rewards of engaging with contemporary works of poetry in both private reading and live performance. This concept of embodied voice progresses a new line of thinking in the cognitivism debate and unlocks the philosophical value of engaging with poetry. Simecek's discussion of performed poetry also advances discussions of affect and experience in contemporary analytic aesthetics which raise new insights and connections within the field. The moral significance of the differing effects of poetry finds comprehensive articulation through a rich philosophical analysis of the thoughts and affects which arise in particular contexts. Simecek concludes that when page poetry is treated as paradigmatic, this enables reflection in the singular, whereas taking poetry in live performance as paradigmatic enables reflection on what is shared and shareable with others.

This book draws from newly released archival material, Freedom of Information releases and interviews to expertly craft the first substantive examination of the impact of vetting on BAME and LGBT groups, and the legacy of the 'bar'.

Since the end of the Cold War, the Middle Ages has returned to debates about history, culture, and politics in Northern and Eastern Europe. This volume explores political medievalism in two language areas that are crucial to understanding global medievalism but are, due to language barriers, often inaccessible to the majority of Western scholars and students. The importance of Russian medievalism has been acknowledged, but little analysed until now. Medievalism in Finland and Russia offers a selection of chapters by Russian, Finnish and American scholars covering historiography, presidential speeches, participatory online discussions and the neo-pagan revival in Russia. Finland is currently even more poorly understood than Russia in the discussions about global medievalism. It is usually mentioned only as of the birthplace of the Soldiers of Odin. The street patrol is, however, a marginal phenomenon in Finnish medievalism as this volume demonstrates. Instead of merely adopting the medievalist interpretation of the international alt-right, even the right-wing populists in Finland refer more to the nationalistic medievalist tradition, where crusades do not mark a Western Christian victory over the Muslim East, but a Swedish occupation of Finnish lands. In addition to presenting particular cases of medievalism, the chapters here on Finland challenge and diversify today's prevailing interpretation of shared online medievalism of European and American right-wing populists. This book reveals that while medievalisms in Finland and Russia share many features with the contemporary Anglo-American medievalist imaginations, they also display many original characteristics due to particular political situations and indigenous medievalist traditions. They have their own meta-medievalisms, cumulative core ideas and interpretations about the medieval past that are thoroughly examined here in English for the very first time.

This book is the first to focus on material visualities of bhakti imagery that inspire, shape, convey, and expand both the visual practices of devotional communities, as well as possibilities for extending the reach of devotion in society in new and often unexpected ways. Communities of interpreters of bhakti images discussed in this book include not only a number of distinctive Hindu bhakti groups, but also artisans, diaspora women, South Asian Sufis, businessmen, dancers, and filmmakers.This book's identification of devotional practices of looking, such as materializing memory, mirroring and immaterializing portraits, and shaping the return look, connect material and visual cultures as well as illustrate modes of established and experimental image usage.Bhakti is one of the most-studied aspects of Indic devotionalism on account of its expression through emotive poetry, song, and vivid hagiographies of saints. The diverse devotional visualities analyzed in this book meaningfully circulate bhakti images in past and present, generating their renewed relationship to contemporary concerns.

Insofar as Christian theology aims to make truthful claims about the nature of reality, it is necessarily involved in the enterprise of metaphysics. Pentecostals, precisely as Christians, are thus obliged to participate. Through this study it becomes evident that pentecostals aim to participate in the metaphysical discipline in the same way they theologize - that is, informed by the norms, practices, and speech acts that constitute their spirituality. This book aims to construct a Christian metaphysics that is at once attuned to pentecostal spirituality/theology and informed by the classical tradition of Christian metaphysics. Ultimately, this work offers a constructive and critical engagement with pentecostal spirituality, and with pentecostal theology via the larger ecumenical, creedal, and dogmatic metaphysical tradition. Thus, this book is explicitly and intentionally limited to understand metaphysics in conversation with the historical Christian tradition, and to understand a pentecostal vision of it.

The distinct subjects of eschatology and gender equality have seen an explosion of interest in recent decades, particularly within Pentecostal scholarship. Pentecostalism is regarded ideally as both an eschatological and egalitarian movement. However, many Pentecostals have lamented the inconsistency between the early egalitarian impulse of the movement and its current restrictive practices. This situation has been described as the so-called Pentecostal "gender paradox," referring to the conflicting freedoms and limitations experienced by Pentecostal women. Pentecostals have also recognized the waning eschatological fervor within the movement and its shifting eschatological convictions, leading to calls to rediscover the eschatological heart of the movement. Despite the renewed interest in both eschatology and women's equality, little research has been done to put these two areas into conversation with each other: eschatological convictions are often absent in the debate on gender roles in the church. For Pentecostals, eschatology has often been about urgency in "saving souls" rather than attending to social issues, but could Pentecostal eschatology be the key to (re)discovering greater equality for women in the church? Is the waning of both eschatology and women's equality within Pentecostalism potentially interrelated? For over one hundred years the role of women in Pentecostalism has been debated without a firm consensus. By examining gender solely through an eschatological lens in history, Scripture, and praxis, this work provides a valuable and creative contribution to one of the most important theological and global issues of our time, women's (in)equality. This book is also one of the first comprehensive studies to approach a single social issue solely through an eschatological lens and to provide attention to developing a thorough and methodologically connected eschatological praxis. By uncovering the unified eschatological-egalitarian narrative thread within both the Pentecostal and biblical story, this work suggests that the present end of women's inequality begins with fidelity to the future eschaton of gender equality.

Helps readers understand what careers are available for graduates with a master's degree in library and information sciences. Written in a conversational, candid tone, Careers in Library and Information Services collects first-hand accounts from workers who have earned a master's of library science degree to help new LIS graduates understand their career options. Each of the chapters provides readers with a snapshot of a particular career. Chapters are gathered into parts: an introduction on "Why Do We Do This?" is followed by careers in public libraries, school libraries, academic libraries, special libraries, and careers outside of libraries. Each chapter author describes their typical duties, shares likes and dislikes, and offers advice for those wanting a job like theirs. Invaluable for those considering entering an MLS program, those currently enrolled in MLS programs, graduates looking for work, and professionals considering a career shift, this engaging book is both practical and fun to read.

Explores the personal narratives of transitions and transformations experienced by academic leaders of teaching and learning during the times of crises within different national, institutional and disciplinary contexts.

How is music affected by its translation, interpretation and adaptation with, through, and by dance? How might notation of dance and music act as a form of translation? How does music influence the creation of dance? How might dance and music be understood to exchange and transfer their content, sense and process during both the creative process and the interpretative process? Bringing together chapters that explore theory and practice, this book questions the process and role translation has to play in the context of music and dance. It provides a range of case studies across this interdisciplinary field, and is not restricted by genre, style or cultural location. As one of very few volumes to explore translation in relation to music and to overtly tackle this topic in terms of dance, it moves the argument from a broad notion of text and translation, to think critically about the sound and movement arts of music and dance, using translation as a model to better understand the collaboration of these art forms.

This book challenges the developmentalist paradigm that dominates research into children and childhood, focusing on observation as a research method. It offers new postdevelopmental ways of conducting childhood observations which are diverse in context and theoretical orientation, and in the process, deconstructs the dominant traditions of childhood research. Written by leading scholars based in Canada, Norway, the UK, and the USA, the chapters consider observation as it is enacted in the home, nursery or classroom. Drawing on a range of theories including feminist new materialism, social semiotics, and posthumanism, the chapters cover a range of topics including reciprocal methods, photography, childhood art, and memoir.

They say you should keep your enemies closer.For Fliss, the prospect of a team building work trip fills her with dread. Mostly because she cannot stand her pushy colleague James, who often attempts to derail her brilliant plans. But when the two arrive in the Scottish Highlands, they find themselves facing a unique challenge: their boss has abandoned them in the middle of nowhere with only one tent, two sleeping bags and a few protein bars.Cut off from the outside world, the pair are forced to put aside their differences to weather the unpredictable elements of the Highlands and get home. As they set out on a journey across miles of rugged wilderness - pushing each other to survive and testing their physical and emotional limits - they remain fully aware of their boss's manipulative plan to orchestrate a hook up between them.But even with only each other for company, Fliss and James stand firm in their resolve: they won't give in to any romantic notions. Or will they?

Inspired by a true story, acclaimed author of In My Dreams I Hold a Knife and Midnight is the Darkest Hour Ashley Winstead descends into the underworld of true-crime amateur sleuths in a chilling first-person account of one woman's role in the investigation of the gruesome slaying of three small-town university students.