Böcker utgivna av Bloomsbury Publishing PLC

This book examines the links between experiencing immersion in antiquity and modernity. Immersive experiences are big business within today's creative economy. Forms range from immersive museum exhibitions, theatrical performances, art installations and experiences facilitated through virtual and augmented reality technologies. Yet the idea of immersion is not new; paintings, sculpture and theatre have all been theorised historically in terms of illusion, realism and immersion. From antiquity to modernity, there has been an interest in theorising the relationship between reality and virtual realities, and in contemplating whether feeling present in an alternate universe is a sought-after experience or something problematic and dangerous. The chapters in this volume explore the warnings against immersion voiced by Plato and embodied in the figure of the Homeric sirens, contrasted with the pro-immersion perspectives championed by Aristotelian mimesis and embodied in the concept of enargeia. The volume also examines the integration of the ancient world into immersive novels, games, museum exhibitions and theatrical performances. Practice-as-Research contributions explore the benefits of this synergy from practitioner perspectives. Contributors from diverse fields - including classical reception studies, art history, game studies, heritage studies and theatre studies - approach the interplay between antiquity and modernity from varied standpoints. Together, they uncover previously unforeseen connections across disciplines and lay the groundwork for future research and additional classically inflected immersive experiences.

Life lessons from living on a narrowboat, and the wonders that the waterways brings, from Adam Lind, of the popular Instagram and TikTok account, @adam.floatinghome.

Approaching Alain Badiou as a militant thinker committed to diagnosing political disorders of his time and waging theoretical battles to advance the communist hypothesis, this book focuses on the principal ambiguity of Badiou's project, which concerns the enigmatic relationship between philosophy and politics. On the one hand, his mature texts maintain a strict line of separation between the two disciplines. On the other hand, Badiou consistently links the philosophical pursuit of true life to a political revolt against injustice and inequality.Rather than treating Badiou as a builder of grand ontological systems, this book approaches the French philosopher as a combative polemicist and thinker of the contemporary moment. Not only does it take into account the development of Badiou's thinking from Sartre, Althusser, and Lacan as well as the yet unexplored relationship between Badiou's thinking and that of Foucault, but beyond that, places him in dialogue with contemporary thinkers such as Nancy Fraser and Wendy Brown.The Philosopher Militant not only diagnoses the political malady of the epoch, but also proposes a course of treatment and actively intervenes in the current situation. Seeking to foreground the actuality of Badiou's work, Gordienko provides commentary on the philosopher's canonical texts, exploring the relevance of his ideas to the latest political developments such as the election of Trump, as well as 'the dream of the lockdown' during the COVID-19 pandemic. As such, this book aspires to thinking with Badiou.

In this original study Khai Wager explores cosmopsychism - an approach that argues that the cosmos as a whole is conscious and that human consciousness is derived from it - and its relation to cognate views such as panpsychism, panqualityism and perennialism.The problem of phenomenal consciousness surfaces when we try to understand how it can be that our human consciousness arises from entirely non-conscious matter. Reflecting the growing interest in panpsychism, which argues consciousness does not emerge from entirely non-conscious matter, but rather that all matter is in some sense already conscious, Wager draws our attention to the combination problem: how do these small instances of consciousness combine to form larger instances? He demonstrates that cosmopsychism turns panpsychism on its head, reasoning to macro-level consciousness from a more fundamental form at the cosmic level. However, it faces its own challenge in the derivation problem: how is macro-level consciousness derived from the cosmic consciousness? This volume brings a cosmopsychism approach into critical engagement with panpsychism and investigates their respective handling of these problems, together with looking beyond these views to panqualityism and perennialism. Setting out an overall defence of cosmopsychism and attuning to enduring currents of human thought, it will be of interest to students and scholars of philosophy of mind and metaphysics as well as philosophy of religion, philosophy of psychology and cognitive science.

James Hyde, a practicing painter, boldly revises the concept of space in the European history of art. He presents it as a concept bound to historical circumstance, developing -sometimes contentiously-in philosophy, mathematics and science, and finally emerging in 20th century theorizations of art. Using primary documents, Hyde exposes what many will find surprising-that space only becomes part of the descriptive and analytic apparatus of art and architecture at the turn of the 20th century, not earlier. Hyde examines narratives that have shaped our understanding of the history of art and their explanatory efficacy in the context of the transformations of 13th and 15th century Italian art. He offers insights into the relationship between painting, architecture, icons and narrative pictures, the effects of St. Francis's miracles on painting and the essential diagrammatical nature of Renaissance perspective. The arrival of space into discussions about art introduces Kant, Leibniz, Apollonaire and Adolf von Hildebrand into the story. Hyde considers how and why artists and historians appropriated space at the end of the 19th century, as well as how space moved from the discourse of Neoclassical sculpture and Cubism to its prominence in discussions of art today. Hyde's original reading of the definition of space and the cultural forces that shaped it provides a re-envisioning of the foundations of art history and the philosophy of art.

THE TIMES BEST SCIENCE BOOK OF 2024GUARDIAN BEST IDEAS BOOKS OF 2024ECONOMIST BEST BOOKS OF 2024FINANCIAL TIMES BEST BOOKS OF 2024From one of the world's great science writers, a book that explores the deepest principles of evolutionary history.In this groundbreaking new approach to the evolution of all life, Richard Dawkins shows how the body, behaviour, and genes of every living creature can be read as a book - an archive of the worlds of its ancestors. A perfectly camouflaged desert lizard has a desiccated landscape of sand and stones 'painted' on its back. Its skin can be read as a description of ancient deserts in which its ancestors survived - and, before that, of the worlds of its more remote ancestors: a genetic book of the dead.But such descriptions are more than skin-deep. The fine chisels of Darwinian natural selection carve their way through the very warp and woof of the body, into every biochemical nook and corner, into every cell of every living creature. A zoologist of the future, presented with a hitherto-unknown animal, will be able to reconstruct the worlds that shaped its ancestors, to read its unique 'book of the dead'.The book is filled with fascinating examples of the power of Darwinian natural selection to build exquisite perfection, paradoxically accompanied by what look like gross blunders. Along the way, Dawkins dismantles influential criticisms of the 'gene's-eye-view' of life. And, to end with a provocative sting in the tail, the author asks there is a sense in which all our 'own' genes can be seen as a gigantic colony of cooperating viruses?From the author of The Selfish Gene and The Ancestor's Tale comes a revolutionary book that unlocks the door to an ancient past, seen through wholly new eyes.

A reconceptualization of the concept of humanism that places dialectical humanism as the core philosophical and political project capable of resisting and overcoming capitalism.

How have feelings, presumptions, and preconceptions concerning racialized Blackness intersected with film noir? Dan Flory relies on recent advances in philosophy of film, philosophy of emotion, cognitive film theory, and critical philosophy of race to guide his analyses of this well-known film genre.Making sense of techniques, themes, and characterizations filmmakers have used in order to structure movies into films noirs, Flory focuses on those viewer responses that are not consciously registered by higher-level forms of cognition. He argues that embodied, affective, and implicit reactions are key to understanding how film noir typically conveys ideas, feelings, and perspectives concerning race.Flory examines how recent noir films and TV series by African American and other artists have substantially raised awareness of such responses which renders their analysis more straightforward. In some cases, these artists have created works that aim, both explicitly and implicitly, to generate serious philosophical reflection.By using advances in theoretical subfields in conjunction with developments in mainstream, African American, and other kinds of filmmaking, Flory elucidates many underanalyzed dimensions of noir films and their intersection with racial Blackness. His approach represents a needed opportunity to both diagnose and seek ways to overcome this vexing sociopolitical problem.

Adolf Hitler's plan to break British morale during the months after the D-Day landings in June 1944 involved the invention and implementation of the world's first rocket delivered warhead - the V1, or 'Doodle Bug' as it was christened by Londoners. Thousands were launched from their sites in the Low Countries against the British capital, killing 6,184 people and injuring 17,981.As the launch sites for the V1 were captured by Allied forces advancing through Belgium and into the Netherlands, a new, more terrifying rocket now hit London in mid-September, seemingly out of thin air - the V2. A streamlined rocket which stood as tall as a four-storey building, the V2 was highly advanced technology. Powered by a rocket engine burning a mix of alcohol-water and liquid oxygen, it blasted its way to the edge of space, before falling back to Earth at supersonic speed. Unlike the successes allied pilots and anti-aircraft crews had enjoyed shooting down the slower and more cumbersome V1, the V2 struck London almost undetected. It truly was Hitler's terror weapon made devastatingly real, causing over 30,000 casualties and leaving hundreds of thousands homeless, with the randomness of the strikes unnerving the British public even though their destructive capacity was less than the Blitz in 1940-41.But Winston Churchill's intelligence chiefs of SOE had known of the weapon weeks before it first struck the mainland as the Nazi boffins (led by Werner Von Braun who would go onto fame with the US Apollo Missions in the 1960s) tested the V2 in Eastern Europe. Away from prying eyes. Or, so they thought. In Stealing Hitler's Rocket, historian Guy Walters will reveal the true extent to how much we knew of this modern-day weapon and the operation by the Polish resistance to enable Britain and her allies to prepare for the day of reckoning.

Santi and Naz - one Sikh, one Muslim - are best friends living in a village in pre-partition India, coming of age and coming out in a country soon to be changed forever.

When someone wraps a poo in a cake box and drops it on Colin's doorstep, he and his sister Lisa and her husband Brian are frantically determined to unmask the culprit.

This collection celebrates the immense contribution of Sarah Worthington to the field of private law. Defining the subject broadly, experts from the judiciary and the academy address contemporary challenges arising in the fields of agency, company law and insolvency, contract law, equity, the law of money, personal property, restitution and unjust enrichment. The breadth of the contributors' expertise and their willingness to offer innovative and insightful solutions to difficult problems perfectly mirror Sarah Worthington's rigorous and inspirational approach to private law scholarship.

Britain faces invasion and conquest - from Napoleon and from the undead - in this supplement for The Silver Bayonet, featuring a competitive campaign and a horde of new monsters.

A collection of letters written through the ages from musicians of all genres, from Mozart to Freddie Mercury.

Following on from the hugely popular Mesozoic Art, this magnificent new volume showcases 25 amazing artists whose work represents the very best of palaeoart.

This book examines the diverse achievements of the Fatimid dynasty across religion, statecraft and art.

A new middle grade story of dangerous enchantment and sorcery set in the 1950s and contemporary times, from Carnegie-shortlisted Chris Vick.

The latest Patel & Pardoe supernatural mystery from the million-copy bestseller and master of the genre.

100 Ideas for Primary Teachers: Greener School is filled with exciting and creative activities that schools can use to achieve their Climate Action Plans and empower children to take action.