Böcker utgivna av Boydell & Brewer Ltd

A history of the University of Rochester Medical Center's Developmental and Behavioral Pediatrics Division from its inception in 1947 through 2019.

Volume 13 deals with the interaction of music and politics, considering a broad range of genres, authors, composers, and artists in Germany since the nineteenth century.A particularly iconic image of German Reunification is that of Mstislav Rostropovich playing from J. S. Bach's cello suites in front of the Berlin Wall on November 11, 1989. Thirty years on, it is timely to reconsider the cross-fertilization of music and politics within the German-speaking context. Frequently employed as a motivational force, a propaganda tool, or even a weapon, music can imbue a sense of identity and belonging, triggering both comforting and disturbing memories. Playing a key role in the formation of Heimat and "e;Germanness,"e; it serves ideological, nationalistic, and propagandistic purposes conveying political messages and swaying public opinion. This volume brings together essays by historians, literary scholars, and musicologists on topics concerning the increasing politicization of music, especially since the nineteenth century. They cover a broad spectrum of genres, musicians, and thinkers, discussing the interplay of music and politics in "e;classical"e; and popular music: from the rediscovery and repurposing of Martin Luther in nineteenth-century Germany to the exploitation of music during the Third Reich, from the performative politics of German punk and pop music to the influence of the events of 1988/89 on operatic productions in the former GDR - up to the relevance of Ernst Bloch in our contemporary post-truth society.

Examines the heightened role of politics in contemporary German and Austrian cultural productions and institutions and what it means for German Studies.As debates about Europe, migration, resurgent nationalism, and neoliberalism intensify in Germany and Austria, politics has gained particular prominence in cultural production and cultural institutions. How does this development affect German Studies as a discipline and a practice? Volume 14 of Edinburgh German Yearbook examines political or politicized aspects of contemporary life that have become increasingly significant for culture today. The contributions gathered here offer engaging readings of contemporary literary texts (including work by Sasa Stanisic, Anke Stelling, and Timur Vermes), films (by Fatih AkA n, Ruth Beckermann, and Andreas Dresen), and other forms of cultural intervention (the polemics of Max Czollek and Oliver Polak, and the activism of the left-feminist group Burschenschaft Hysteria). These encourage us to consider how communities are being (re)shaped by current political and social crises, antagonisms around memory cultures, questions of European identity, as well as challenges to the status of an assumed Leitkultur and the discourse of integration.

Investigates the field of German life writing, from Rahel Levin Varnhagen around 1800 to Carmen Sylva a century later, from Doblin, Becher, women's WWII diaries, German-Jewish memoirs, and East German women's interview literatureto the autofiction of Lena Gorelik.In recent decades, life writing has exploded in popularity: memoirs that focus on traumatic experiences now constitute the largest growth sector in book publishing worldwide. But life writing is not only highly marketable; it also does important emotional, cultural, and political work. It is more available to amateurs and those without the cultural capital or the self-confidence to embrace more traditional literary forms, and thus gives voice to marginalized populations. Contested Selves investigates various forms of German-language life writing, including memoirs, interviews, letters, diaries, and graphic novels, shedding light on its democratic potential, on its ability to personalize history and historicize the personal. The contributors ask how the various authors construct and negotiate notions of the self relative to sociopolitical contexts, cultural traditions, genre expectations, and narrative norms. They also investigate the nexus of writing, memory, and experience, including the genre's truth claims vis-a-vis the pliability and unreliability of human memories. Finally, they explore ethical questions that arise from intimate life writing and from the representation of "e;vulnerable subjects"e; as well as from the interrelation of material body, embodied self, and narrative. All forms of life writing discussed in this volume are invested in a process of making meaning and in an exchange of experience that allows us to relate our lives to the lives of others.

Here translated for the first time, Jean-Jacques Nattiez's widely hailed comparative guide to the techniques of music analysis focuses on a single vivid passage from Wagner's Tristan and Isolde.The field of musicology has in recent decades branched out to incorporate methods from a wide range of other fields. But, when scholars examine a musical work, to what extent should they emphasize immanent (purely internal) features, and to what extent historical, cultural, psychological, or aesthetic networks of meanings associated with those features? Finally, what specific analytical method should be chosen, given that various methods can lead to seemingly incompatible results? Jean-Jacques Nattiez, a renowned figure in music theory, musicology, and ethnomusicology, here examines numerous contending approaches that have been applied to the English-horn melody heard in Wagner's Tristan and Isolde. His aim is to offer thereby a methodological guide and compendium that will allow specialists and students alike to navigate the multiplicity of theoretical orientations in musicology.Analytical models proposed by Heinrich Schenker, Nicolas Ruwet, Leonard B. Meyer, Fred Lerdahl, and other notable figures in the field of music analysis are discussed. Some of the analytical sketches by these scholars were previously unpublished and are presented to the public for the first time in the present book. The author also considers insights from the fields of psychology and psychoanalysis. An examination of Wagner's wide-ranging musical sources (Venetian gondolier songs and Swiss shepherd songs) leads to acutely relevant passages in writings by Rousseau, Goethe, and Schopenhauer. The book culminates in Nattiez's own interpretation of the relationship between vocal and instrumental music in Tristan and Isolde. Jean-Jacques Nattiez is professor emeritus of musicology at the Universite de Montreal.

Explores Haneke's historically complex film as a reflection on purity, ideology, violence, and child-rearing.

An ambitious new approach to African studies, utilizing indigenous sources to bring back the voices of the native Africans in their own words rather than that of colonizers and foreigners.

Brings musicology to the cutting edge of debates in the postmodern philosophy of history.

The first English-language study devoted to Hoelderlin's novel in three decades, this book reveals Hyperion's literary and philosophical richness and its complex ties with politics, choreography, and economics.

First full-length study of birds and their metamorphoses as treated in a wide range of medieval poetry, from the Anglo-Saxons to Chaucer and Gower.

A collection attesting to the richness and lasting appeal of these short forms of Middle English verse.The body of short Middle English poems conventionally known as lyrics is characterized by wonderful variety. Taking many different forms, and covering an enormous number of subjects, these poems have proved at once attractive andchallenging for modern readers and scholars. This collection of essays explores a range of Middle English lyrics from the thirteenth to the early sixteenth century, both religious and secular in flavour. It directs attention to the intrinsic qualities of these short poems and at the same time explores their capacity to illuminate important aspects of medieval cultural practice and production: forms of piety, contemporary conditions and events, the historyof feelings and emotions, and the relationships of image, song, performance and speech to the written word. The issues covered in the essays include editing lyrics; lyric manuscripts; affect; visuality; mouvance and transformation; and the relationships between words, music and speech. A particularly distinctive feature of the collection is that most of the essays take as a point of departure a specific lyric whose particularities are explored within wider-ranging critical argument. JULIA BOFFEY is Professor of Medieval Studies in the Department of English at Queen Mary University of London; CHRISTIANIA WHITEHEAD is Professor of Middle English Literature at the University of Warwick. Contributors: Anne Baden-Daintree, Julia Boffey, Anne Marie D'Arcy, Thomas G. Duncan, Susanna Fein, Mary C. Flannery, Jane Griffiths, Joel Grossman, John C. Hirsh, Hetta Elizabeth Howes, Natalie Jones, Michael P. Kuczynski, A.S. Lazikani, Daniel McCann, Denis Renevey, Elizabeth Robertson, Annie Sutherland, Mary Wellesley, Christiania Whitehead, Katherine Zieman.

Cutting-edge and fresh new outlooks on medieval literature, emphasising the vibrancy of the field.New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined. Essays in this volume engage with a wide range of subject matter, from as far back as Livy (d.c.AD 12/18) to Erwin Panofsky (d. 1968). They demonstrate that medieval textual cultures is a radically negotiable category and that medieval understandings of the past were equally diverse and unstable.They reflect on relationships between history, texts, and truth from a range of perspectives, from Foucault to "e;truthiness"e;, a twenty-first-century media coinage. Materiality and the technical crafts with which humans engage withthe natural world are recurrent themes, opening up new insights on mysticism, knighthood, and manuscript production and reception. Analysis of manuscript illuminations offers new understandings of identity and diversity, while a survey of every thirteenth-century manuscript that contains English currently in Oxford libraries yields a challenging new history of script. Particular texts discussed include Chretien de Troyes's Conte du Graal, Richard Rolle's Incendium amoris and Melos amoris, and the Middle English verse romances Lybeaus Desconus, The Erle of Tolous, Amis and Amiloun, and Sir Gawain and the Green Knight.

Examines the experiences of Catholics during the period when England was ruled by Puritan Protestants.This is the first book to examine thoroughly the ways in which Catholics adapted to political and social change during the turbulent years of the English Revolution. The book examines several important aspects of the Catholic experience in this period. It explores the penal laws by which the estates of Catholics were sequestrated, discussing the extent to which politicians designed the new laws to target Catholics specifically, rather than Royalists more generally, and outlining how the sequestration legislation operated in practice. It considers how Catholic gentry utilised their networks with influential Protestants with wider political connections when applying to have their sequestrations discharged. More broadly the book reveals how Catholics demonstrated their loyalty and assimilated into society despite being viewed as the natural enemies of the English Republic and Protectorate. The book also compares Catholic experiences to those of other religious minorities and sets the situation in England in the wider European international context of Catholic-Protestant rivalry and warfare, which made Catholics a particularly vulnerable religious minority in Puritan England. Eilish Gregory is a Postdoctoral Research Associate at the Royal Historical Society. She has held research fellowships at the Folger Shakespeare Library, Durham University and Marsh's Library and teaches at the University of Reading.

Shows how Britain and its empire was not a strong centralised imperial state and that it was only through manifold activities taking place in different colonial centres with varied colonial arrangements that the surge in piracy inthis period was contained and reduced.This book charts the surge and decline in piracy in the early eighteenth century (the so-called "e;Golden Age"e; of piracy), exploring the ways in which pirates encountered, obstructed, and antagonised the diverse participants of theBritish empire in the Caribbean, North America, Africa, and the Indian Ocean. The book's primary focus is on how anti-piracy campaigns were constructed as a result of the negotiations, conflicts, and individual undertakings of different imperial actors operating in the commercial and imperial hub of London; maritime communities throughout the British Atlantic; trading outposts in West Africa and India; and marginal and contested zones such as the Bahamas,Madagascar, and the Bay Islands. It argues that Britain and its empire was not a strong centralised imperial state; that the British imperial administration and the Royal Navy did not have the resources to mount a state-led, empire-wide war against piracy following the sharp increase in piratical attacks after 1716; and that it was only through manifold activities taking place in different colonial centres with varied colonial arrangements, economic strengths, and access to resources for maritime defence - which was often shaped by competing and contradictory interests - that Atlantic piracy was gradually discouraged, although not eradicated, by the mid-1720s. DAVID WILSON is a Lecturer in Maritime and Scottish history at the University of Strathclyde.

An in-depth analysis of the key contribution made by the women members of this important ruling family in maintaining and advancing the family's political, landed, economic, social and religious interests.This book examines the lives of aristocratic Anglo-Irish women in late medieval and early modern Ireland as illustrated by an in-depth cross generational analysis of women born or married into the important Ormond family between the 1450s and 1660. It outlines and assesses their individual and collective significance in negotiating the preservation and advancement of the family's political, landed, economic, social and confessional interests, from the chronic instability of the Wars of the Roses, through the vicissitudes of the Tudor, Stuart, Commonwealth and Restoration eras. In gauging the relative significance of the Ormond women's experiences and contributions, the book explores their roles in both private dynastic and wider public circles within the broader context of aristocratic families elsewhere in Ireland, England and continental Europe. The cross-generational approach provides a chronologicaland comparative appraisal of all aspects of each of these women's lives, roles and contributions - private, public, social, economic, confessional and political - all of which were intimately intertwined with the Ormond family's changing political fortunes, succession challenges, shifting dynastic alliances, and financial difficulties over the course of two centuries of profound change and upheaval in Ireland. DAMIEN DUFFY is the in-house archivist at Kylemore Abbey in Connemara Co Galway.

Why has Portugal's vibrant and creative cinema industry not been more commercially successful?This book traces the evolution of Portuguese cinema between the beginning of the New Cinema movement in 1960 and the height of the economic crisis in 2010 from a socio-cultural and economic perspective. It aims to explain why this vibrant and creative industry has not been more commercially successful and pays especial attention to questions of financial viability, domestic consumption, international distribution, and the effects of legislation. It shows how film-makers have responded to historical difficulties and material obstacles and how market conditions have influenced aesthetics. Drawing on quantitative and qualitative data, film theory, and history, the book assesses the place of Portuguese cinema within Portuguese culture as well as the wider film world. While focussed on the case of Portugal, it also sheds light on problems faced by other peripheral film cultures in the international marketplace and on the festival circuit.

First full-length study of what the manuscript contexts can reveal about early reactions to Chaucer, and in particular his treatment of women.

A survey of the activities of the British navy in the Caribbean from the voyages of sixteenth century English adventurers such as John Hawkins and Francis Drake through the great wars of the seventeenth and eighteenth centuries against the Dutch, Spanish and French and Britain's declining role thereafter.

A bold application of the concept of "e;canonical"e; works to the development of French operatic and concert life in the eighteenth and nineteenth centuries.This long-awaited book by a leading historian of European music life offers a fresh reading of concert and operatic life by showing how certain musical works in eighteenth- and nineteenth-century France came to be considered "e;canonic"e;: that is, admirable and worthy of being taken as models. In a series of interlinked essays, William Weber draws particular attention to the ways in which such reputations could shift in different eras and circumstances. The first chapter outlines how such a surge of reputation came about for Jean-Baptiste Lully after his death in 1687, followed a century later by one for the operas of Christoph-Willibald Gluck and Niccolo Piccinni. Next, Beverly Wilcox contributes a crucial chapter exploring how a canon of sacred works evolved at the Concert Spirituel between 1725 and 1790. Subsequent chapters detail the rise of an "e;incipient canon"e; for Joseph Haydn's music in the 1780s; a new operatic canon centered on works of Gioachino Rossini and Giacomo Meyerbeer; a century-long canonic repertory at the theater of the Opera-Comique; and, between 1860 and 1914, frequent concert performances of excerpts from Wagner's operas, sometimes along with excerpts from Meyerbeer's. Throughout, Weber and Wilcox demonstrate how the French musical press reflected musical taste, and also shaped it, across two centuries.

The first book to examine the connection between gender and memory in Grass's oeuvre, which is especially timely in light of current concerns about male privilege.

Shows how postwar writers in Austria and Yugoslavia re-imagined the concept of Mitteleuropa, Central Europe, as a cultural space between nostalgia and totalitarianism.

A guide, linked to an online suite of video examples, to how historical instruments influenced the composers of keyboard music, and a way to look at their scores with fresh eyes and ears.Today's pianists are expected to play music of three centuries on a single instrument: Steinway's design from the late 1800s. Other types of pianos, such as Mozart's Walter or Chopin's Pleyel, are increasingly being copied or restored, but they are played almost exclusively by specialists in "e;Historical Performance."e; David Breitman has been introducing Oberlin Conservatory students to historical keyboards since 1991, and in this book he focuses on the music he cares about most deeply and the problems he has found most perplexing. He begins by acknowledging the dilemma of confronting historical repertoire with modern instruments, then shows how to apply insights from period instruments to practical problems on any piano, including the relationship between melody and accompaniment and the use of the pedal. The central portion of the book discusses the pianos and piano music of Haydn and Mozart, Beethoven, Schubert, and Chopin, as well as the special place of the clavichord in eighteenth-century keyboard culture. A wide range of musical examples demonstrates how composers were influenced by the instruments they knew, and how that understanding can help today's performers. The book concludes with a passionate plea for individual creativity and autonomy, authentic voices for our own time.A suite of videos, including demonstrations of representative musical examples as well as of the moderator pedal and clavichord action, can be found here: https://vimeo.com/showcase/8046349.

Henry Ireton was a parliamentarian activist rising to the rank of Commissary-General of the New Model Army. Ireton's importance was through the framework he provided for the revolution of 1647-9. In 1649, both Ireton and Cromwell embarked on the conquest of Ireland, Ireton remaining there as Lord Deputy until he died on campaign in 1651.

Essays on the post-modern reception and interpretation of the Middle Ages,This volume continues the theme of its predecessor, addressing how the Middle Ages have been invoked to score political points, particularly with reference to the rise of populism fueled by recent recessions and a pandemic. The nine essays in the first portion of the volume directly address political medievalism in Tariq Ali's 2005 novel on Mideast instability, A Sultan in Palermo; attempts by twentieth-century Czech politicians to anchor their causes in the fifteenth-century Czech hero Petr Chelcicky; far-right deployment of Robin Hood memes to slander Hillary Rodham Clinton and Barack Obama; the ways Rory Mullarkey's 2017 play Saint George and the Dragon comments onEnglish national identity relative to Brexit; how national stereotypes have come into play amid cross-channel reporting on Brexit; nationalism in the medievalizing German monument to their fallen at the 1942 Battle of El Alamein;the English-speaking world's reception of Anthony Munday's 1589 book on conduct, Palmendos; nationalism in the self-characterization of two contemporary British Pagan movements; and how various communities in the television series Game of Thrones comment on medieval and/or contemporary nations. Nor are politics entirely absent from the final four articles in the volume, as they examine attempts to promote such particular agendas as toxic masculinity in Game of Thrones; misogyno-feminism there and in the George R.R. Martin book series on which the television program is based, A Song of Ice and Fire; the potential for audience self-realization amid the tension between the individual and the collective in The Mere Wife, Maria Dahvana Headley's 2018 adaptation of Beowulf; and ideal individual and collective behavior as modeled in the Ringling Brothers' 1912-13 spectacles about Joan of Arc. Contributors: Leticia Alvarez-Recio, Susan Aronstein, Matthias D. Berger, Shiloh Carroll, Louise D'Arcens, Laurie Finke, John C. Ford, Alexander L, Kaufman, Stephen Lahey, Scott Manning, Galit Noga-Banai, S.C. Thomson, Ethan Doyle White, Karen A. Winstead,

First comprehensive investigation of the major significance of female sinners turned saints in medieval literature.During the Middle Ages, the lives of saints such as Mary Magdalen and Mary of Egypt - "e;holy harlots"e;, women who repented of an early life of licentiousness to become blessed - were hugely popular, for both clerical and laypersons,men and women alike. These legends are rife with paradox: the saints are presented as epitomes of a type of femininity universally accepted as a model for all Christians to emulate in their quest for salvation, but at the same time they constitute marginal figures who could be petitioned in support of unconventional beliefs and lifestyles. The holy harlot's potential to contain the markers of both sainthood and whoredom within a single female body was however rejected in the sixteenth century, and so this fascinating model of sanctity has since been largely overlooked. This book, the first full-length study on the topic, aims to redress the situation, demonstrating that theseapparent outliers transformed mainstream concepts of piety and womanhood. It uses the Old English Martyrology and the Old English Life of Mary of Egypt to show that the early English conceived harlots becoming saints as a move from female to queer rather than as a gender inversion. In the later Middle Ages, "e;holy harlot"e; lives in the French of England and in Middle English (including the South English Legendary, the Digby Mary Magdalene, and in lives by John Mirk and Osbern Bokenham) are shown to demonstrate the centrality, from the twelfth-century rise of affective piety, of the harlot saints' femininity as a model for Everyman. They can also be seen as an influence on the writings of such women as Christina of Markyate, Margery Kempe, and Elizabeth Barton, and key to the self-representation of Bernard of Clairvaux and the Wycliffites. JULIETTE VUILLE is a Lecturer in Old and Middle English at the University of Lausanne.

Modern theoretical approaches throw new light on the concepts of face and faciality in the Roman de la Rose and other French texts from the Middle Ages.

Using a very wide range of detailed sources, the book surveys the many different experiences of women during the Second World War.Many existing studies on the role of women in the Second World War concentrate on women's increasing participation in the workplace and on their struggles to cope with rationing and shortages. This book goes further, exploring women's wartime experiences much more fully. Drawing on a wide range of sources including oral interviews, scrapbooks, personal letters, diaries, newspaper articles, Mass Observation files and memoirs, the book illustrates some ofthe similarities and differences of women's wartime experiences in different situations in different countries. Specific subjects covered include experiences of exile and living under occupation, of coping with proximity to fighting and to the frontline, and of dealing with everyday life in trying circumstances. The book draws out how factors such as political beliefs, nationalism, economics, religion, ability, geography and culture all had an impact. Overall, the book reveals a great deal about the complexities and nuances of women's experiences in this period of enormous upheaval. Mark J. Crowley is an Associate Professor at the David Eccles Business School, University of Utah. Sandra Trudgen Dawson is the Executive Administrator of the Berkshire Conference of Women's History. Contributors: Patricia Chappine, Sylvie Crinquand, Beth Hessel, Sarah Hogenbirk, Regina Lark,Bernice Linder, Alexis Peri, Kelly Spring, Michael Timonin, Angela Wanhalla, Wai-Yin Christina Wong.

First full-length examination of bastardy in Scotland during the period, exploring its many ramifications throughout society.

Examines the two largest Quaker communities in the early modern British Atlantic World, and scrutinizes the role of Quaker merchants and the business ethics they followed.The book studies the two largest Quaker communities in the early modern British Atlantic World, London and Philadelphia. It looks at the origins of the Society of Friends in mid seventeenth century England and follows its development into a well organised sect with a sophisticated organisational structure spreading across the Atlantic world. The book zooms in on the Quaker communities in these two important port cities, as well as their relationships withnon-Quaker inhabitants. It scrutinizes the role of Quaker merchants and the business ethics they followed. Drawing on many unpublished sources, the study is able to portray a mid-eighteenth-century crisis for the Quaker communities when sanctions for offences against the prevailing disciplines in business (fraud, debt, bankruptcy) and marriage increased dramatically. And yet these Quaker communities got likewise caught up in wider political developments across the British Empire. In the course of a series of conflicts affecting colonial Pennsylvania in the mid eighteenth century, the Society of Friends suffered grave reputational damage. The public in England and Pennsylvania began to perceive Quakers as a sect that put its own agenda and interest over the welfare of the colonial population and the Empire. In turn, these developments led to a "e;Quaker reformation"e; and Quaker identity became guided by new principles: honesty in business and religious marital endogamy. The book will be of interest to scholars and students of economic and Atlantic history, as well as Eighteenth-Century studies and religious history.ESTHER SAHLE is Lecturer at the University of Oldenburg. She holds an MSc in Global History and a PhD in Economic History from the London School of Economics.