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A fascinating account of the life of one of the most famous women of the Victorian era.For more than a decade in the second half of the nineteenth century Georgina Weldon (1837-1914) was one of the most famous women in England. Weldon was an exceptional self-publicist, intelligent and utterly convinced that she wasalways in the right. A semi-professional singer, she came to prominence as a friend of the composer Charles Gounod. Her husband's unsuccessful attempt to have her carried off to a lunatic asylum caused a public scandal, and her subsequent efforts to drag her enemies through the law courts were widely reported. Weldon's resistance to being certified insane and her unceasing legal claims for defamation and/or loss of earnings contributed to changes in laws relating to private asylums and vexatious litigation. Weldon sang in drawing rooms and concert halls, and on the music hall stage. She lectured on women's rights and law reform. The most notorious female plaintiff, and probably the first married women to represent herself in court, she advised many of her fellow litigants at a time when women were not permitted to practise law professionally. Her campaigns brought her notoriety and two gaol sentences. Joanna Martin expertly retells the story of that notorious Victorian eccentric who suffered many bouts of delusion and was an ardent supporter of spiritualism. Martin's account manages to negotiate a biography situated between crazed behaviour and the pursuit of admirable causes. Weldon's story offers a wide canvas introducing phenomena such as celebrity culture and major and marginal characters of Dickensian quality. This biography of Weldon, based on primary sources including Weldon's own diaries and letters, therefore touches upon a wide variety of issues; Victorian society, nineteenth-century's women's history, the context of a social and cultural history of madness and marriage (law), and nineteenth-century British musical culture.

Explores the ways in which the British Religious Affairs Branch aimed to organise religious life in post-war Germany.It is well known that at the key allied conferences during the latter part of World War II the future victorious allies were already progressing their post-war planning. Duly, an Allied Control Commission, with the task of providing administrative functions and eventually handing them over to an elected government, was formed in post-war Germany. In the Western zones, the cornerstone of coordinated administration was a policy of denazification, demilitarisation and democratization. Almost all sectors of German life would thereafter to be administered by the Allies. German Churches and religious affairs had, however, been promised to the defeated Germany. Of course, Nazism hadn't spared the Christian churches, and so questions of denazification and the future relationship between church and state in Germany remained significant. This book examines the British approach towards post-war German religious and ecclesiastical life by highlighting the role of the British Element of the Control Commission, more specifically the Religious Affairs Branch that was separated from the Education Branch at the end of 1945. Considering British attitudes to Catholics and Protestants, as well as the remaining Jewish and Muslim communities in Germany, this book uncovers allied differences with regards to organising future religious life in Germany. PETER HOWSON is the author of Padre, Prisoner and Pen-Pusher. The World War One Experiences of the Reverend Benjamin O'Rorke and Muddling Through. The Organisation of British Army Chaplaincy in World War One. For Boydell's Church of England Record Society Series, he edited The First World War Diaries of the Rt. Rev. Llewellyn Gwynne (2019). As a member of the Royal Army Chaplains' Department Howson served in Germany during the period 1977to 1997.

Examines the formation of state surveillance and the emergence of institutionalized political policing in late Victorian and Edwardian Britain.This book deals with the formation of state surveillance and the emergence of institutionalized political policing in late Victorian and Edwardian Britain. Little has been written on this early formative period for the British security state, which began in earnest as a response to the Fenian dynamite campaign of the 1880s. Based on newly declassified documents, Solomon weaves together separate narrative threads which converge to paint a complex picture ofthe institutional innovations and personal rivalries that produced Britain's first national political police. The interactions between high-ranking bureaucrats, policemen and politicians reveal how often conflicting ideas on controlling organized radicalism coalesced into a unified counter-subversive strategy. Stressing the distinctness of the early British model of political policing, the narrative goes past the confines of a scholarly account by using source material to flesh out multidimensional characters, ranging from choleric Home Secretaries to remorseful anarchist double agents embroiled in a high-stakes and often unscrupulous combination of espionage, collusion and betrayal. VLAD SOLOMON is an independent scholar living in Montreal, Canada. He holds a PhD in history from McGill University.

The first comprehensive, comparative study of the visual culture of monarchy in the reigns of William and Mary and Queen Anne

First modern study devoted to one of the twelfth-century's most enigmatic, influential and fascinating figures.Henry of Blois (d. 1171) was a towering figure in twelfth-century England. Grandson of William the Conqueror and brother to King Stephen, he played a central role in shaping the course of the civil war that characterized his brother's reign. Bishop of Winchester and abbot of Glastonbury for more than four decades, Henry was one of the richest men in the kingdom, and effectively governed the English Church for a time as Papal Legate. Raised and tonsured atCluny, he was an intimate friend of Peter the Venerable and later saved the great abbey from financial ruin. Towards the end of his life he presided, albeit reluctantly, over the trial of Thomas Becket. Henry was a remarkable man:an administrator of exceptional talent, a formidable ecclesiastical statesman, a bold and eloquent diplomat, and twelfth-century England's most prolific patron of the arts. In the first major book-length study of Henry to bepublished since 1932, nine scholars explore new perspectives on the most crucial aspects of his life and legacy. By bringing ecclesiastical and documentary historians together with archaeologists and historians of art, architecture, literature and ideas, this interdisciplinary collection will serve as a catalyst for renewed study of this fascinating man and the world in which he operated. WILLIAM KYNAN-WILSON is Lecturer in the History of Artat the University of Bristol; JOHN MUNNS is a Fellow of Magdalene College, Cambridge Contributors: Martin Biddle, Barbara Bombi, John Crook, Claire Donovan, M.J. Franklin, Edmund King, William Kynan-Wilson, Matthew M. Mesley, John Munns

The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time.Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith-all in their mid-twenties- captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years. Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.

Special volume treating exemplars of the vast number of texts arising from historic and imaginary encounters between Jews and non-Jewish Germans, from the early modern period to the present.

Exploring issues of disability culture, activism, and policy across the African continent, this volume argues for the recognition of African disability studies as an important and emerging interdisciplinary field.While the disability rights movement of recent decades has a rich and well-documented history, it is a history mostly focused on the Global North. Disability in Africa presents an interdisciplinary approach to cultural, health, and policy challenges that disability issues have raised throughout the African continent. The volume draws on the achievements of disability studies while acknowledging the demands and challenges of particular African contexts. The authors bring diverse methodological approaches and expertise to bear on these issues, ranging from anthropology and bioethics to special education and community rehabilitation. Essays consider indigenously African definitions of disability as well as exploring disability at the intersection of poverty, geography, and globalized biopolitics. Contributors analyze the difficulties of implementing disability policy across the continent while also being mindful of successful approaches taken at local, national, and international levels. Disability in Africa thus charts new avenues for disability studies research in and about Africa.

A gazetteer of the many fine Shropshire country houses, which covers the architecture, the owners' family history, and the social and economic circumstances that affected them.

Beethoven's Lives will be required reading for anyone interested in understanding how Beethoven biography has evolved through the ages.

Studies and editions of Anglo-Saxon apocryphal materials, filling a gap in literature available on the boundaries between apocryphal and orthodox in the period.

Full analysis of ancient and medieval expressions of Celtic cursing, using evidence ranging from magical charms to curse tablets.The first comprehensive study of early Celtic cursing, this work analyses both medieval and ancient expressions of Celtic imprecation: from the binding tablets of ancient Britain and Gaul to the saintly maledictions of the early medieval period, and other traces of Celtic stipulation and binding only speculated on in earlier scholarship. It provides the first full overview and analyses of the ancient Celtic use of binding curses (as attested in Old Celticand Latin inscriptions) and examines their mooted influence in later medieval expressions. Ancient finds (among them long Gaulish curse texts, Celtic Latin Curse tablets found from the Alpine regions to Britain, and fragments of Old Brittonic tablets excavated from Roman Bath) are subjected to rigorous new interpretations, and medieval reflections of the earlier tradition are also considered. BERNARD MEES gained his PhD from the University of Melbourne.

Definitive history of the Abbey of Bury St Edmunds during a crucial period in its history.St Edmund's Abbey was one of the most highly privileged and wealthiest religious houses in medieval England, one closely involved with the central government; its history is an integral part of English history. This book (the first of two volumes) offers a magisterial and comprehensive account of the Abbey during the thirteenth century, based primarily on evidence in the abbey's records [over 40 registers survive]. The careers of the abbots, beginning withthe great Samson, provide the chronological structure; separate chapters study various aspects of their rule, such as their relations with the convent, the abbey's internal and external administration and its relations with itstenants and neighbours, with the king and the central government. Chapters are also devoted to the monks' religious, cultural and intellectual life, to their writings, book collection and archives. Appendices focus on the mid-thirteenth century accounts which give a unique and detailed picture of the organisation and economy of St Edmunds' estates in West Suffolk, and on the abbey's watermills and windmills. Dr ANTONIA GRANSDEN is former Reader atthe University of Nottingham.

Comprehensive survey of the legend of Charlemagne in the medieval German-speaking world.

An interdisciplinary approach to sources for our knowledge of the crusades.

The motivations behind those who went on the Third Crusade examined through close investigation of their social networks.

An excellent insight, using the example of the Chesapeake Bay fur trade, into how the different elements of transatlantic trade in the seventeenth century fitted together.This book explores the development of the fur trade in Chesapeake Bay during the seventeenth century, and the wide-ranging links that were formed in a new and extensive transatlantic chain of supply and consumption. It considers changing fashion in England, the growing demand for fur, at a time when the Russian fur trade was in decline, examines native North Americans and their trading and other exchanges with colonists, and explores the nature of colonialsociety, including the commercial ambitions of a varied range of investors. As such, it outlines the intense rivalry which existed between different colonies and colonial interests. Although the book argues that fur never supplanted tobacco as the region's principal export, noting that the trade declined as new, more profitable sources of supply were opened up, nevertheless the case of the Chesapeake fur trade provides an excellent example of how different elements in a new transatlantic enterprise fitted together and had a profound impact on each other. JOHN C. APPLEBY is a Senior Lecturer in History at Liverpool Hope University. He is the author of Women and English Piracy, (Boydell, 2013).

The first English translation of Bizet's letters and journals from his stay in Italy, with explanatory texts from one of the leading authorities on the composer's life and music.

The first book devoted exclusively to the Holocaust in the North Caucasus, exploring mass killings, Jewish responses, collaboration, and memory in a region barely known in this contextWhen war between the Soviet Union and Germany broke out in 1941, thousands of refugees - many of whom were Jews - poured from war-stricken Ukraine, Crimea, and other parts of Russia into the North Caucasus. Hoping to find safety, they came to a region the Soviets had struggled to pacify over the preceding 20 years of their rule. The Jewish refugees were in especially unfamiliar territory, as the North Caucasus had been mostly off-limits to Jews before the Soviets arrived, and most local Jewish communities were thus small. The region was not known as a hotbed of traditional antisemitism. Nevertheless, after occupying the North Caucasus in the summer and autumn of 1942, the Germans exterminated all the Jews they found - at least 30,000 - aided by local collaborators. While scholars have focused on local collaboration during the German occupation and on the subsequent Soviet deportations of entire North Caucasian ethnic groups, the region has largely escaped the attention of Holocaust researchers. This volume, the first book-length study devoted exclusively to the Holocaust in the North Caucasus, addresses that gap. Contributors present richly documented essays on such topics as German killing operations, decision-making by Jewish refugees, local collaboration, rescue, and memory, taking care to integrate their findings into the broader contexts of Holocaust, North Caucasian, Russian, and Soviet history.

Uses the rare depictions of musical instruments and musical sources found on the Eglantine Table to understand the musical life of the Elizabethan age and its connection to aspects of culture now treated as separate disciplines ofhistorical study.The reign of Elizabeth I (1558-1603) has often been regarded as the Golden Age of English music. Many works of high quality, both vocal and instrumental, were composed and performed by native and immigrant musicians, while balladry and minstrelsy flourished in hall, street and alehouse. No single source of the sixteenth century presents this rich musical culture more vividly than the inlaid surface of the Eglantine Table. This astonishing piece of furniture was made in the late 1560s for the family of Elizabeth or 'Bess' of Hardwick, Countess of Shrewsbury (1527-1608). The upper surface bears a wealth of marquetry that depicts, amidst the briar roses and other plants, numerous Elizabethan musical instruments in exquisite detail together with open books or scrolls of music with legible notation. Given that depictions of musical instruments and musical sources are rare in all artistic media of the Elizabethan period, the Eglantine Table is a very important resource for understanding the musical life of the age and its connection to aspects of culture now treated separately in disciplines such as art history, social and political history or the study of material culture. This volume assembles a group of leading scholars in the history of instruments and associated fields to ground future research upon the most expert assessment of the depicted instruments, the music and the decorative imagery that is currently attainable. A final section of the book takes a broad view, placing the Table and the musical components of its decoration in relation to the full range of Elizabethan musical life. MICHAEL FLEMING focused his instrument-making career principally on viols and was awarded a PhD by the Open University in 2001 for his research into English viol-making. Since 2005 he has produced the leading international journal of organology, The Galpin Society Journal, and he was Chair of the Viola da Gamba Society from 1997-2017. His recent publications include Early English Viols: Instruments, Makers and Music (Routledge, 2017), co-authored with John Bryan. CHRISTOPHER PAGE is Emeritus Professor of English in the University of Cambridge, a Fellow of the British Academy and a Member of the Academia Europaea. His most recent publications include the second in his four-volume history of the early guitar, The Guitar in Stuart England: A Social and Musical History, was published by Cambridge University Press in November 2017.

A survey of the rituals of the year in Victorian England, showing the influence of the Middle Ages.What does a maypole represent? Why eat hot cross buns? Did Dick Whittington have a cat? All these questions are related to a larger one that nineteenth-century Britons asked themselves: which was more fun: living in their own time, or living in the Middle Ages? While Britain was becoming the most industrially-advanced nation in the world, many vaunted the superiority of the present to the past-yet others felt that if shadows of past ways of life haunted the present, they were friendly ghosts. This book explores such ghosts and how real or imagined remnants of medieval celebration in a variety of forms created a cultural idea of the Middle Ages. As Britons found, or thought that they found, traces of the medieval in traditions tied to times of the year, medievalism became not only the justification but also the inspiration for community festivity, from Christmas and Boxing Day through Maytime rituals toHallowe'en, as show in the writings of amongst many others Keats, Browning and Dickens. CLARE A. SIMMONS is a Professor of English at The Ohio State University.

The famous letters of Bernard of Clairvaux attacking the philosopher Peter Abelard and a vituperative response to them are presented together for the first time.

A new critical edition of Henry VIII's 1526 public letter to Martin Luther, enabling readers to examine how Henry VIII wanted his subjects to regard the German heresiarch.A modern critical edition of Henry VIII's second published work against Martin Luther. This open letter to Luther, printed at the king's command in December 1526, was in reply to a private letter addressed to him by Luther the previous year. Its particular interest lies in the fact that, unlike his better known Assertion of the Seven Sacraments, published five years before, Henry's open letter was released not only in Latin but also in an official Englishtranslation, with a special English preface added by the king for the edification of his subjects. This edition thus enables modern readers to hear what Henry had to say about Luther in his own words, and how he wanted his subjects to regard the German heresiarch. This critical edition is based on a previously unrecognised presentation manuscript which furnishes the earliest surviving text of both letters. In addition, it offers editions and newtranslations of a range of related texts, including Luther's reply to Henry and further contributions to the burgeoning controversy from several of the most prominent Catholic opponents of Luther in Europe. For Henry's letter, like his earlier book, became for a while a European sensation, reprinted in towns and cities from Cologne to Cracow. This fully annotated edition includes a substantial introduction which for the first time tells the full history of Henry's second controversy with Luther, and which sets that story in the broader context of the lengthy and fractious relationship between the two men from the time of Luther's emergence in 1517 until his death in 1546.RICHARD REX is Professor of Reformation History at the University of Cambridge.

The first modern English edition of Richard Wagner's essays on conducting, extensively annotated, with a critical essay on Wagner as conductor: his aesthetic, practices, vocabulary, and impact.

A study of the development of English opinion on the American Civil War, paying special attention to the issues of slavery, neutral rights, democracy, republicanism, trade and propaganda - a new interpretation.At the end of the American Civil War, both North and South condemned Britain for allegedly sympathising with the other side. Yet after the conflict, a traditional interpretation of the subject arose which divided English sentimentbetween progressivism siding with the Union and conservatism supporting the Confederacy. Despite historians subsequently questioning whether English opinion can be so easily divided, challenging certain aspects and arguments of this version of events, the traditional interpretation has persevered and remains the dominant view of the subject. This work posits that English public and political opinion was not, in fact, split between two such opposing camps- rather, that most in England were suspicious of both sides in the conflict, and even those who did take sides did not consist largely of any one particular social or political group. Covering the period from 1861 to 1865,Campbell traces the development of English opinion on the American Civil War, looking particularly at reaction to issues of slavery, neutral rights, democracy, republicanism, American expansionism,trade and propaganda. In so doing he offers a new interpretation of English attitudes towards the American Civil War. DUNCAN ANDREW CAMPBELL lectures at the Department of American Studies, University of Maryland Baltimore County.

This catalogue of the substantial collection of the incunabula at the University of Glasgow Library, concentrates, in addition to the usual data, on the copy-specific aspects of the book such as provenance, use, binding and decoration.

Argues the case for the individual as autonomous moral agent in the later Middle Ages."e;Of fundamental importance for any discipline dealing with past societies and cultures. One of the most wide-ranging, sophisticated and imaginative books on medieval history that I have read in a very long time. The way in which the author defines, traces and analyses agency is stunningly original. It will make an immensely important contribution to our understanding of high and late medieval Europe."e; Professor Bjorn Weiler, University of Aberystwyth What did it mean to be an autonomous agent in European medieval society? This book aims to answer that fundamental question, via an examination of a mosaic of case studies drawn from the literate urban middle strata and the lower and middle-rank aristocracy. The social imaginary that informs individual conduct, the patterns of strategic action, and the individuals' sense of effectiveness in the world are reconstructed from "e;ego-documents"e;, a broad category that includes first-person charters, autobiographical insertions in chronicles, private registers, and memoirs. These range from the better-known, such as the Menagier de Paris and the histories of Galbert of Bruges and Salimbene of Parma, to the equally fascinating but more seldom explored French livres de raison and Italian ricordanze. The book's larger aim is to historicise the autonomous moral agent. Neither belief in divine intervention nor feudal relations inhibited individuals' social agency. The emphasis on hierarchy and order in medieval normative texts is shown in a different light, as part of the effort to restrain social subalterns, whose potential for agency caused anxiety. Whereas power is often structural, an effect of institutions which, however, were only just developing, the book argues that agency is a more apposite construct for capturing the salient medieval concerns with the possibilities and effects of individual and collective action.

Essays on important topics in early music.Christopher Page is one of the most influential and distinguished scholars and performers of medieval music. His first book, Voices and Instruments of the Middle Ages (1987), marked the beginning of what might be called the"e;Page turn"e; in the study and performance of medieval music. His many subsequent publications, radio broadcasting (notably the series Spirit of the Age) and performances and recordings with his ensemble Gothic Voices changed the perception of and thinking about music from before about 1400 and forged new ways of communicating its essence to scholars as well as its subtle beauty to wider audiences. The essays presented here in his honour reflectthe broad range of subject-matter, from the earliest polyphony to the conductus and motet of the thirteenth and fourteenth centuries, the troubadour and trouvere repertories, song and dance, church music, medieval music theory, improvisation techniques, historiography of medieval music, musical iconography, instrumental music, performance practice and performing, that has characterised Page's major contribution to our knowledge of music of the Middle Ages. TESS KNIGHTON is an ICREA Research Professor affiliated to the Institucio Mila i Fontanals-CSIC in Barcelona and an Emeritus Fellow of Clare College, Cambridge; DAVID SKINNER is Fellow and Osborn Director of Music at Sidney Sussex College, Cambridge, and director of the early music ensemble Alamire. Contributors: Elizabeth Aubrey, Anna Maria Busse Berger, John Caldwell, Alice V. Clark, Lisa Colton, Lawrence Earp, Mark Everist, David Fallows, Manuel Pedro Ferreira, Andrew Kirkman, Elizabeth Eva Leach, Marc Lewon, Jeremy Montagu, Keith Polk, Reinhard Strohm, Rob C. Wegman, Crawford Young For any queries regarding the completion and/orreturn of the Tabula Gratulatoria form below, please contact Elizabeth McDonald (emcdonald@boydell.co.uk)

New insights into interpretive problems in the history of England and Europe between the eighth and thirteenth centuries.